Framing pictures film and the visual arts

Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Jacobs, Steven 1967- (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Edinburgh Edinburgh University Press 2011
Schlagworte:
Online-Zugang:BSB01
URL des Erstveröffentlichers
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!

MARC

LEADER 00000nmm a2200000zc 4500
001 BV043938812
003 DE-604
005 00000000000000.0
007 cr|uuu---uuuuu
008 161206s2011 |||| o||u| ||||||eng d
020 |a 9780748647033  |c Online  |9 978-0-7486-4703-3 
035 |a (ZDB-20-CBO)CR9780748647033 
035 |a (OCoLC)992825074 
035 |a (DE-599)BVBBV043938812 
040 |a DE-604  |b ger  |e rda 
041 0 |a eng 
049 |a DE-12  |a DE-Po75 
082 0 |a 791.4/3657  |2 22 
084 |a AP 47500  |0 (DE-625)7543:  |2 rvk 
100 1 |a Jacobs, Steven  |d 1967-  |e Verfasser  |4 aut 
245 1 0 |a Framing pictures  |b film and the visual arts  |c Steven Jacobs 
264 1 |a Edinburgh  |b Edinburgh University Press  |c 2011 
300 |a 1 online resource (xiv, 210 pages) 
336 |b txt  |2 rdacontent 
337 |b c  |2 rdamedia 
338 |b cr  |2 rdacarrier 
500 |a Title from publisher's bibliographic system (viewed on 02 Oct 2015) 
505 8 |a Camera and canvas: Emmer, Storck, Resnais and the post-war art film -- Vasari in Hollywood: artists and biopics -- Galleries of the gaze: the museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo -- Tableaux vivants 1: painting, film, death and passion plays in Pasolini and Godard -- Tableaux vivants 2: film stills and contemporary photography -- The video that knew too much: Hitchcock, contemporary art and post-cinema 
520 |a Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative. He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall. Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike 
630 0 7 |a Vertigo  |g Film  |f 1958  |0 (DE-588)4535992-1  |2 gnd  |9 rswk-swf 
650 4 |a Film 
650 4 |a Philosophie 
650 4 |a Motion pictures and the arts 
650 4 |a Art and motion pictures 
650 4 |a Motion pictures / Appreciation 
650 4 |a Motion pictures / Philosophy 
650 0 7 |a Kunst  |0 (DE-588)4114333-4  |2 gnd  |9 rswk-swf 
650 0 7 |a Film  |0 (DE-588)4017102-4  |2 gnd  |9 rswk-swf 
650 0 7 |a Fotografie  |0 (DE-588)4045895-7  |2 gnd  |9 rswk-swf 
650 0 7 |a Künstler  |g Motiv  |0 (DE-588)4122247-7  |2 gnd  |9 rswk-swf 
650 0 7 |a Biografischer Film  |0 (DE-588)4373947-7  |2 gnd  |9 rswk-swf 
650 0 7 |a Museum  |g Motiv  |0 (DE-588)4241819-7  |2 gnd  |9 rswk-swf 
650 0 7 |a Lebendes Bild  |0 (DE-588)4167006-1  |2 gnd  |9 rswk-swf 
650 0 7 |a Kunstwerk  |g Motiv  |0 (DE-588)4272651-7  |2 gnd  |9 rswk-swf 
689 0 0 |a Lebendes Bild  |0 (DE-588)4167006-1  |D s 
689 0 1 |a Film  |0 (DE-588)4017102-4  |D s 
689 0 2 |a Fotografie  |0 (DE-588)4045895-7  |D s 
689 0 |8 1\p  |5 DE-604 
689 1 0 |a Kunst  |0 (DE-588)4114333-4  |D s 
689 1 1 |a Film  |0 (DE-588)4017102-4  |D s 
689 1 |8 2\p  |5 DE-604 
689 2 0 |a Museum  |g Motiv  |0 (DE-588)4241819-7  |D s 
689 2 1 |a Vertigo  |g Film  |f 1958  |0 (DE-588)4535992-1  |D u 
689 2 |8 3\p  |5 DE-604 
689 3 0 |a Kunstwerk  |g Motiv  |0 (DE-588)4272651-7  |D s 
689 3 1 |a Film  |0 (DE-588)4017102-4  |D s 
689 3 |8 4\p  |5 DE-604 
689 4 0 |a Künstler  |g Motiv  |0 (DE-588)4122247-7  |D s 
689 4 1 |a Biografischer Film  |0 (DE-588)4373947-7  |D s 
689 4 |8 5\p  |5 DE-604 
776 0 8 |i Erscheint auch als  |n Druckausgabe  |z 978-0-7486-4017-1 
776 0 8 |i Erscheint auch als  |n Druckausgabe  |z 978-0-7486-6876-2 
856 4 0 |u http://www.cambridge.org/core/product/identifier/9780748647033/type/BOOK  |x Verlag  |z URL des Erstveröffentlichers  |3 Volltext 
912 |a ZDB-20-CBO 
999 |a oai:aleph.bib-bvb.de:BVB01-029347783 
883 1 |8 1\p  |a cgwrk  |d 20201028  |q DE-101  |u https://d-nb.info/provenance/plan#cgwrk 
883 1 |8 2\p  |a cgwrk  |d 20201028  |q DE-101  |u https://d-nb.info/provenance/plan#cgwrk 
883 1 |8 3\p  |a cgwrk  |d 20201028  |q DE-101  |u https://d-nb.info/provenance/plan#cgwrk 
883 1 |8 4\p  |a cgwrk  |d 20201028  |q DE-101  |u https://d-nb.info/provenance/plan#cgwrk 
883 1 |8 5\p  |a cgwrk  |d 20201028  |q DE-101  |u https://d-nb.info/provenance/plan#cgwrk 
966 e |u http://www.cambridge.org/core/product/identifier/9780748647033/type/BOOK  |l BSB01  |p ZDB-20-CBO  |q BSB_PDA_CBO  |x Verlag  |3 Volltext 

