Drama and politics in the English Civil War
In 1642 an ordinance closed the theatres of England. Critics and historians have assumed that the edict was to be firm and inviolate. Susan Wiseman challenges this assumption and argues that the period 1640 to 1660 was not a gap in the production and performance of drama nor a blank space between ...
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Cambridge University Press
1998
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505 | 8 | |a Introduction: how the drama disappeared -- Part I. 1642-1649: Cases in Politics and Drama -- 1. New news for a new world? Genre politics and the news dialogues of the 1640s -- 2. 'With the agreement of the people in their hands': transformations of radical drama in the 1640s -- 3. Royalist versus Republican ethics and aesthetics Interchapter: 'The Life of Action' playing on performance in the 1640s -- Part II. The 1650s: Protectorate, Politics and Performance -- 4. Gender and status in dramatic discourse Margaret Cavendish, Duchess of Newcastle -- 5. Royal or reformed? the politics of court entertainment in translation and performance -- 6. national identity, topic and genre in Davenant's protectorate opera -- 7. Genre, politics and place: the social body in the dramatic career of John Tatham -- 8. True and loyal? politics and genre in Civil War and protectorate tragicomedy | |
520 | |a In 1642 an ordinance closed the theatres of England. Critics and historians have assumed that the edict was to be firm and inviolate. Susan Wiseman challenges this assumption and argues that the period 1640 to 1660 was not a gap in the production and performance of drama nor a blank space between 'Renaissance drama' and the 'Restoration stage'. Rather, throughout the period, writers focused instead on a range of dramas with political perspectives, from republican to royalist. This group included the short pamphlet dramas of the 1640s and the texts produced by the writers of the 1650s, such as William Davenant, Margaret Cavendish and James Shirley. In analysing the diverse forms of dramatic production of the 1640s and 1650s, Wiseman reveals the political and generic diversity produced by the changes in dramatic production, and offers insights into the theatre of the Civil War | ||
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Datensatz im Suchindex
DE-BY-UBG_katkey | 196333534 |
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DE-BY-UBG_local_url | Verlag https://doi.org/10.1017/CBO9780511518980 |
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any_adam_object | |
author | Wiseman, Susan |
author_facet | Wiseman, Susan |
author_role | aut |
author_sort | Wiseman, Susan |
author_variant | s w sw |
building | Verbundindex |
bvnumber | BV043928361 |
classification_rvk | AP 64930 HI 1193 HK 1241 |
collection | ZDB-20-CBO |
contents | Introduction: how the drama disappeared -- Part I. 1642-1649: Cases in Politics and Drama -- 1. New news for a new world? Genre politics and the news dialogues of the 1640s -- 2. 'With the agreement of the people in their hands': transformations of radical drama in the 1640s -- 3. Royalist versus Republican ethics and aesthetics Interchapter: 'The Life of Action' playing on performance in the 1640s -- Part II. The 1650s: Protectorate, Politics and Performance -- 4. Gender and status in dramatic discourse Margaret Cavendish, Duchess of Newcastle -- 5. Royal or reformed? the politics of court entertainment in translation and performance -- 6. national identity, topic and genre in Davenant's protectorate opera -- 7. Genre, politics and place: the social body in the dramatic career of John Tatham -- 8. True and loyal? politics and genre in Civil War and protectorate tragicomedy |
ctrlnum | (ZDB-20-CBO)CR9780511518980 (OCoLC)967420285 (DE-599)BVBBV043928361 |
dewey-full | 822/.409358 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822/.409358 |
dewey-search | 822/.409358 |
dewey-sort | 3822 6409358 |
dewey-tens | 820 - English & Old English literatures |
discipline | Allgemeines Anglistik / Amerikanistik |
doi_str_mv | 10.1017/CBO9780511518980 |
era | Geschichte 1600-1700 Geschichte 1640-1660 gnd |
era_facet | Geschichte 1600-1700 Geschichte 1640-1660 |
format | Electronic eBook |
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geographic_facet | Großbritannien Great Britain / History / Puritan Revolution, 1642-1660 / Literature and the revolution Great Britain / History / Civil War, 1642-1649 / Literature and the war |
id | DE-604.BV043928361 |
illustrated | Not Illustrated |
index_date | 2024-09-20T13:29:36Z |
indexdate | 2024-09-27T16:41:23Z |
institution | BVB |
isbn | 9780511518980 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029337439 |
oclc_num | 967420285 |
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owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 online resource (xviii, 297 pages) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 1998 |
publishDateSearch | 1998 |
publishDateSort | 1998 |
publisher | Cambridge University Press |
record_format | marc |
spellingShingle | Wiseman, Susan Drama and politics in the English Civil War Introduction: how the drama disappeared -- Part I. 1642-1649: Cases in Politics and Drama -- 1. New news for a new world? Genre politics and the news dialogues of the 1640s -- 2. 'With the agreement of the people in their hands': transformations of radical drama in the 1640s -- 3. Royalist versus Republican ethics and aesthetics Interchapter: 'The Life of Action' playing on performance in the 1640s -- Part II. The 1650s: Protectorate, Politics and Performance -- 4. Gender and status in dramatic discourse Margaret Cavendish, Duchess of Newcastle -- 5. Royal or reformed? the politics of court entertainment in translation and performance -- 6. national identity, topic and genre in Davenant's protectorate opera -- 7. Genre, politics and place: the social body in the dramatic career of John Tatham -- 8. True and loyal? politics and genre in Civil War and protectorate tragicomedy Englischer Bürgerkrieg Geschichte Politik English drama / 17th century / History and criticism Politics and literature / Great Britain / History / 17th century Theater / Political aspects / Great Britain / History / 17th century Political plays, English / History and criticism Literary form / History / 17th century Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd Englisch (DE-588)4014777-0 gnd |
subject_GND | (DE-588)4012899-4 (DE-588)4059702-7 (DE-588)4014777-0 (DE-588)4022153-2 |
title | Drama and politics in the English Civil War |
title_alt | Drama & Politics in the English Civil War |
title_auth | Drama and politics in the English Civil War |
title_exact_search | Drama and politics in the English Civil War |
title_full | Drama and politics in the English Civil War Susan Wiseman |
title_fullStr | Drama and politics in the English Civil War Susan Wiseman |
title_full_unstemmed | Drama and politics in the English Civil War Susan Wiseman |
title_short | Drama and politics in the English Civil War |
title_sort | drama and politics in the english civil war |
topic | Englischer Bürgerkrieg Geschichte Politik English drama / 17th century / History and criticism Politics and literature / Great Britain / History / 17th century Theater / Political aspects / Great Britain / History / 17th century Political plays, English / History and criticism Literary form / History / 17th century Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd Englisch (DE-588)4014777-0 gnd |
topic_facet | Englischer Bürgerkrieg Geschichte Politik English drama / 17th century / History and criticism Politics and literature / Great Britain / History / 17th century Theater / Political aspects / Great Britain / History / 17th century Political plays, English / History and criticism Literary form / History / 17th century Drama Theater Englisch Großbritannien Great Britain / History / Puritan Revolution, 1642-1660 / Literature and the revolution Great Britain / History / Civil War, 1642-1649 / Literature and the war |
url | https://doi.org/10.1017/CBO9780511518980 |
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