Gender, nationalism, and war conflict on the movie screen
Virginia Woolf famously wrote 'as a woman I have no country', suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalis...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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| 505 | 8 | |a Preface -- Virginia Woolf's purse -- Algeria : a world constructed out of ruins -- Yugoslavia : archetype or anomaly? -- Chechnya : virgins, mothers, and terrorists -- Québec : oui, no, or femme -- 'To live to see better times' : gender, nationalism, sovereignty, equality -- Sequel : gender and nationalist violence on film | |
| 520 | |a Virginia Woolf famously wrote 'as a woman I have no country', suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalist conflicts. This unique book generates insights into the role of gender in nationalist violence by examining feature films from a range of conflict zones. In The Battle of Algiers, female bombers destroy civilians while men dress in women's clothes to prevent the French army from capturing and torturing them. Prisoner of the Mountains shows a Chechen girl falling in love with her Russian captive as his mother tries to rescue him. Providing historical and political context to these and other films, Matthew Evangelista identifies the key role that economic decline plays in threatening masculine identity and provoking the misogynistic violence that often accompanies nationalist wars | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Evangelista, Matthew 1958- |
| author_facet | Evangelista, Matthew 1958- |
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| author_sort | Evangelista, Matthew 1958- |
| author_variant | m e me |
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| bvnumber | BV043924595 |
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| contents | Preface -- Virginia Woolf's purse -- Algeria : a world constructed out of ruins -- Yugoslavia : archetype or anomaly? -- Chechnya : virgins, mothers, and terrorists -- Québec : oui, no, or femme -- 'To live to see better times' : gender, nationalism, sovereignty, equality -- Sequel : gender and nationalist violence on film |
| ctrlnum | (ZDB-20-CBO)CR9780511740046 (OCoLC)900604431 (DE-599)BVBBV043924595 |
| dewey-full | 791.42/6581 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.42/6581 |
| dewey-search | 791.42/6581 |
| dewey-sort | 3791.42 46581 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1017/CBO9780511740046 |
| format | Electronic eBook |
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| id | DE-604.BV043924595 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-24T05:33:23Z |
| institution | BVB |
| isbn | 9780511740046 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029333674 |
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| physical | 1 online resource (xiii, 289 pages) |
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| publishDate | 2011 |
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| publisher | Cambridge University Press |
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| spelling | Evangelista, Matthew 1958- Verfasser aut Gender, nationalism, and war conflict on the movie screen Matthew Evangelista Gender, Nationalism, & War Cambridge Cambridge University Press 2011 1 online resource (xiii, 289 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Preface -- Virginia Woolf's purse -- Algeria : a world constructed out of ruins -- Yugoslavia : archetype or anomaly? -- Chechnya : virgins, mothers, and terrorists -- Québec : oui, no, or femme -- 'To live to see better times' : gender, nationalism, sovereignty, equality -- Sequel : gender and nationalist violence on film Virginia Woolf famously wrote 'as a woman I have no country', suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalist conflicts. This unique book generates insights into the role of gender in nationalist violence by examining feature films from a range of conflict zones. In The Battle of Algiers, female bombers destroy civilians while men dress in women's clothes to prevent the French army from capturing and torturing them. Prisoner of the Mountains shows a Chechen girl falling in love with her Russian captive as his mother tries to rescue him. Providing historical and political context to these and other films, Matthew Evangelista identifies the key role that economic decline plays in threatening masculine identity and provoking the misogynistic violence that often accompanies nationalist wars Frau Women in motion pictures War films / History and criticism Sex role in motion pictures Nationalism in motion pictures Political violence in motion pictures Men in motion pictures Women / Political activity Violence in women Ethnizität (DE-588)4220764-2 gnd rswk-swf Kriegsfilm (DE-588)4165687-8 gnd rswk-swf Bewaffneter Konflikt (DE-588)4137568-3 gnd rswk-swf Nationalismus (DE-588)4041300-7 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Ethnizität (DE-588)4220764-2 s Nationalismus (DE-588)4041300-7 s Bewaffneter Konflikt (DE-588)4137568-3 s Geschlechterrolle (DE-588)4071776-8 s Kriegsfilm (DE-588)4165687-8 s 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-17354-4 Erscheint auch als Druckausgabe 978-1-107-00194-7 https://doi.org/10.1017/CBO9780511740046 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Evangelista, Matthew 1958- Gender, nationalism, and war conflict on the movie screen Preface -- Virginia Woolf's purse -- Algeria : a world constructed out of ruins -- Yugoslavia : archetype or anomaly? -- Chechnya : virgins, mothers, and terrorists -- Québec : oui, no, or femme -- 'To live to see better times' : gender, nationalism, sovereignty, equality -- Sequel : gender and nationalist violence on film Frau Women in motion pictures War films / History and criticism Sex role in motion pictures Nationalism in motion pictures Political violence in motion pictures Men in motion pictures Women / Political activity Violence in women Ethnizität (DE-588)4220764-2 gnd Kriegsfilm (DE-588)4165687-8 gnd Bewaffneter Konflikt (DE-588)4137568-3 gnd Nationalismus (DE-588)4041300-7 gnd Geschlechterrolle (DE-588)4071776-8 gnd |
| subject_GND | (DE-588)4220764-2 (DE-588)4165687-8 (DE-588)4137568-3 (DE-588)4041300-7 (DE-588)4071776-8 |
| title | Gender, nationalism, and war conflict on the movie screen |
| title_alt | Gender, Nationalism, & War |
| title_auth | Gender, nationalism, and war conflict on the movie screen |
| title_exact_search | Gender, nationalism, and war conflict on the movie screen |
| title_full | Gender, nationalism, and war conflict on the movie screen Matthew Evangelista |
| title_fullStr | Gender, nationalism, and war conflict on the movie screen Matthew Evangelista |
| title_full_unstemmed | Gender, nationalism, and war conflict on the movie screen Matthew Evangelista |
| title_short | Gender, nationalism, and war |
| title_sort | gender nationalism and war conflict on the movie screen |
| title_sub | conflict on the movie screen |
| topic | Frau Women in motion pictures War films / History and criticism Sex role in motion pictures Nationalism in motion pictures Political violence in motion pictures Men in motion pictures Women / Political activity Violence in women Ethnizität (DE-588)4220764-2 gnd Kriegsfilm (DE-588)4165687-8 gnd Bewaffneter Konflikt (DE-588)4137568-3 gnd Nationalismus (DE-588)4041300-7 gnd Geschlechterrolle (DE-588)4071776-8 gnd |
| topic_facet | Frau Women in motion pictures War films / History and criticism Sex role in motion pictures Nationalism in motion pictures Political violence in motion pictures Men in motion pictures Women / Political activity Violence in women Ethnizität Kriegsfilm Bewaffneter Konflikt Nationalismus Geschlechterrolle |
| url | https://doi.org/10.1017/CBO9780511740046 |
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