Stravinsky's piano genesis of a musical language
Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of his whole output - viewed from the unprecedented perspective of his relationship with the piano. Graham Griffiths assesses Stravinsky&...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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2013
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| Schriftenreihe: | Music since 1900
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| 520 | |a Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of his whole output - viewed from the unprecedented perspective of his relationship with the piano. Graham Griffiths assesses Stravinsky's musical upbringing in St Petersburg with emphasis on his education at the hands of two extraordinary teachers whom he later either ignored or denounced: Leokadiya Kashperova, for piano and Rimsky-Korsakov, for instrumentation. Their message, Griffiths argues, enabled Stravinsky to formulate from that intensely Russian experience an internationalist brand of neoclassicism founded upon the premises of objectivity and craft. Drawing directly on the composer's manuscripts, Griffiths addresses Stravinsky's lifelong fascination with counterpoint and with pianism's constructive processes. Stravinsky's Piano presents both of these as recurring features of the compositional attitudes that Stravinsky consistently applied to his works, whether Russian, neoclassical or serial and regardless of idiom and genre | ||
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Datensatz im Suchindex
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| author | Griffiths, Graham 1954- |
| author_facet | Griffiths, Graham 1954- |
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| bvnumber | BV043921529 |
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| contents | Becoming a Russian musician -- Becoming a neoclassicist -- Stravinsky's piano workshop -- Departures and homecomings |
| ctrlnum | (ZDB-20-CBO)CR9781139017954 (OCoLC)949924677 (DE-599)BVBBV043921529 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139017954 |
| format | Electronic eBook |
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| id | DE-604.BV043921529 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-24T05:33:17Z |
| institution | BVB |
| isbn | 9781139017954 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029330612 |
| oclc_num | 949924677 |
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| physical | 1 online resource (xviii, 335 pages) |
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| publishDate | 2013 |
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| publisher | Cambridge University Press |
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| series2 | Music since 1900 |
| spelling | Griffiths, Graham 1954- Verfasser aut Stravinsky's piano genesis of a musical language Graham Griffiths Cambridge Cambridge University Press 2013 1 online resource (xviii, 335 pages) txt rdacontent c rdamedia cr rdacarrier Music since 1900 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Becoming a Russian musician -- Becoming a neoclassicist -- Stravinsky's piano workshop -- Departures and homecomings Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of his whole output - viewed from the unprecedented perspective of his relationship with the piano. Graham Griffiths assesses Stravinsky's musical upbringing in St Petersburg with emphasis on his education at the hands of two extraordinary teachers whom he later either ignored or denounced: Leokadiya Kashperova, for piano and Rimsky-Korsakov, for instrumentation. Their message, Griffiths argues, enabled Stravinsky to formulate from that intensely Russian experience an internationalist brand of neoclassicism founded upon the premises of objectivity and craft. Drawing directly on the composer's manuscripts, Griffiths addresses Stravinsky's lifelong fascination with counterpoint and with pianism's constructive processes. Stravinsky's Piano presents both of these as recurring features of the compositional attitudes that Stravinsky consistently applied to his works, whether Russian, neoclassical or serial and regardless of idiom and genre Stravinsky, Igor / 1882-1971 / Criticism and interpretation Stravinsky, Igor / 1882-1971 / Piano music Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd rswk-swf Klaviermusik (DE-588)4030993-9 gnd rswk-swf Stravinsky, Igor 1882-1971 (DE-588)118642545 p Klaviermusik (DE-588)4030993-9 s 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-19178-4 https://doi.org/10.1017/CBO9781139017954 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Griffiths, Graham 1954- Stravinsky's piano genesis of a musical language Becoming a Russian musician -- Becoming a neoclassicist -- Stravinsky's piano workshop -- Departures and homecomings Stravinsky, Igor / 1882-1971 / Criticism and interpretation Stravinsky, Igor / 1882-1971 / Piano music Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd Klaviermusik (DE-588)4030993-9 gnd |
| subject_GND | (DE-588)118642545 (DE-588)4030993-9 |
| title | Stravinsky's piano genesis of a musical language |
| title_auth | Stravinsky's piano genesis of a musical language |
| title_exact_search | Stravinsky's piano genesis of a musical language |
| title_full | Stravinsky's piano genesis of a musical language Graham Griffiths |
| title_fullStr | Stravinsky's piano genesis of a musical language Graham Griffiths |
| title_full_unstemmed | Stravinsky's piano genesis of a musical language Graham Griffiths |
| title_short | Stravinsky's piano |
| title_sort | stravinsky s piano genesis of a musical language |
| title_sub | genesis of a musical language |
| topic | Stravinsky, Igor / 1882-1971 / Criticism and interpretation Stravinsky, Igor / 1882-1971 / Piano music Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd Klaviermusik (DE-588)4030993-9 gnd |
| topic_facet | Stravinsky, Igor / 1882-1971 / Criticism and interpretation Stravinsky, Igor / 1882-1971 / Piano music Stravinsky, Igor 1882-1971 Klaviermusik |
| url | https://doi.org/10.1017/CBO9781139017954 |
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