Inside conducting
What does a conductor actually do? How much effect does he or she have? Can the orchestra manage without one? Why don't the players look at the conductor more? Is it necessary for the conductor to play every instrument? What about interpretation? What happens at rehearsals? Why do some conducto...
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| 505 | 8 | |a The conductor's mind. Background ; Harmony ; Memory ; Perfect pitch ; Training conductors ; Youth orchestras -- The conductor's skills. Balance ; Choral works ; Concerto accompaniment ; Ear ; Eye contact ; Opera ; Rehearsing -- The conductor's hands. Baton ; Beat ; Behind-the-beat playing ; Directing from the harpsichord ; Economy of gesture, cueing, use of the left hand -- The conductor and the musicians. Auditions ; Chamber orchestras ; Chief conductor ; Friend or boss? ; Orchestral playing ; Role of concertmaster ; Solos in an orchestral piece ; Stage settings -- The conductor and the instruments. Strings ; Winds ; Timpani and Percussion -- The conductor, the composer, and the score. Composers ; Learning scores, interpretation ; Marking parts ; Performance practice ; Shape and structure ; Tempo and metronome -- The conductor and the audience. Addressing the audience ; Applause, platform demeanor, coughing ; Program planning -- The conductor and "the business." Career and agents ; Critics ; Gender ; Guest conducting ; Orchestra managements ; Recording ; Travel and packing -- Inside the conductor. Concentration ; Control and power ; Ego ; Languages ; Nervousness ; Our heritage : some ancestors and my links with them | |
| 520 | |a What does a conductor actually do? How much effect does he or she have? Can the orchestra manage without one? Why don't the players look at the conductor more? Is it necessary for the conductor to play every instrument? What about interpretation? What happens at rehearsals? Why do some conductors "thrash around" more than others? Who's the boss in a concerto: the soloist or the conductor? These are some of the questions that receive lively and informative answers in this book by renowned conductor Christopher Seaman. Composed of short articles on individual topics, it is accessible and easy to consult. Each article begins with an anecdote or saying and ends with quotations from musicians, often expressing opposing views. There are many books on the art of conducting, but none like this. Music lovers wondering what the figure on the podium actually does, and aspiring conductors eager to learn more about the art and craft of leading an orchestra, will all treasure this wise yet humorous book. Christopher Seaman has been successful at both ends of the baton. After four years as principal timpanist of the London Philharmonic Orchestra, he was appointed principal conductor of the BBC Scottish Symphony Orchestra and has enjoyed a busy international conducting career for over forty years. He is now Conductor Laureate for Life of the Rochester Philharmonic Orchestra, New York, and he continues to bring great music and wise words to audiences, students, and readers around the world | ||
| 650 | 4 | |a Conducting | |
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Datensatz im Suchindex
| _version_ | 1819298635740872706 |
|---|---|
| any_adam_object | |
| author | Seaman, Christopher 1942- |
| author2 | Richards, Michael |
| author2_role | ill |
| author2_variant | m r mr |
| author_GND | (DE-588)13480189X |
| author_facet | Seaman, Christopher 1942- Richards, Michael |
| author_role | aut |
| author_sort | Seaman, Christopher 1942- |
| author_variant | c s cs |
| building | Verbundindex |
| bvnumber | BV043916792 |
| classification_rvk | LR 56070 |
| collection | ZDB-20-CBO ebook |
| contents | The conductor's mind. Background ; Harmony ; Memory ; Perfect pitch ; Training conductors ; Youth orchestras -- The conductor's skills. Balance ; Choral works ; Concerto accompaniment ; Ear ; Eye contact ; Opera ; Rehearsing -- The conductor's hands. Baton ; Beat ; Behind-the-beat playing ; Directing from the harpsichord ; Economy of gesture, cueing, use of the left hand -- The conductor and the musicians. Auditions ; Chamber orchestras ; Chief conductor ; Friend or boss? ; Orchestral playing ; Role of concertmaster ; Solos in an orchestral piece ; Stage settings -- The conductor and the instruments. Strings ; Winds ; Timpani and Percussion -- The conductor, the composer, and the score. Composers ; Learning scores, interpretation ; Marking parts ; Performance practice ; Shape and structure ; Tempo and metronome -- The conductor and the audience. Addressing the audience ; Applause, platform demeanor, coughing ; Program planning -- The conductor and "the business." Career and agents ; Critics ; Gender ; Guest conducting ; Orchestra managements ; Recording ; Travel and packing -- Inside the conductor. Concentration ; Control and power ; Ego ; Languages ; Nervousness ; Our heritage : some ancestors and my links with them |
| ctrlnum | (OCoLC)883805759 (DE-599)BVBBV043916792 |
| dewey-full | 781.45 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.45 |
| dewey-search | 781.45 |
| dewey-sort | 3781.45 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043916792 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-24T05:32:47Z |
| institution | BVB |
| isbn | 9781580468305 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029325875 |
| oclc_num | 883805759 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-11 |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-11 |
| physical | 1 online resource (xii, 268 pages) |
| psigel | ZDB-20-CBO ebook ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Boydell & Brewer |