Datensatz im Suchindex

_version_ 1804176878014038016
any_adam_object
author Jacobs, Steven 1967-
author_facet Jacobs, Steven 1967-
author_role aut
author_sort Jacobs, Steven 1967-
author_variant s j sj
building Verbundindex
bvnumber BV043938812
classification_rvk AP 47500
collection ZDB-20-CBO
contents Camera and canvas: Emmer, Storck, Resnais and the post-war art film -- Vasari in Hollywood: artists and biopics -- Galleries of the gaze: the museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo -- Tableaux vivants 1: painting, film, death and passion plays in Pasolini and Godard -- Tableaux vivants 2: film stills and contemporary photography -- The video that knew too much: Hitchcock, contemporary art and post-cinema
ctrlnum (ZDB-20-CBO)CR9780748647033
(OCoLC)992825074
(DE-599)BVBBV043938812
dewey-full 791.4/3657
dewey-hundreds 700 - The arts
dewey-ones 791 - Public performances
dewey-raw 791.4/3657
dewey-search 791.4/3657
dewey-sort 3791.4 43657
dewey-tens 790 - Recreational and performing arts
discipline Allgemeines
format Electronic
eBook
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04830nmm a2200817zc 4500</leader><controlfield tag="001">BV043938812</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161206s2011 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748647033</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-7486-4703-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9780748647033</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)992825074</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043938812</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4/3657</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 47500</subfield><subfield code="0">(DE-625)7543:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Jacobs, Steven</subfield><subfield code="d">1967-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Framing pictures</subfield><subfield code="b">film and the visual arts</subfield><subfield code="c">Steven Jacobs</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xiv, 210 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 02 Oct 2015)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Camera and canvas: Emmer, Storck, Resnais and the post-war art film -- Vasari in Hollywood: artists and biopics -- Galleries of the gaze: the museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo -- Tableaux vivants 1: painting, film, death and passion plays in Pasolini and Godard -- Tableaux vivants 2: film stills and contemporary photography -- The video that knew too much: Hitchcock, contemporary art and post-cinema</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative. He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall. Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike</subfield></datafield><datafield tag="630" ind1="0" ind2="7"><subfield code="a">Vertigo</subfield><subfield code="g">Film</subfield><subfield code="f">1958</subfield><subfield code="0">(DE-588)4535992-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Philosophie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures and the arts</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Appreciation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Philosophy</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Künstler</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4122247-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Biografischer Film</subfield><subfield code="0">(DE-588)4373947-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Museum</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4241819-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Lebendes Bild</subfield><subfield code="0">(DE-588)4167006-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstwerk</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4272651-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Lebendes Bild</subfield><subfield code="0">(DE-588)4167006-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Museum</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4241819-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Vertigo</subfield><subfield code="g">Film</subfield><subfield code="f">1958</subfield><subfield code="0">(DE-588)4535992-1</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Kunstwerk</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4272651-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="8">4\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="4" ind2="0"><subfield code="a">Künstler</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4122247-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2="1"><subfield code="a">Biografischer Film</subfield><subfield code="0">(DE-588)4373947-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="4" ind2=" "><subfield code="8">5\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-7486-4017-1</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-7486-6876-2</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.cambridge.org/core/product/identifier/9780748647033/type/BOOK</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029347783</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">4\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">5\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.cambridge.org/core/product/identifier/9780748647033/type/BOOK</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection>
