The "I" of the camera essays in film criticism, history, and aesthetics
The 'I' of the Camera has become a classic in the literature of film. Offering alternatives to the viewing and criticism of film, William Rothman challenges readers to think about film in adventurous ways that are more open to movies and our experience of them. In a series of eloquent essa...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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2004
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| Ausgabe: | Second edition |
| Schriftenreihe: | Cambridge studies in film
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| 520 | |a The 'I' of the Camera has become a classic in the literature of film. Offering alternatives to the viewing and criticism of film, William Rothman challenges readers to think about film in adventurous ways that are more open to movies and our experience of them. In a series of eloquent essays examining particular films, filmmakers, genres and movements, and the 'Americanness' of American film, Rothman argues compellingly that movies have inherited the philosophical perspective of American transcendentalism. This second edition contains all of the essays that made the book a benchmark of film criticism. It also includes fourteen essays, written subsequent to the book's original publication, as well as a new foreword. The new chapters further broaden the scope of the volume, fleshing out its vision of film history and illuminating the author's critical method and the philosophical perspective that informs it | ||
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| spelling | Rothman, William Verfasser aut The "I" of the camera essays in film criticism, history, and aesthetics William Rothman Second edition Cambridge Cambridge University Press 2004 1 online resource (xxxii, 389 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in film Title from publisher's bibliographic system (viewed on 05 Oct 2015) The 'I' of the Camera has become a classic in the literature of film. Offering alternatives to the viewing and criticism of film, William Rothman challenges readers to think about film in adventurous ways that are more open to movies and our experience of them. In a series of eloquent essays examining particular films, filmmakers, genres and movements, and the 'Americanness' of American film, Rothman argues compellingly that movies have inherited the philosophical perspective of American transcendentalism. This second edition contains all of the essays that made the book a benchmark of film criticism. It also includes fourteen essays, written subsequent to the book's original publication, as well as a new foreword. The new chapters further broaden the scope of the volume, fleshing out its vision of film history and illuminating the author's critical method and the philosophical perspective that informs it Film Motion pictures Filmkritik (DE-588)4154367-1 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Filmästhetik (DE-588)4140881-0 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Ästhetik (DE-588)4000626-8 s 2\p DE-604 Geschichte (DE-588)4020517-4 s 3\p DE-604 Filmästhetik (DE-588)4140881-0 s 4\p DE-604 Filmkritik (DE-588)4154367-1 s 5\p DE-604 Filmtheorie (DE-588)4071216-3 s 6\p DE-604 Erscheint auch als Druckausgabe 978-0-521-52724-8 Erscheint auch als Druckausgabe 978-0-521-82022-6 https://doi.org/10.1017/CBO9780511616600 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 6\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rothman, William The "I" of the camera essays in film criticism, history, and aesthetics Film Motion pictures Filmkritik (DE-588)4154367-1 gnd Geschichte (DE-588)4020517-4 gnd Filmästhetik (DE-588)4140881-0 gnd Ästhetik (DE-588)4000626-8 gnd Filmtheorie (DE-588)4071216-3 gnd Film (DE-588)4017102-4 gnd |
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| title | The "I" of the camera essays in film criticism, history, and aesthetics |
| title_auth | The "I" of the camera essays in film criticism, history, and aesthetics |
| title_exact_search | The "I" of the camera essays in film criticism, history, and aesthetics |
| title_full | The "I" of the camera essays in film criticism, history, and aesthetics William Rothman |
| title_fullStr | The "I" of the camera essays in film criticism, history, and aesthetics William Rothman |
| title_full_unstemmed | The "I" of the camera essays in film criticism, history, and aesthetics William Rothman |
| title_short | The "I" of the camera |
| title_sort | the i of the camera essays in film criticism history and aesthetics |
| title_sub | essays in film criticism, history, and aesthetics |
| topic | Film Motion pictures Filmkritik (DE-588)4154367-1 gnd Geschichte (DE-588)4020517-4 gnd Filmästhetik (DE-588)4140881-0 gnd Ästhetik (DE-588)4000626-8 gnd Filmtheorie (DE-588)4071216-3 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film Motion pictures Filmkritik Geschichte Filmästhetik Ästhetik Filmtheorie USA Aufsatzsammlung |
| url | https://doi.org/10.1017/CBO9780511616600 |
| work_keys_str_mv | AT rothmanwilliam theiofthecameraessaysinfilmcriticismhistoryandaesthetics |