Rethinking Hanslick music, formalism, and expression
Rethinking Hanslick: Music, Formalism, and Expression' is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Suffolk
Boydell & Brewer
2013
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043916029 | ||
| 003 | DE-604 | ||
| 005 | 20221019 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161202s2013 xx o|||| 00||| eng d | ||
| 020 | |a 9781580467957 |c Online |9 978-1-58046-795-7 | ||
| 035 | |a (OCoLC)967386839 | ||
| 035 | |a (DE-599)BVBBV043916029 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 720.973 |2 23 | |
| 084 | |a LP 64040 |0 (DE-625)107474: |2 rvk | ||
| 245 | 1 | 0 | |a Rethinking Hanslick |b music, formalism, and expression |c edited by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx |
| 264 | 1 | |a Suffolk |b Boydell & Brewer |c 2013 | |
| 300 | |a 1 online resource (xv, 360 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Title from publisher's bibliographic system (viewed on 02 Oct 2015) | ||
| 505 | 8 | 0 | |t Negotiating the "absolute" : Hanslick's path through musical history |r James Deaville |t Hanslick's composers |r Fred Everett Maus |t Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music |r Anthony Pryer |t Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk |r Felix Wörner |t Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna |r Dana Gooley |t Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception |r Chantal Frankenbach |t "Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark |r David Brodbeck |t German humanism, liberalism, and elegy in Hanslick's writings on Brahms |r Nicole Grimes |t The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity |r Lauren Freede |t "Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century |r Marion Gerards |t Body and soul, content and form : on Hanslick's use of the organism metaphor |r Nina Noeske |t Hanslick and Hugo Wolf |r Timothy R. McKinney |t Battle rejoined : Hanslick and the symphonic poem in the 1890s |r David Larkin |t On "Jewishness" and genre : Hanslick's reception of Gustav Mahler |r David Kasunic |
| 520 | |a Rethinking Hanslick: Music, Formalism, and Expression' is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important 'On the Musically Beautiful' and his critical and autobiographical writings, demonstrating Hanslick's rich insights into the context in which a musical work is composed, performed, and received. 'Rethinking Hanslick' serves as an invaluable companion to Hanslick's prodigious scholarship and criticism, deepening our understanding of the major themes and ideas of one of the most influential music critics of the nineteenth century. Dr Nicole Grimes is a Marie Curie Fellow at University College Dublin (UCD), and the University of California, Irvine. Dr Siobhán Donovan is a College Lecturer at the School of Languages and Literatures, UCD. Dr Wolfgang Marx is a Senior Lecturer at the School of Music, UCD. | ||
| 600 | 1 | 4 | |a Hanslick, Eduard / 1825-1904 |
| 600 | 1 | 7 | |a Hanslick, Eduard |d 1825-1904 |0 (DE-588)118545825 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1800-1904 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music / 19th century / Philosophy and aesthetics | |
| 650 | 4 | |a Musical criticism / History / 19th century | |
| 650 | 0 | 7 | |a Musikkritik |0 (DE-588)4139777-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Wien |0 (DE-588)4066009-6 |2 gnd |9 rswk-swf | |
| 655 | 7 | |8 1\p |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Wien |0 (DE-588)4066009-6 |D g |
| 689 | 0 | 1 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 2 | |a Musikkritik |0 (DE-588)4139777-0 |D s |
| 689 | 0 | 3 | |a Geschichte 1800-1904 |A z |
| 689 | 0 | |8 2\p |5 DE-604 | |
| 689 | 1 | 0 | |a Hanslick, Eduard |d 1825-1904 |0 (DE-588)118545825 |D p |
| 689 | 1 | |8 3\p |5 DE-604 | |
| 700 | 1 | |a Grimes, Nicole |4 edt | |
| 700 | 1 | |a Donovan, Siobhán |d 1966- |4 edt | |
| 700 | 1 | |a Marx, Wolfgang |d 1967- |0 (DE-588)124074251 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-1-58046-432-1 |
| 856 | 4 | 0 | |u http://www.cambridge.org/core/product/identifier/9781580467957/type/BOOK |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 3\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029325111 | |
| 966 | e | |u http://www.cambridge.org/core/product/identifier/9781580467957/type/BOOK |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u http://www.cambridge.org/core/product/identifier/9781580467957/type/BOOK |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1819298635563663360 |
|---|---|
| any_adam_object | |
| author2 | Grimes, Nicole Donovan, Siobhán 1966- Marx, Wolfgang 1967- |