| record_format | marc |
| spelling | Seaman, Christopher 1942- Verfasser (DE-588)13480189X aut Inside conducting Christopher Seaman ; illustrations by Michael Richards Suffolk Boydell & Brewer 2013 1 online resource (xii, 268 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) The conductor's mind. Background ; Harmony ; Memory ; Perfect pitch ; Training conductors ; Youth orchestras -- The conductor's skills. Balance ; Choral works ; Concerto accompaniment ; Ear ; Eye contact ; Opera ; Rehearsing -- The conductor's hands. Baton ; Beat ; Behind-the-beat playing ; Directing from the harpsichord ; Economy of gesture, cueing, use of the left hand -- The conductor and the musicians. Auditions ; Chamber orchestras ; Chief conductor ; Friend or boss? ; Orchestral playing ; Role of concertmaster ; Solos in an orchestral piece ; Stage settings -- The conductor and the instruments. Strings ; Winds ; Timpani and Percussion -- The conductor, the composer, and the score. Composers ; Learning scores, interpretation ; Marking parts ; Performance practice ; Shape and structure ; Tempo and metronome -- The conductor and the audience. Addressing the audience ; Applause, platform demeanor, coughing ; Program planning -- The conductor and "the business." Career and agents ; Critics ; Gender ; Guest conducting ; Orchestra managements ; Recording ; Travel and packing -- Inside the conductor. Concentration ; Control and power ; Ego ; Languages ; Nervousness ; Our heritage : some ancestors and my links with them What does a conductor actually do? How much effect does he or she have? Can the orchestra manage without one? Why don't the players look at the conductor more? Is it necessary for the conductor to play every instrument? What about interpretation? What happens at rehearsals? Why do some conductors "thrash around" more than others? Who's the boss in a concerto: the soloist or the conductor? These are some of the questions that receive lively and informative answers in this book by renowned conductor Christopher Seaman. Composed of short articles on individual topics, it is accessible and easy to consult. Each article begins with an anecdote or saying and ends with quotations from musicians, often expressing opposing views. There are many books on the art of conducting, but none like this. Music lovers wondering what the figure on the podium actually does, and aspiring conductors eager to learn more about the art and craft of leading an orchestra, will all treasure this wise yet humorous book. Christopher Seaman has been successful at both ends of the baton. After four years as principal timpanist of the London Philharmonic Orchestra, he was appointed principal conductor of the BBC Scottish Symphony Orchestra and has enjoyed a busy international conducting career for over forty years. He is now Conductor Laureate for Life of the Rochester Philharmonic Orchestra, New York, and he continues to bring great music and wise words to audiences, students, and readers around the world Conducting Conductors (Music) Dirigent (DE-588)4012434-4 gnd rswk-swf Dirigieren (DE-588)4012435-6 gnd rswk-swf Dirigent (DE-588)4012434-4 s Dirigieren (DE-588)4012435-6 s 1\p DE-604 Richards, Michael ill Erscheint auch als Druck-Ausgabe 978-1-580-46411-6 http://www.cambridge.org/core/product/identifier/9781580468305/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Seaman, Christopher 1942- Inside conducting The conductor's mind. Background ; Harmony ; Memory ; Perfect pitch ; Training conductors ; Youth orchestras -- The conductor's skills. Balance ; Choral works ; Concerto accompaniment ; Ear ; Eye contact ; Opera ; Rehearsing -- The conductor's hands. Baton ; Beat ; Behind-the-beat playing ; Directing from the harpsichord ; Economy of gesture, cueing, use of the left hand -- The conductor and the musicians. Auditions ; Chamber orchestras ; Chief conductor ; Friend or boss? ; Orchestral playing ; Role of concertmaster ; Solos in an orchestral piece ; Stage settings -- The conductor and the instruments. Strings ; Winds ; Timpani and Percussion -- The conductor, the composer, and the score. Composers ; Learning scores, interpretation ; Marking parts ; Performance practice ; Shape and structure ; Tempo and metronome -- The conductor and the audience. Addressing the audience ; Applause, platform demeanor, coughing ; Program planning -- The conductor and "the business." Career and agents ; Critics ; Gender ; Guest conducting ; Orchestra managements ; Recording ; Travel and packing -- Inside the conductor. Concentration ; Control and power ; Ego ; Languages ; Nervousness ; Our heritage : some ancestors and my links with them Conducting Conductors (Music) Dirigent (DE-588)4012434-4 gnd Dirigieren (DE-588)4012435-6 gnd |
| subject_GND | (DE-588)4012434-4 (DE-588)4012435-6 |
| title | Inside conducting |
| title_auth | Inside conducting |
| title_exact_search | Inside conducting |
| title_full | Inside conducting Christopher Seaman ; illustrations by Michael Richards |
| title_fullStr | Inside conducting Christopher Seaman ; illustrations by Michael Richards |
| title_full_unstemmed | Inside conducting Christopher Seaman ; illustrations by Michael Richards |
| title_short | Inside conducting |
| title_sort | inside conducting |
| topic | Conducting Conductors (Music) Dirigent (DE-588)4012434-4 gnd Dirigieren (DE-588)4012435-6 gnd |
| topic_facet | Conducting Conductors (Music) Dirigent Dirigieren |
| url | http://www.cambridge.org/core/product/identifier/9781580468305/type/BOOK |
| work_keys_str_mv | AT seamanchristopher insideconducting AT richardsmichael insideconducting |