Opera and modern spectatorship in late nineteenth-century Italy
At the turn of the twentieth century Italian opera participated to the making of a modern spectator. The Ricordi stage manuals testify to the need to harness the effects of operatic performance, activating opera's capacity to cultivate a public. This book considers how four operas and one film...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Cambridge University Press
2015
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| Schriftenreihe: | Cambridge studies in opera
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| Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers |
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| 520 | |a At the turn of the twentieth century Italian opera participated to the making of a modern spectator. The Ricordi stage manuals testify to the need to harness the effects of operatic performance, activating opera's capacity to cultivate a public. This book considers how four operas and one film deal with their public: one that in Boito's Mefistofele is entertained by special effects, or that in Verdi's Simon Boccanegra is called upon as a political body to confront the specters of history. Also a public that in Verdi's Otello is subjected to the manipulation of contemporary acting, or one that in Puccini's Manon Lescaut is urged to question the mechanism of spectatorship. Lastly, the silent film Rapsodia satanica, thanks to the craft and prestige of Pietro Mascagni's score, attempts to transform the new industrial medium into art, addressing its public's search for a bourgeois pan-European cultural identity, right at the outset of WWI. | ||
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Datensatz im Suchindex
| _version_ | 1820231274191650816 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Campana, Alessandra |
| author_facet | Campana, Alessandra |
| author_role | aut |
| author_sort | Campana, Alessandra |
| author_variant | a c ac |
| building | Verbundindex |
| bvnumber | BV043917881 |
| classification_rvk | LR 54172 |
| collection | ZDB-20-CBO |
| contents | Staging manuals and the public -- The "fleeting moment" : Arrigo Boito's Mefistofele -- Milan, 1881 : Simon Boccanegra and the specters of history -- Acting in Otello : on the rhetoric of the medium -- The real of opera : Puccini's Manon Lescaut -- Faust again : the silent film Rapsodia satanica and Mascagni's score |
| ctrlnum | (ZDB-20-CBO)CR9781107280274 (OCoLC)949923246 (DE-599)BVBBV043917881 |
| dewey-full | 792.50945/09034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.50945/09034 |
| dewey-search | 792.50945/09034 |
| dewey-sort | 3792.50945 49034 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781107280274 |
| era | Geschichte 1800-1900 Geschichte 1700-1800 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1700-1800 |
| format | Electronic eBook |
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| geographic_facet | Italien |
| id | DE-604.BV043917881 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-03T12:36:55Z |
| institution | BVB |
| isbn | 9781107280274 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029326963 |
| oclc_num | 949923246 |
| open_access_boolean | |
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| physical | 1 online resource (xvi, 206 pages) |
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| publishDate | 2015 |
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| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge studies in opera |
| spelling | Campana, Alessandra. Verfasser aut Opera and modern spectatorship in late nineteenth-century Italy Alessandra Campana Opera & Modern Spectatorship in Late Nineteenth-Century Italy Cambridge Cambridge University Press 2015 1 online resource (xvi, 206 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in opera Title from publisher's bibliographic system (viewed on 05 Oct 2015) Staging manuals and the public -- The "fleeting moment" : Arrigo Boito's Mefistofele -- Milan, 1881 : Simon Boccanegra and the specters of history -- Acting in Otello : on the rhetoric of the medium -- The real of opera : Puccini's Manon Lescaut -- Faust again : the silent film Rapsodia satanica and Mascagni's score At the turn of the twentieth century Italian opera participated to the making of a modern spectator. The Ricordi stage manuals testify to the need to harness the effects of operatic performance, activating opera's capacity to cultivate a public. This book considers how four operas and one film deal with their public: one that in Boito's Mefistofele is entertained by special effects, or that in Verdi's Simon Boccanegra is called upon as a political body to confront the specters of history. Also a public that in Verdi's Otello is subjected to the manipulation of contemporary acting, or one that in Puccini's Manon Lescaut is urged to question the mechanism of spectatorship. Lastly, the silent film Rapsodia satanica, thanks to the craft and prestige of Pietro Mascagni's score, attempts to transform the new industrial medium into art, addressing its public's search for a bourgeois pan-European cultural identity, right at the outset of WWI. Geschichte 1800-1900 Geschichte 1700-1800 gnd rswk-swf Opera / Italy / 19th century Oper (DE-588)4043582-9 gnd rswk-swf Publikum (DE-588)4047764-2 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Italien Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Oper (DE-588)4043582-9 s Aufführung (DE-588)4143388-9 s Publikum (DE-588)4047764-2 s Geschichte 1700-1800 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-05189-8 Erscheint auch als Druckausgabe 978-1-107-66664-1 https://doi.org/10.1017/CBO9781107280274 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Campana, Alessandra Opera and modern spectatorship in late nineteenth-century Italy Staging manuals and the public -- The "fleeting moment" : Arrigo Boito's Mefistofele -- Milan, 1881 : Simon Boccanegra and the specters of history -- Acting in Otello : on the rhetoric of the medium -- The real of opera : Puccini's Manon Lescaut -- Faust again : the silent film Rapsodia satanica and Mascagni's score Opera / Italy / 19th century Oper (DE-588)4043582-9 gnd Publikum (DE-588)4047764-2 gnd Aufführung (DE-588)4143388-9 gnd |
| subject_GND | (DE-588)4043582-9 (DE-588)4047764-2 (DE-588)4143388-9 (DE-588)4027833-5 |
| title | Opera and modern spectatorship in late nineteenth-century Italy |
| title_alt | Opera & Modern Spectatorship in Late Nineteenth-Century Italy |
| title_auth | Opera and modern spectatorship in late nineteenth-century Italy |
| title_exact_search | Opera and modern spectatorship in late nineteenth-century Italy |
| title_full | Opera and modern spectatorship in late nineteenth-century Italy Alessandra Campana |
| title_fullStr | Opera and modern spectatorship in late nineteenth-century Italy Alessandra Campana |
| title_full_unstemmed | Opera and modern spectatorship in late nineteenth-century Italy Alessandra Campana |
| title_short | Opera and modern spectatorship in late nineteenth-century Italy |
| title_sort | opera and modern spectatorship in late nineteenth century italy |
| topic | Opera / Italy / 19th century Oper (DE-588)4043582-9 gnd Publikum (DE-588)4047764-2 gnd Aufführung (DE-588)4143388-9 gnd |
| topic_facet | Opera / Italy / 19th century Oper Publikum Aufführung Italien |
| url | https://doi.org/10.1017/CBO9781107280274 |
| work_keys_str_mv | AT campanaalessandra operaandmodernspectatorshipinlatenineteenthcenturyitaly AT campanaalessandra operamodernspectatorshipinlatenineteenthcenturyitaly |