| author2_role | edt edt edt |
| author2_variant | n g ng s d sd w m wm |
| author_GND | (DE-588)124074251 |
| author_additional | James Deaville Fred Everett Maus Anthony Pryer Felix Wörner Dana Gooley Chantal Frankenbach David Brodbeck Nicole Grimes Lauren Freede Marion Gerards Nina Noeske Timothy R. McKinney David Larkin David Kasunic |
| author_facet | Grimes, Nicole Donovan, Siobhán 1966- Marx, Wolfgang 1967- |
| building | Verbundindex |
| bvnumber | BV043916029 |
| classification_rvk | LP 64040 |
| collection | ZDB-20-CBO |
| contents | Negotiating the "absolute" : Hanslick's path through musical history Hanslick's composers Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception "Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark German humanism, liberalism, and elegy in Hanslick's writings on Brahms The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity "Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century Body and soul, content and form : on Hanslick's use of the organism metaphor Hanslick and Hugo Wolf Battle rejoined : Hanslick and the symphonic poem in the 1890s On "Jewishness" and genre : Hanslick's reception of Gustav Mahler |
| ctrlnum | (OCoLC)967386839 (DE-599)BVBBV043916029 |
| dewey-full | 720.973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 720 - Architecture |
| dewey-raw | 720.973 |
| dewey-search | 720.973 |
| dewey-sort | 3720.973 |
| dewey-tens | 720 - Architecture |
| discipline | Architektur Musikwissenschaft |
| era | Geschichte 1800-1900 Geschichte 1800-1904 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1800-1904 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05531nam a2200661zc 4500</leader><controlfield tag="001">BV043916029</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221019 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s2013 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781580467957</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-58046-795-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)967386839</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043916029</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">720.973</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 64040</subfield><subfield code="0">(DE-625)107474:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Rethinking Hanslick</subfield><subfield code="b">music, formalism, and expression</subfield><subfield code="c">edited by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Suffolk</subfield><subfield code="b">Boydell & Brewer</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xv, 360 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 02 Oct 2015)</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Negotiating the "absolute" : Hanslick's path through musical history</subfield><subfield code="r">James Deaville</subfield><subfield code="t">Hanslick's composers</subfield><subfield code="r">Fred Everett Maus</subfield><subfield code="t">Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music</subfield><subfield code="r">Anthony Pryer</subfield><subfield code="t">Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk</subfield><subfield code="r">Felix Wörner</subfield><subfield code="t">Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna</subfield><subfield code="r">Dana Gooley</subfield><subfield code="t">Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception</subfield><subfield code="r">Chantal Frankenbach</subfield><subfield code="t">"Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark</subfield><subfield code="r">David Brodbeck</subfield><subfield code="t">German humanism, liberalism, and elegy in Hanslick's writings on Brahms</subfield><subfield code="r">Nicole Grimes</subfield><subfield code="t">The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity</subfield><subfield code="r">Lauren Freede</subfield><subfield code="t">"Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century</subfield><subfield code="r">Marion Gerards</subfield><subfield code="t">Body and soul, content and form : on Hanslick's use of the organism metaphor</subfield><subfield code="r">Nina Noeske</subfield><subfield code="t">Hanslick and Hugo Wolf</subfield><subfield code="r">Timothy R. McKinney</subfield><subfield code="t">Battle rejoined : Hanslick and the symphonic poem in the 1890s</subfield><subfield code="r">David Larkin</subfield><subfield code="t">On "Jewishness" and genre : Hanslick's reception of Gustav Mahler</subfield><subfield code="r">David Kasunic</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Rethinking Hanslick: Music, Formalism, and Expression' is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important 'On the Musically Beautiful' and his critical and autobiographical writings, demonstrating Hanslick's rich insights into the context in which a musical work is composed, performed, and received. 