An Essay upon Prints Containing Remarks upon the Principles of Picturesque Beauty
Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724–1804) is best known for his works on the picturesque. His approach as a teacher was enlightened: during his time as headmaster of Cheam School, his aim was to prepare his pupils for life. Moving in 1777 to become vicar of Boldre,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1768
|
| Schriftenreihe: | Cambridge library collection. Art and architecture
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043910237 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161202s1768 xx o|||| 00||| eng d | ||
| 020 | |a 9781107339071 |c Online |9 978-1-107-33907-1 | ||
| 024 | 7 | |a 10.1017/CBO9781107339071 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781107339071 | ||
| 035 | |a (OCoLC)967360570 | ||
| 035 | |a (DE-599)BVBBV043910237 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 760 |2 23 | |
| 100 | 1 | |a Gilpin, William |d 1724-1804 |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a An Essay upon Prints |b Containing Remarks upon the Principles of Picturesque Beauty |c William Gilpin |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 1768 | |
| 300 | |a 1 online resource (xvi, 261 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Cambridge library collection. Art and architecture | |
| 500 | |a Includes index | ||
| 520 | |a Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724–1804) is best known for his works on the picturesque. His approach as a teacher was enlightened: during his time as headmaster of Cheam School, his aim was to prepare his pupils for life. Moving in 1777 to become vicar of Boldre, Hampshire, where he remained for the rest of his life, he was able to endow two schools there with income from his successful writings. This knowledgeable appraisal of the print as an art form, and of its foremost practitioners, was first published anonymously in 1768 to positive reviews. It defines picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. Gilpin further developed and explored the concept in his volumes of Observations on various parts of Britain, which are also reissued in this series | ||
| 650 | 4 | |a Engraving / Early works to 1800 | |
| 650 | 4 | |a Prints / Collectors and collecting / Early works to 1800 | |
| 650 | 4 | |a Prints / Early works to 1800 | |
| 650 | 4 | |a Engravers / Early works to 1800 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-1-108-06678-5 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/CBO9781107339071 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029319320 | |
| 966 | e | |u https://doi.org/10.1017/CBO9781107339071 |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9781107339071 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1819298607895937024 |
|---|---|
| any_adam_object | |
| author | Gilpin, William 1724-1804 |
| author_facet | Gilpin, William 1724-1804 |
| author_role | aut |
| author_sort | Gilpin, William 1724-1804 |
| author_variant | w g wg |
| building | Verbundindex |
| bvnumber | BV043910237 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781107339071 (OCoLC)967360570 (DE-599)BVBBV043910237 |
| dewey-full | 760 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 760 - Printmaking & prints |
| dewey-raw | 760 |
| dewey-search | 760 |
| dewey-sort | 3760 |
| dewey-tens | 760 - Printmaking & prints |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1017/CBO9781107339071 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02535nam a2200433zc 4500</leader><controlfield tag="001">BV043910237</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s1768 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107339071</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-107-33907-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9781107339071</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781107339071</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)967360570</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043910237</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">760</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gilpin, William</subfield><subfield code="d">1724-1804</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">An Essay upon Prints</subfield><subfield code="b">Containing Remarks upon the Principles of Picturesque Beauty</subfield><subfield code="c">William Gilpin</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">1768</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xvi, 261 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge library collection. Art and architecture</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724–1804) is best known for his works on the picturesque. His approach as a teacher was enlightened: during his time as headmaster of Cheam School, his aim was to prepare his pupils for life. Moving in 1777 to become vicar of Boldre, Hampshire, where he remained for the rest of his life, he was able to endow two schools there with income from his successful writings. This knowledgeable appraisal of the print as an art form, and of its foremost practitioners, was first published anonymously in 1768 to positive reviews. It defines picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. Gilpin further developed and explored the concept in his volumes of Observations on various parts of Britain, which are also reissued in this series</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Engraving / Early works to 1800</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Prints / Collectors and collecting / Early works to 1800</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Prints / Early works to 1800</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Engravers / Early works to 1800</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-1-108-06678-5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9781107339071</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029319320</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781107339071</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781107339071</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV043910237 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-24T05:32:36Z |
| institution | BVB |
| isbn | 9781107339071 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029319320 |
| oclc_num | 967360570 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (xvi, 261 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 1768 |
| publishDateSearch | 1768 |
| publishDateSort | 1768 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge library collection. Art and architecture |
| spelling | Gilpin, William 1724-1804 Verfasser aut An Essay upon Prints Containing Remarks upon the Principles of Picturesque Beauty William Gilpin Cambridge Cambridge University Press 1768 1 online resource (xvi, 261 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge library collection. Art and architecture Includes index Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724–1804) is best known for his works on the picturesque. His approach as a teacher was enlightened: during his time as headmaster of Cheam School, his aim was to prepare his pupils for life. Moving in 1777 to become vicar of Boldre, Hampshire, where he remained for the rest of his life, he was able to endow two schools there with income from his successful writings. This knowledgeable appraisal of the print as an art form, and of its foremost practitioners, was first published anonymously in 1768 to positive reviews. It defines picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. Gilpin further developed and explored the concept in his volumes of Observations on various parts of Britain, which are also reissued in this series Engraving / Early works to 1800 Prints / Collectors and collecting / Early works to 1800 Prints / Early works to 1800 Engravers / Early works to 1800 Erscheint auch als Druckausgabe 978-1-108-06678-5 https://doi.org/10.1017/CBO9781107339071 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Gilpin, William 1724-1804 An Essay upon Prints Containing Remarks upon the Principles of Picturesque Beauty Engraving / Early works to 1800 Prints / Collectors and collecting / Early works to 1800 Prints / Early works to 1800 Engravers / Early works to 1800 |
| title | An Essay upon Prints Containing Remarks upon the Principles of Picturesque Beauty |
| title_auth | An Essay upon Prints Containing Remarks upon the Principles of Picturesque Beauty |
| title_exact_search | An Essay upon Prints Containing Remarks upon the Principles of Picturesque Beauty |
| title_full | An Essay upon Prints Containing Remarks upon the Principles of Picturesque Beauty William Gilpin |
| title_fullStr | An Essay upon Prints Containing Remarks upon the Principles of Picturesque Beauty William Gilpin |
| title_full_unstemmed | An Essay upon Prints Containing Remarks upon the Principles of Picturesque Beauty William Gilpin |
| title_short | An Essay upon Prints |
| title_sort | an essay upon prints containing remarks upon the principles of picturesque beauty |
| title_sub | Containing Remarks upon the Principles of Picturesque Beauty |
| topic | Engraving / Early works to 1800 Prints / Collectors and collecting / Early works to 1800 Prints / Early works to 1800 Engravers / Early works to 1800 |
| topic_facet | Engraving / Early works to 1800 Prints / Collectors and collecting / Early works to 1800 Prints / Early works to 1800 Engravers / Early works to 1800 |
| url | https://doi.org/10.1017/CBO9781107339071 |
| work_keys_str_mv | AT gilpinwilliam anessayuponprintscontainingremarksupontheprinciplesofpicturesquebeauty |