Shakespeare and language
Shakespeare and language is an area of study that here includes style, speech, sound and sex. As the foremost Shakespeare publication, Shakespeare Survey has been well placed to reflect trends and developments in academic approaches to Shakespeare and to language and this collection of essays, first...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Cambridge University Press
2004
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505 | 8 | 0 | |t Shakespeare and Language: an introduction |r Jonathan Hope |t Shakespeare's language and the language of Shakespeare's time |r Stephen Booth |t Foundations of Elizabethan language |r Muriel St. Clare Byrne |t Shakespeare's talking animals |r Terence Hawkes |t Some functions of Shakespearian word-formation |r Vivian Salmon |t Shakespeare and the tune of the time ssr Bridget Cusack |t Shakespeare's Romeo and Juliet: the places of invention |r Jill L. Levenson |t Shakespeare's thematic modes of speech: Richard II to Henry V |r Robert Hapgood |t Hamlet and the power of words |r Inga-Stina Ewbank |t Art of the comic duologue in three plays by Shakespeare |r Robert Wilcher |t Hamlet's Ear |r Philippa Berry |t 'Voice potential': language and symbolic capital in Othello |r Lynne Magnusson |t Aesthetics of mutilation in Titus Andronicus |r Albert H. Tricomi |t 'Time for such a word': verbal echoing in Macbeth |r George Walton Williams |t Household words: Macbeth and the failure of spectacle |r Lisa Hopkins |t Late Shakespeare: style and the sexes |r Russ McDonald |
520 | |a Shakespeare and language is an area of study that here includes style, speech, sound and sex. As the foremost Shakespeare publication, Shakespeare Survey has been well placed to reflect trends and developments in academic approaches to Shakespeare and to language and this collection of essays, first published in 2004, considers the characteristics, excitement and unique qualities of Shakespeare's language, the relationship between language and event, and the social, theatrical and literary function of language. A new introduction, by Jonathan Hope, explicates the differences between Shakespeare's language and our own, provides a theoretical and contextual framework for the pieces that follow, and makes transparent an aspect of Shakespeare's craft (and the critical response to it) that has frequently been opaque | ||
600 | 1 | 4 | |a Shakespeare, William / 1564-1616 / Language |
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Datensatz im Suchindex
DE-BY-UBG_katkey | 196331154 |
---|---|
DE-BY-UBG_local_url | https://doi.org/10.1017/CBO9780511617379 Verlag |
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any_adam_object | |
author2 | Alexander, Catherine M. S. |
author2_role | edt |
author2_variant | c m s a cms cmsa |
author_additional | Jonathan Hope Stephen Booth Muriel St. Clare Byrne Terence Hawkes Vivian Salmon Jill L. Levenson Robert Hapgood Inga-Stina Ewbank Robert Wilcher Philippa Berry Lynne Magnusson Albert H. Tricomi George Walton Williams Lisa Hopkins Russ McDonald |
author_facet | Alexander, Catherine M. S. |
building | Verbundindex |
bvnumber | BV043925955 |
classification_rvk | HI 3381 |
collection | ZDB-20-CBO |
contents | Shakespeare and Language: an introduction Shakespeare's language and the language of Shakespeare's time Foundations of Elizabethan language Shakespeare's talking animals Some functions of Shakespearian word-formation Shakespeare and the tune of the time ssr Bridget Cusack Shakespeare's Romeo and Juliet: the places of invention Shakespeare's thematic modes of speech: Richard II to Henry V Hamlet and the power of words Art of the comic duologue in three plays by Shakespeare Hamlet's Ear 'Voice potential': language and symbolic capital in Othello Aesthetics of mutilation in Titus Andronicus 'Time for such a word': verbal echoing in Macbeth Household words: Macbeth and the failure of spectacle Late Shakespeare: style and the sexes |
ctrlnum | (ZDB-20-CBO)CR9780511617379 (OCoLC)967416628 (DE-599)BVBBV043925955 |
dewey-full | 822.3/3 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822.3/3 |
dewey-search | 822.3/3 |
dewey-sort | 3822.3 13 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
doi_str_mv | 10.1017/CBO9780511617379 |
format | Electronic eBook |
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isbn | 9780511617379 |
language | English |
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physical | 1 Online-Ressource (viii, 294 Seiten) |
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publishDate | 2004 |
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publisher | Cambridge University Press |
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spellingShingle | Shakespeare and language Shakespeare and Language: an introduction Shakespeare's language and the language of Shakespeare's time Foundations of Elizabethan language Shakespeare's talking animals Some functions of Shakespearian word-formation Shakespeare and the tune of the time ssr Bridget Cusack Shakespeare's Romeo and Juliet: the places of invention Shakespeare's thematic modes of speech: Richard II to Henry V Hamlet and the power of words Art of the comic duologue in three plays by Shakespeare Hamlet's Ear 'Voice potential': language and symbolic capital in Othello Aesthetics of mutilation in Titus Andronicus 'Time for such a word': verbal echoing in Macbeth Household words: Macbeth and the failure of spectacle Late Shakespeare: style and the sexes Shakespeare, William / 1564-1616 / Language Shakespeare, William 1564-1616 (DE-588)118613723 gnd Englisch English language / Early modern, 1500-1700 Sprache (DE-588)4056449-6 gnd Frühneuenglisch (DE-588)4352423-0 gnd |
subject_GND | (DE-588)118613723 (DE-588)4056449-6 (DE-588)4352423-0 (DE-588)4143413-4 |
title | Shakespeare and language |
title_alt | Shakespeare & Language Shakespeare and Language: an introduction Shakespeare's language and the language of Shakespeare's time Foundations of Elizabethan language Shakespeare's talking animals Some functions of Shakespearian word-formation Shakespeare and the tune of the time ssr Bridget Cusack Shakespeare's Romeo and Juliet: the places of invention Shakespeare's thematic modes of speech: Richard II to Henry V Hamlet and the power of words Art of the comic duologue in three plays by Shakespeare Hamlet's Ear 'Voice potential': language and symbolic capital in Othello Aesthetics of mutilation in Titus Andronicus 'Time for such a word': verbal echoing in Macbeth Household words: Macbeth and the failure of spectacle Late Shakespeare: style and the sexes |
title_auth | Shakespeare and language |
title_exact_search | Shakespeare and language |
title_full | Shakespeare and language edited by Catherine M.S. Alexander |
title_fullStr | Shakespeare and language edited by Catherine M.S. Alexander |
title_full_unstemmed | Shakespeare and language edited by Catherine M.S. Alexander |
title_short | Shakespeare and language |
title_sort | shakespeare and language |
topic | Shakespeare, William / 1564-1616 / Language Shakespeare, William 1564-1616 (DE-588)118613723 gnd Englisch English language / Early modern, 1500-1700 Sprache (DE-588)4056449-6 gnd Frühneuenglisch (DE-588)4352423-0 gnd |
topic_facet | Shakespeare, William / 1564-1616 / Language Shakespeare, William 1564-1616 Englisch English language / Early modern, 1500-1700 Sprache Frühneuenglisch Aufsatzsammlung |
url | https://doi.org/10.1017/CBO9780511617379 |
work_keys_str_mv | AT alexandercatherinems shakespeareandlanguage AT alexandercatherinems shakespearelanguage |