id DE-604.BV043938812
illustrated Not Illustrated
indexdate 2024-07-10T07:39:10Z
institution BVB
isbn 9780748647033
language English
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-029347783
oclc_num 992825074
open_access_boolean
owner DE-12
DE-Po75
owner_facet DE-12
DE-Po75
physical 1 online resource (xiv, 210 pages)
psigel ZDB-20-CBO
ZDB-20-CBO BSB_PDA_CBO
publishDate 2011
publishDateSearch 2011
publishDateSort 2011
publisher Edinburgh University Press
record_format marc
spelling Jacobs, Steven 1967- Verfasser aut
Framing pictures film and the visual arts Steven Jacobs
Edinburgh Edinburgh University Press 2011
1 online resource (xiv, 210 pages)
txt rdacontent
c rdamedia
cr rdacarrier
Title from publisher's bibliographic system (viewed on 02 Oct 2015)
Camera and canvas: Emmer, Storck, Resnais and the post-war art film -- Vasari in Hollywood: artists and biopics -- Galleries of the gaze: the museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo -- Tableaux vivants 1: painting, film, death and passion plays in Pasolini and Godard -- Tableaux vivants 2: film stills and contemporary photography -- The video that knew too much: Hitchcock, contemporary art and post-cinema
Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative. He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall. Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike
Vertigo Film 1958 (DE-588)4535992-1 gnd rswk-swf
Film
Philosophie
Motion pictures and the arts
Art and motion pictures
Motion pictures / Appreciation
Motion pictures / Philosophy
Kunst (DE-588)4114333-4 gnd rswk-swf
Film (DE-588)4017102-4 gnd rswk-swf
Fotografie (DE-588)4045895-7 gnd rswk-swf
Künstler Motiv (DE-588)4122247-7 gnd rswk-swf
Biografischer Film (DE-588)4373947-7 gnd rswk-swf
Museum Motiv (DE-588)4241819-7 gnd rswk-swf
Lebendes Bild (DE-588)4167006-1 gnd rswk-swf
Kunstwerk Motiv (DE-588)4272651-7 gnd rswk-swf
Lebendes Bild (DE-588)4167006-1 s
Film (DE-588)4017102-4 s
Fotografie (DE-588)4045895-7 s
1\p DE-604
Kunst (DE-588)4114333-4 s
2\p DE-604
Museum Motiv (DE-588)4241819-7 s
Vertigo Film 1958 (DE-588)4535992-1 u
3\p DE-604
Kunstwerk Motiv (DE-588)4272651-7 s
4\p DE-604
Künstler Motiv (DE-588)4122247-7 s
Biografischer Film (DE-588)4373947-7 s
5\p DE-604
Erscheint auch als Druckausgabe 978-0-7486-4017-1
Erscheint auch als Druckausgabe 978-0-7486-6876-2
http://www.cambridge.org/core/product/identifier/9780748647033/type/BOOK Verlag URL des Erstveröffentlichers Volltext
1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle Jacobs, Steven 1967-
Framing pictures film and the visual arts
Camera and canvas: Emmer, Storck, Resnais and the post-war art film -- Vasari in Hollywood: artists and biopics -- Galleries of the gaze: the museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo -- Tableaux vivants 1: painting, film, death and passion plays in Pasolini and Godard -- Tableaux vivants 2: film stills and contemporary photography -- The video that knew too much: Hitchcock, contemporary art and post-cinema
Vertigo Film 1958 (DE-588)4535992-1 gnd
Film
Philosophie
Motion pictures and the arts
Art and motion pictures
Motion pictures / Appreciation
Motion pictures / Philosophy
Kunst (DE-588)4114333-4 gnd
Film (DE-588)4017102-4 gnd
Fotografie (DE-588)4045895-7 gnd
Künstler Motiv (DE-588)4122247-7 gnd
Biografischer Film (DE-588)4373947-7 gnd
Museum Motiv (DE-588)4241819-7 gnd
Lebendes Bild (DE-588)4167006-1 gnd
Kunstwerk Motiv (DE-588)4272651-7 gnd
subject_GND (DE-588)4535992-1
(DE-588)4114333-4
(DE-588)4017102-4
(DE-588)4045895-7
(DE-588)4122247-7
(DE-588)4373947-7
(DE-588)4241819-7
(DE-588)4167006-1
(DE-588)4272651-7
title Framing pictures film and the visual arts
title_auth Framing pictures film and the visual arts
title_exact_search Framing pictures film and the visual arts
title_full Framing pictures film and the visual arts Steven Jacobs
title_fullStr Framing pictures film and the visual arts Steven Jacobs
title_full_unstemmed Framing pictures film and the visual arts Steven Jacobs
title_short Framing pictures
title_sort framing pictures film and the visual arts
title_sub film and the visual arts
topic Vertigo Film 1958 (DE-588)4535992-1 gnd
Film
Philosophie
Motion pictures and the arts
Art and motion pictures
Motion pictures / Appreciation
Motion pictures / Philosophy
Kunst (DE-588)4114333-4 gnd
Film (DE-588)4017102-4 gnd
Fotografie (DE-588)4045895-7 gnd
Künstler Motiv (DE-588)4122247-7 gnd
Biografischer Film (DE-588)4373947-7 gnd
Museum Motiv (DE-588)4241819-7 gnd
Lebendes Bild (DE-588)4167006-1 gnd
Kunstwerk Motiv (DE-588)4272651-7 gnd
topic_facet Vertigo Film 1958
Film
Philosophie
Motion pictures and the arts
Art and motion pictures
Motion pictures / Appreciation
Motion pictures / Philosophy
Kunst
Fotografie
Künstler Motiv
Biografischer Film
Museum Motiv
Lebendes Bild
Kunstwerk Motiv
url http://www.cambridge.org/core/product/identifier/9780748647033/type/BOOK
work_keys_str_mv AT jacobssteven framingpicturesfilmandthevisualarts