'Rethinking Hanslick' serves as an invaluable companion to Hanslick's prodigious scholarship and criticism, deepening our understanding of the major themes and ideas of one of the most influential music critics of the nineteenth century. Dr Nicole Grimes is a Marie Curie Fellow at University College Dublin (UCD), and the University of California, Irvine. Dr Siobhán Donovan is a College Lecturer at the School of Languages and Literatures, UCD. Dr Wolfgang Marx is a Senior Lecturer at the School of Music, UCD.</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Hanslick, Eduard / 1825-1904</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Hanslick, Eduard</subfield><subfield code="d">1825-1904</subfield><subfield code="0">(DE-588)118545825</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-1904</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / 19th century / Philosophy and aesthetics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musical criticism / History / 19th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikkritik</subfield><subfield code="0">(DE-588)4139777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Wien</subfield><subfield code="0">(DE-588)4066009-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Wien</subfield><subfield code="0">(DE-588)4066009-6</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikkritik</subfield><subfield code="0">(DE-588)4139777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1800-1904</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Hanslick, Eduard</subfield><subfield code="d">1825-1904</subfield><subfield code="0">(DE-588)118545825</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Grimes, Nicole</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Donovan, Siobhán</subfield><subfield code="d">1966-</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Marx, Wolfgang</subfield><subfield code="d">1967-</subfield><subfield code="0">(DE-588)124074251</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-1-58046-432-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.cambridge.org/core/product/identifier/9781580467957/type/BOOK</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029325111</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.cambridge.org/core/product/identifier/9781580467957/type/BOOK</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.cambridge.org/core/product/identifier/9781580467957/type/BOOK</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Wien (DE-588)4066009-6 gnd |
| geographic_facet | Wien |
| id | DE-604.BV043916029 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-24T05:32:46Z |
| institution | BVB |
| isbn | 9781580467957 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029325111 |
| oclc_num | 967386839 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (xv, 360 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Boydell & Brewer |
| record_format | marc |
| spelling | Rethinking Hanslick music, formalism, and expression edited by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx Suffolk Boydell & Brewer 2013 1 online resource (xv, 360 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Negotiating the "absolute" : Hanslick's path through musical history James Deaville Hanslick's composers Fred Everett Maus Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music Anthony Pryer Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk Felix Wörner Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna Dana Gooley Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception Chantal Frankenbach "Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark David Brodbeck German humanism, liberalism, and elegy in Hanslick's writings on Brahms Nicole Grimes The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity Lauren Freede "Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century Marion Gerards Body and soul, content and form : on Hanslick's use of the organism metaphor Nina Noeske Hanslick and Hugo Wolf Timothy R. McKinney Battle rejoined : Hanslick and the symphonic poem in the 1890s David Larkin On "Jewishness" and genre : Hanslick's reception of Gustav Mahler David Kasunic Rethinking Hanslick: Music, Formalism, and Expression' is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important 'On the Musically Beautiful' and his critical and autobiographical writings, demonstrating Hanslick's rich insights into the context in which a musical work is composed, performed, and received. 