The sublime a reader in British eighteenth-century aesthetic theory
This collection of texts on the Sublime provides the historical context for the foundation and discussion of one of the most important aesthetic debates of the Enlightenment. The significance of the Sublime in the eighteenth century ranged across a number of fields - literary criticism, empirical ps...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1996
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043925566 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161202s1996 xx o|||| 00||| eng d | ||
| 020 | |a 9780511620409 |c Online |9 978-0-511-62040-9 | ||
| 024 | 7 | |a 10.1017/CBO9780511620409 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9780511620409 | ||
| 035 | |a (OCoLC)967415900 | ||
| 035 | |a (DE-599)BVBBV043925566 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 111/.85 |2 20 | |
| 084 | |a CF 1200 |0 (DE-625)18045: |2 rvk | ||
| 084 | |a HK 1012 |0 (DE-625)50089: |2 rvk | ||
| 245 | 1 | 0 | |a The sublime |b a reader in British eighteenth-century aesthetic theory |c edited by Andrew Ashfield and Peter de Bolla |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 1996 | |
| 300 | |a 1 online resource (ix, 314 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Title from publisher's bibliographic system (viewed on 05 Oct 2015) | ||
| 505 | 8 | 0 | |t The Longinian tradition |t from Dionysius Longinus on the sublime (1743) |t from Remarks on a book entitled, Prince Arthur (1696) |r John Dennis |t from The advancement and reformation of modern poetry (1701) |r John Dennis |t from The grounds of criticism in poetry (1704) |r John Dennis |t from Essays upon several subjects (1716) |r Sir Richard Blackmore |t from A miscellany of ingenious thoughts (1721) |r Tamworth Reresby |t from An essay on the theory of painting (1725) |r Jonathan Richardson |t from Reflections on the nature and property of languages (London 1731) |r Thomas Stackhouse |t from The works (1735) |r Hildebrand Jacob |t from Lectures on poetry (1742) |r Joseph Trapp |t Rhapsody to rhetoric |t from The spectator, (1712-1714) |r Joseph Addison |t from A discourse on ancient and modern learning (1734) |r Joseph Addison |t from Characteristicks (1714) |r Anthony Ashley Cooper |t from The works (1724) |r Henry Needler |t from To David Fordyce, 18th June 1742 |r Mark Akenside |t from The pleasures of imagination (1744) |r Mark Akenside |t An essay on the sublime (1747) |r John Baillie |t from Observations on man (1749) |r David Hartley |t from Lectures on the sacred poetry of the Hebrews (1753/1787) |r Robert Lowth |t from A dictionary of the English language (1755) |r Samuel Johnson |t from Conjectures on original composition (1759) |r Edward Young |t from The art of speaking (1761) |r James Burgh |t from A course of lectures on oratory and criticism (1777) |r Joseph Priestley |
| 520 | |a This collection of texts on the Sublime provides the historical context for the foundation and discussion of one of the most important aesthetic debates of the Enlightenment. The significance of the Sublime in the eighteenth century ranged across a number of fields - literary criticism, empirical psychology, political economy, connoisseurship, landscape design and aesthetics, painting and the fine arts, and moral philosophy - and has continued to animate aesthetic and theoretical debates to this day. However, the unavailability of many of the crucial texts of the founding tradition has resulted in a conception of the Sublime often limited to the definitions of its most famous theorist Edmund Burke. Andrew Ashfield and Peter de Bolla's anthology, which includes an introduction and notes to each entry, offers students and scholars ready access to a much deeper and more complex tradition of writings on the Sublime, many of them never before printed in modern editions | ||
| 648 | 4 | |a Geschichte 1700-1800 | |
| 648 | 7 | |a Geschichte 1700-1800 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Sublime, The / History / 18th century | |
| 650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetizismus |0 (DE-588)4000629-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Theorie |0 (DE-588)4059787-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Essay |0 (DE-588)4015553-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Das Erhabene |0 (DE-588)4148823-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
| 655 | 7 | |8 1\p |0 (DE-588)4002214-6 |a Anthologie |2 gnd-content | |
| 655 | 7 | |8 2\p |0 (DE-588)4135952-5 |a Quelle |2 gnd-content | |
| 689 | 0 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 0 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | 2 | |a Theorie |0 (DE-588)4059787-8 |D s |
| 689 | 0 | 3 | |a Das Erhabene |0 (DE-588)4148823-4 |D s |
