Opera and modern spectatorship in late nineteenth-century Italy
At the turn of the twentieth century Italian opera participated to the making of a modern spectator. The Ricordi stage manuals testify to the need to harness the effects of operatic performance, activating opera's capacity to cultivate a public. This book considers how four operas and one film...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
|
| Schriftenreihe: | Cambridge studies in opera
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Inhaltsangabe:
- Staging manuals and the public
- The "fleeting moment" : Arrigo Boito's Mefistofele
- Milan, 1881 : Simon Boccanegra and the specters of history
- Acting in Otello : on the rhetoric of the medium
- The real of opera : Puccini's Manon Lescaut
- Faust again : the silent film Rapsodia satanica and Mascagni's score