The camera-eye metaphor in cinema

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1. Verfasser: Quendler, Christian (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: New York ; London Routledge, Taylor & Francis Group 2017
Schriftenreihe:Routledge advances in film studies 51
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Datensatz im Suchindex

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adam_text Contents List of Figures Acknowledgments xi IX Introduction 1 1 Seeing-As 13 Playing with the Senses 14 Sensitive Paper and Visual Substance 17 Mechanical Brains and Electronic Minds 20 The Organic Camera Eye and Walter Benjamin’s Optical Unconscious 23 Convergent Theorizing in Jean-Louis Baudry’s Apparatus Theory 27 2 Seeing Better and Seeing More 38 Camera and Dispositif 39 René Descartes and Dziga Vertov on Perfecting Vision 45 Seeing Better with Vsevolod Pudovkin’s Cartesian Camera Eye 48 Seeing More with Vertov’s Kino-Eye 53 3 Seeing and Writing 65 Dziga Vertov’s Poetic Map of A Sixth Part of the World 67 The Literary Notebooks of Luigi Pirandello’s Silent Camera Operator 71 The Sound Image of John Dos Passos’ Camera Eye 74 Christopher Isherwood’s Camera Eye on Stage and Screen 77 4 Memory and Traces 93 A Series of Dated Traces 95 Margarete Böhme’s The Diary of a Lost One 98 Filming Diary of a Lost Girl 101 William Keighley’s Journal of a Crime 108 Cinema as Paper Formatted in Time 112 viii Contents 5 Gestures and Figures Embodied Gestures and Textual Figures 125 Autopsy and Autography 127 Cinematic Discovery of the Self 132 Filmic Bodies and Figures in Narrative Film Theory 134 Lady in the Lake and La Femme défendue 138 6 Roles and Models Personal Cinema as Institution, Medium and Genre 152 From Psychodrama to Life Models 154 Animating the Self in Jerome Hill’s Film Portrait 159 Stan Brakhage’s Metaphors and Art of Vision 164 The Development of Brakhage’s Camera Consciousness 168 The Eye Body and the Body Politic in Carolee Schneemann’s Expanded Cinema 172 Embodied Expressionism and Living Diary 175 7 Minds and Screens Bruce Katvin and Gilles Deleuze on Camera Consciousness 186 Visionary Agents in Michael Powell’s Peeping Tom and Bertrand Tavernier’s Death Watch 191 Enacted Visions in Julian Schnabel’s The Diving Bell and the Butterfly and Caspar Noé’s Enter the Void 199 8 Retrospective Bibliography Index 123 149 184 212 223 241
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spelling Quendler, Christian Verfasser (DE-588)122053191X aut
The camera-eye metaphor in cinema Christian Quendler
New York ; London Routledge, Taylor & Francis Group 2017
xii, 250 Seiten Illustrationen
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Routledge advances in film studies 51
First issued in paperback 2019
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Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029405611&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle Quendler, Christian
The camera-eye metaphor in cinema
Routledge advances in film studies
Kamera (DE-588)4366655-3 gnd
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subject_GND (DE-588)4366655-3
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(DE-588)4038935-2
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title The camera-eye metaphor in cinema
title_auth The camera-eye metaphor in cinema
title_exact_search The camera-eye metaphor in cinema
title_full The camera-eye metaphor in cinema Christian Quendler
title_fullStr The camera-eye metaphor in cinema Christian Quendler
title_full_unstemmed The camera-eye metaphor in cinema Christian Quendler
title_short The camera-eye metaphor in cinema
title_sort the camera eye metaphor in cinema
topic Kamera (DE-588)4366655-3 gnd
Auge (DE-588)4122841-8 gnd
Metapher (DE-588)4038935-2 gnd
Film (DE-588)4017102-4 gnd
topic_facet Kamera
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