| 689 | 0 | 4 | |a Geschichte 1700-1800 |A z |
| 689 | 0 | |8 3\p |5 DE-604 | |
| 689 | 1 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 1 | 1 | |a Essay |0 (DE-588)4015553-5 |D s |
| 689 | 1 | 2 | |a Das Erhabene |0 (DE-588)4148823-4 |D s |
| 689 | 1 | 3 | |a Geschichte 1700-1800 |A z |
| 689 | 1 | |8 4\p |5 DE-604 | |
| 689 | 2 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 2 | 1 | |a Ästhetizismus |0 (DE-588)4000629-3 |D s |
| 689 | 2 | 2 | |a Geschichte 1700-1800 |A z |
| 689 | 2 | |8 5\p |5 DE-604 | |
| 700 | 1 | |a Ashfield, Andrew |4 edt | |
| 700 | 1 | |a De Bolla, Peter |d 1957- |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-0-521-39545-8 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-0-521-39582-3 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/CBO9780511620409 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 3\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 4\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 5\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029334645 | |
| 966 | e | |u https://doi.org/10.1017/CBO9780511620409 |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9780511620409 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1819298660751507456 |
|---|---|
| any_adam_object | |
| author2 | Ashfield, Andrew De Bolla, Peter 1957- |
| author2_role | edt edt |
| author2_variant | a a aa b p d bp bpd |
| author_additional | John Dennis Sir Richard Blackmore Tamworth Reresby Jonathan Richardson Thomas Stackhouse Hildebrand Jacob Joseph Trapp Joseph Addison Anthony Ashley Cooper Henry Needler Mark Akenside John Baillie David Hartley Robert Lowth Samuel Johnson Edward Young James Burgh Joseph Priestley |
| author_facet | Ashfield, Andrew De Bolla, Peter 1957- |
| building | Verbundindex |
| bvnumber | BV043925566 |
| classification_rvk | CF 1200 HK 1012 |
| collection | ZDB-20-CBO |
| contents | The Longinian tradition from Dionysius Longinus on the sublime (1743) from Remarks on a book entitled, Prince Arthur (1696) from The advancement and reformation of modern poetry (1701) from The grounds of criticism in poetry (1704) from Essays upon several subjects (1716) from A miscellany of ingenious thoughts (1721) from An essay on the theory of painting (1725) from Reflections on the nature and property of languages (London 1731) from The works (1735) from Lectures on poetry (1742) Rhapsody to rhetoric from The spectator, (1712-1714) from A discourse on ancient and modern learning (1734) from Characteristicks (1714) from The works (1724) from To David Fordyce, 18th June 1742 from The pleasures of imagination (1744) An essay on the sublime (1747) from Observations on man (1749) from Lectures on the sacred poetry of the Hebrews (1753/1787) from A dictionary of the English language (1755) from Conjectures on original composition (1759) from The art of speaking (1761) from A course of lectures on oratory and criticism (1777) |
| ctrlnum | (ZDB-20-CBO)CR9780511620409 (OCoLC)967415900 (DE-599)BVBBV043925566 |
| dewey-full | 111/.85 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111/.85 |
| dewey-search | 111/.85 |
| dewey-sort | 3111 285 |
| dewey-tens | 110 - Metaphysics |
| discipline | Anglistik / Amerikanistik Philosophie |
| doi_str_mv | 10.1017/CBO9780511620409 |
| era | Geschichte 1700-1800 Geschichte 1700-1800 gnd |
| era_facet | Geschichte 1700-1800 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05884nam a2200829zc 4500</leader><controlfield tag="001">BV043925566</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s1996 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511620409</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-511-62040-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9780511620409</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9780511620409</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)967415900</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043925566</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">111/.85</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">CF 1200</subfield><subfield code="0">(DE-625)18045:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HK 1012</subfield><subfield code="0">(DE-625)50089:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The sublime</subfield><subfield code="b">a reader in British eighteenth-century aesthetic theory</subfield><subfield code="c">edited by Andrew Ashfield and Peter de Bolla</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">1996</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (ix, 314 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 05 Oct 2015)</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">The Longinian tradition</subfield><subfield code="t">from Dionysius Longinus on the sublime (1743)</subfield><subfield code="t">from Remarks on a book entitled, Prince Arthur (1696)</subfield><subfield code="r">John Dennis</subfield><subfield code="t">from The advancement and reformation of modern poetry (1701)</subfield><subfield code="r">John Dennis</subfield><subfield code="t">from The grounds of criticism in poetry (1704)</subfield><subfield code="r">John Dennis</subfield><subfield code="t">from Essays upon several subjects (1716)</subfield><subfield code="r">Sir Richard Blackmore</subfield><subfield code="t">from A miscellany of ingenious thoughts (1721)</subfield><subfield code="r">Tamworth Reresby</subfield><subfield code="t">from An essay on the theory of painting (1725)</subfield><subfield code="r">Jonathan Richardson</subfield><subfield code="t">from Reflections on the nature and property of languages (London 1731)</subfield><subfield code="r">Thomas Stackhouse</subfield><subfield code="t">from The works (1735)</subfield><subfield code="r">Hildebrand Jacob</subfield><subfield code="t">from Lectures on poetry (1742)</subfield><subfield code="r">Joseph Trapp</subfield><subfield code="t">Rhapsody to rhetoric</subfield><subfield code="t">from The spectator, (1712-1714)</subfield><subfield code="r">Joseph Addison</subfield><subfield code="t">from A discourse on ancient and modern learning (1734)</subfield><subfield code="r">Joseph Addison</subfield><subfield code="t">from Characteristicks (1714)</subfield><subfield code="r">Anthony Ashley Cooper</subfield><subfield code="t">from The works (1724)</subfield><subfield code="r">Henry Needler</subfield><subfield code="t">from To David Fordyce, 18th June 1742</subfield><subfield code="r">Mark Akenside</subfield><subfield code="t">from The pleasures of imagination (1744)</subfield><subfield code="r">Mark Akenside</subfield><subfield code="t">An essay on the sublime (1747)</subfield><subfield code="r">John Baillie</subfield><subfield code="t">from Observations on man (1749)</subfield><subfield code="r">David Hartley</subfield><subfield code="t">from Lectures on the sacred poetry of the Hebrews (1753/1787)</subfield><subfield code="r">Robert Lowth</subfield><subfield code="t">from A dictionary of the English language (1755)</subfield><subfield code="r">Samuel Johnson</subfield><subfield code="t">from Conjectures on original composition (1759)</subfield><subfield code="r">Edward Young</subfield><subfield code="t">from The art of speaking (1761)</subfield><subfield code="r">James Burgh</subfield><subfield code="t">from A course of lectures on oratory and criticism (1777)</subfield><subfield code="r">Joseph Priestley</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This collection of texts on the Sublime provides the historical context for the foundation and discussion of one of the most important aesthetic debates of the Enlightenment. The significance of the Sublime in the eighteenth century ranged across a number of fields - literary criticism, empirical psychology, political economy, connoisseurship, landscape design and aesthetics, painting and the fine arts, and moral philosophy - and has continued to animate aesthetic and theoretical debates to this day. However, the unavailability of many of the crucial texts of the founding tradition has resulted in a conception of the Sublime often limited to the definitions of its most famous theorist Edmund Burke. Andrew Ashfield and Peter de Bolla's anthology, which includes an introduction and notes to each entry, offers students and scholars ready access to a much deeper and more complex tradition of writings on the Sublime, many of them never before printed in modern editions</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1700-1800</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1700-1800</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sublime, The / History / 18th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetizismus</subfield><subfield code="0">(DE-588)4000629-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theorie</subfield><subfield code="0">(DE-588)4059787-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Essay</subfield><subfield code="0">(DE-588)4015553-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Das Erhabene</subfield><subfield code="0">(DE-588)4148823-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4002214-6</subfield><subfield code="a">Anthologie</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">2\p</subfield><subfield code="0">(DE-588)4135952-5</subfield><subfield code="a">Quelle</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Theorie</subfield><subfield code="0">(DE-588)4059787-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Das Erhabene</subfield><subfield