'Rethinking Hanslick' serves as an invaluable companion to Hanslick's prodigious scholarship and criticism, deepening our understanding of the major themes and ideas of one of the most influential music critics of the nineteenth century. Dr Nicole Grimes is a Marie Curie Fellow at University College Dublin (UCD), and the University of California, Irvine. Dr Siobhán Donovan is a College Lecturer at the School of Languages and Literatures, UCD. Dr Wolfgang Marx is a Senior Lecturer at the School of Music, UCD. Hanslick, Eduard / 1825-1904 Hanslick, Eduard 1825-1904 (DE-588)118545825 gnd rswk-swf Geschichte 1800-1900 Geschichte 1800-1904 gnd rswk-swf Geschichte Musik Music / 19th century / Philosophy and aesthetics Musical criticism / History / 19th century Musikkritik (DE-588)4139777-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Wien (DE-588)4066009-6 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Wien (DE-588)4066009-6 g Musik (DE-588)4040802-4 s Musikkritik (DE-588)4139777-0 s Geschichte 1800-1904 z 2\p DE-604 Hanslick, Eduard 1825-1904 (DE-588)118545825 p 3\p DE-604 Grimes, Nicole edt Donovan, Siobhán 1966- edt Marx, Wolfgang 1967- (DE-588)124074251 edt Erscheint auch als Druckausgabe 978-1-58046-432-1 http://www.cambridge.org/core/product/identifier/9781580467957/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rethinking Hanslick music, formalism, and expression Negotiating the "absolute" : Hanslick's path through musical history Hanslick's composers Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception "Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark German humanism, liberalism, and elegy in Hanslick's writings on Brahms The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity "Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century Body and soul, content and form : on Hanslick's use of the organism metaphor Hanslick and Hugo Wolf Battle rejoined : Hanslick and the symphonic poem in the 1890s On "Jewishness" and genre : Hanslick's reception of Gustav Mahler Hanslick, Eduard / 1825-1904 Hanslick, Eduard 1825-1904 (DE-588)118545825 gnd Geschichte Musik Music / 19th century / Philosophy and aesthetics Musical criticism / History / 19th century Musikkritik (DE-588)4139777-0 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)118545825 (DE-588)4139777-0 (DE-588)4040802-4 (DE-588)4066009-6 (DE-588)4143413-4 |
| title | Rethinking Hanslick music, formalism, and expression |
| title_alt | Negotiating the "absolute" : Hanslick's path through musical history Hanslick's composers Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception "Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark German humanism, liberalism, and elegy in Hanslick's writings on Brahms The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity "Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century Body and soul, content and form : on Hanslick's use of the organism metaphor Hanslick and Hugo Wolf Battle rejoined : Hanslick and the symphonic poem in the 1890s On "Jewishness" and genre : Hanslick's reception of Gustav Mahler |
| title_auth | Rethinking Hanslick music, formalism, and expression |
| title_exact_search | Rethinking Hanslick music, formalism, and expression |
| title_full | Rethinking Hanslick music, formalism, and expression edited by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx |
| title_fullStr | Rethinking Hanslick music, formalism, and expression edited by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx |
| title_full_unstemmed | Rethinking Hanslick music, formalism, and expression edited by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx |
| title_short | Rethinking Hanslick |
| title_sort | rethinking hanslick music formalism and expression |
| title_sub | music, formalism, and expression |
| topic | Hanslick, Eduard / 1825-1904 Hanslick, Eduard 1825-1904 (DE-588)118545825 gnd Geschichte Musik Music / 19th century / Philosophy and aesthetics Musical criticism / History / 19th century Musikkritik (DE-588)4139777-0 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Hanslick, Eduard / 1825-1904 Hanslick, Eduard 1825-1904 Geschichte Musik Music / 19th century / Philosophy and aesthetics Musical criticism / History / 19th century Musikkritik Wien Aufsatzsammlung |
| url | http://www.cambridge.org/core/product/identifier/9781580467957/type/BOOK |
| work_keys_str_mv | AT grimesnicole rethinkinghanslickmusicformalismandexpression AT donovansiobhan rethinkinghanslickmusicformalismandexpression AT marxwolfgang rethinkinghanslickmusicformalismandexpression |