code="0">(DE-588)4148823-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1700-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Essay</subfield><subfield code="0">(DE-588)4015553-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Das Erhabene</subfield><subfield code="0">(DE-588)4148823-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte 1700-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">4\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Ästhetizismus</subfield><subfield code="0">(DE-588)4000629-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Geschichte 1700-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">5\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ashfield, Andrew</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">De Bolla, Peter</subfield><subfield code="d">1957-</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-521-39545-8</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-521-39582-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9780511620409</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">4\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">5\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029334645</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511620409</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511620409</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)4002214-6 Anthologie gnd-content 2\p (DE-588)4135952-5 Quelle gnd-content |
| genre_facet | Anthologie Quelle |
| geographic | Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien |
| id | DE-604.BV043925566 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-24T05:33:25Z |
| institution | BVB |
| isbn | 9780511620409 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029334645 |
| oclc_num | 967415900 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (ix, 314 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 1996 |
| publishDateSearch | 1996 |
| publishDateSort | 1996 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | The sublime a reader in British eighteenth-century aesthetic theory edited by Andrew Ashfield and Peter de Bolla Cambridge Cambridge University Press 1996 1 online resource (ix, 314 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) The Longinian tradition from Dionysius Longinus on the sublime (1743) from Remarks on a book entitled, Prince Arthur (1696) John Dennis from The advancement and reformation of modern poetry (1701) John Dennis from The grounds of criticism in poetry (1704) John Dennis from Essays upon several subjects (1716) Sir Richard Blackmore from A miscellany of ingenious thoughts (1721) Tamworth Reresby from An essay on the theory of painting (1725) Jonathan Richardson from Reflections on the nature and property of languages (London 1731) Thomas Stackhouse from The works (1735) Hildebrand Jacob from Lectures on poetry (1742) Joseph Trapp Rhapsody to rhetoric from The spectator, (1712-1714) Joseph Addison from A discourse on ancient and modern learning (1734) Joseph Addison from Characteristicks (1714) Anthony Ashley Cooper from The works (1724) Henry Needler from To David Fordyce, 18th June 1742 Mark Akenside from The pleasures of imagination (1744) Mark Akenside An essay on the sublime (1747) John Baillie from Observations on man (1749) David Hartley from Lectures on the sacred poetry of the Hebrews (1753/1787) Robert Lowth from A dictionary of the English language (1755) Samuel Johnson from Conjectures on original composition (1759) Edward Young from The art of speaking (1761) James Burgh from A course of lectures on oratory and criticism (1777) Joseph Priestley This collection of texts on the Sublime provides the historical context for the foundation and discussion of one of the most important aesthetic debates of the Enlightenment. The significance of the Sublime in the eighteenth century ranged across a number of fields - literary criticism, empirical psychology, political economy, connoisseurship, landscape design and aesthetics, painting and the fine arts, and moral philosophy - and has continued to animate aesthetic and theoretical debates to this day. However, the unavailability of many of the crucial texts of the founding tradition has resulted in a conception of the Sublime often limited to the definitions of its most famous theorist Edmund Burke. Andrew Ashfield and Peter de Bolla's anthology, which includes an introduction and notes to each entry, offers students and scholars ready access to a much deeper and more complex tradition of writings on the Sublime, many of them never before printed in modern editions Geschichte 1700-1800 Geschichte 1700-1800 gnd rswk-swf Geschichte Sublime, The / History / 18th century Englisch (DE-588)4014777-0 gnd rswk-swf Ästhetizismus (DE-588)4000629-3 gnd rswk-swf Theorie (DE-588)4059787-8 gnd rswk-swf Essay (DE-588)4015553-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Das Erhabene (DE-588)4148823-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf 1\p (DE-588)4002214-6 Anthologie gnd-content 2\p (DE-588)4135952-5 Quelle gnd-content Großbritannien (DE-588)4022153-2 g Ästhetik (DE-588)4000626-8 s Theorie (DE-588)4059787-8 s Das Erhabene (DE-588)4148823-4 s Geschichte 1700-1800 z 3\p DE-604 Englisch (DE-588)4014777-0 s Essay (DE-588)4015553-5 s 4\p DE-604 Ästhetizismus (DE-588)4000629-3 s 5\p DE-604 Ashfield, Andrew edt De Bolla, Peter 1957- edt Erscheint auch als Druckausgabe 978-0-521-39545-8 Erscheint auch als Druckausgabe 978-0-521-39582-3 https://doi.org/10.1017/CBO9780511620409 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | The sublime a reader in British eighteenth-century aesthetic theory The Longinian tradition from Dionysius Longinus on the sublime (1743) from Remarks on a book entitled, Prince Arthur (1696) from The advancement and reformation of modern poetry (1701) from The grounds of criticism in poetry (1704) from Essays upon several subjects (1716) from A miscellany of ingenious thoughts (1721) from An essay on the theory of painting (1725) from Reflections on the nature and property of languages (London 1731) from The works (1735) from Lectures on poetry (1742) Rhapsody to rhetoric from The spectator, (1712-1714) from A discourse on ancient and modern learning (1734) from Characteristicks (1714) from The works (1724) from To David Fordyce, 18th June 1742 from The pleasures of imagination (1744) An essay on the sublime (1747) from Observations on man (1749) from Lectures on the sacred poetry of the Hebrews (1753/1787) from A dictionary of the English language (1755) from Conjectures on original composition (1759) from The art of speaking (1761) from A course of lectures on oratory and criticism (1777) Geschichte Sublime, The / History / 18th century Englisch (DE-588)4014777-0 gnd Ästhetizismus (DE-588)4000629-3 gnd Theorie (DE-588)4059787-8 gnd Essay (DE-588)4015553-5 gnd Ästhetik (DE-588)4000626-8 gnd Das Erhabene (DE-588)4148823-4 gnd |
| subject_GND | (DE-588)4014777-0 (DE-588)4000629-3 (DE-588)4059787-8 (DE-588)4015553-5 (DE-588)4000626-8 (DE-588)4148823-4 (DE-588)4022153-2 (DE-588)4002214-6 (DE-588)4135952-5 |
| title | The sublime a reader in British eighteenth-century aesthetic theory |
| title_alt | The Longinian tradition from Dionysius Longinus on the sublime (1743) from Remarks on a book entitled, Prince Arthur (1696) from The advancement and reformation of modern poetry (1701) from The grounds of criticism in poetry (1704) from Essays upon several subjects (1716) from A miscellany of ingenious thoughts (1721) from An essay on the theory of painting (1725) from Reflections on the nature and property of languages (London 1731) from The works (1735) from Lectures on poetry (1742) Rhapsody to rhetoric from The spectator, (1712-1714) from A discourse on ancient and modern learning (1734) from Characteristicks (1714) from The works (1724) from To David Fordyce, 18th June 1742 from The pleasures of imagination (1744) An essay on the sublime (1747) from Observations on man (1749) from Lectures on the sacred poetry of the Hebrews (1753/1787) from A dictionary of the English language (1755) from Conjectures on original composition (1759) from The art of speaking (1761) from A course of lectures on oratory and criticism (1777) |
| title_auth | The sublime a reader in British eighteenth-century aesthetic theory |
| title_exact_search | The sublime a reader in British eighteenth-century aesthetic theory |
| title_full | The sublime a reader in British eighteenth-century aesthetic theory edited by Andrew Ashfield and Peter de Bolla |
| title_fullStr | The sublime a reader in British eighteenth-century aesthetic theory edited by Andrew Ashfield and Peter de Bolla |
| title_full_unstemmed | The sublime a reader in British eighteenth-century aesthetic theory edited by Andrew Ashfield and Peter de Bolla |
| title_short | The sublime |
| title_sort | the sublime a reader in british eighteenth century aesthetic theory |
| title_sub | a reader in British eighteenth-century aesthetic theory |
| topic | Geschichte Sublime, The / History / 18th century Englisch (DE-588)4014777-0 gnd Ästhetizismus (DE-588)4000629-3 gnd Theorie (DE-588)4059787-8 gnd Essay (DE-588)4015553-5 gnd Ästhetik (DE-588)4000626-8 gnd Das Erhabene (DE-588)4148823-4 gnd |
| topic_facet | Geschichte Sublime, The / History / 18th century Englisch Ästhetizismus Theorie Essay Ästhetik Das Erhabene Großbritannien Anthologie Quelle |
| url | https://doi.org/10.1017/CBO9780511620409 |
| work_keys_str_mv | AT ashfieldandrew thesublimeareaderinbritisheighteenthcenturyaesthetictheory AT debollapeter thesublimeareaderinbritisheighteenthcenturyaesthetictheory |