The art of the Islamic world and the artistic relationships between Poland and Islamic countries
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Kraków
"Manggha" Museum of Japanese Art and Technology
2011
Warszawa Polish Institute of World Art Studies 2011 |
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| Online-Zugang: | Inhaltsverzeichnis |
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| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043843956 | ||
| 003 | DE-604 | ||
| 005 | 20161026 | ||
| 007 | t| | ||
| 008 | 161025s2011 xx a||| |||| 10||| eng d | ||
| 020 | |a 9788362096114 |9 978-83-62096-11-4 | ||
| 035 | |a (OCoLC)965153636 | ||
| 035 | |a (DE-599)BVBBV043843956 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
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| 245 | 1 | 0 | |a The art of the Islamic world and the artistic relationships between Poland and Islamic countries |c edited by Beata Biedrońska-Słota, Magdalena Ginter-Frołow and Jerzy Malinowski ; "Manggha" Museum of Japanese Art and Technology & Polish Institute of World Art Studies |
| 246 | 1 | 3 | |a 1st Conference of Islamic Art in Poland |
| 246 | 1 | 3 | |a 11th Conference of the Polish Institute of World Art Studies (former Polish Society of Oriental Art) |
| 264 | 1 | |a Kraków |b "Manggha" Museum of Japanese Art and Technology |c 2011 | |
| 264 | 1 | |a Warszawa |b Polish Institute of World Art Studies |c 2011 | |
| 300 | |a 498 Seiten |b Illustrationen |c 28 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a 11th conference of the Polish Institute of World Art Studies (former Polish Society of Oriental Art), 1st Conference of Islamic Art in Poland | ||
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |x Muzeum Sztuki i Techniki Japońskiej Manggha |y 2009 |z Krakau |2 gnd-content | |
| 700 | 1 | |a Biedrońska-Słota, Beata |d 19XX- |0 (DE-588)132111098 |4 edt | |
| 700 | 1 | |a Ginter-Frołow, Magdalena |0 (DE-588)1050474295 |4 edt | |
| 700 | 1 | |a Malinowski, Jerzy |d 1950- |0 (DE-588)133700828 |4 edt | |
| 710 | 2 | |a Muzeum Sztuki i Techniki Japońskiej Manggha (Krakau) |0 (DE-588)16068495-X |4 isb | |
| 710 | 2 | |a Polski Instytut Studiów nad Sztuką Świata |0 (DE-588)1026073936 |4 isb | |
| 856 | 4 | 2 | |m Digitalisierung ZIKG München |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029254440&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029254440 | |
Datensatz im Suchindex
| _version_ | 1819781142806528000 |
|---|---|
| adam_text | MANGGHA. MUSEUM
OF JAPANESE
ART
AND
TECHNOLOGY
&
POLISH INSTITUTE
OF WORLD
ART
STUDIES
1TIH[IE
ALR1T
01F
1TIH[IE
I[
SILAM[I[C
W0)IRILID)
ANID)
1TIH[LE
ALR7TI[STI[C
IRIE
ILNTI[
(ONS
1H[
I[
]P S
IBIIETWIEIEN
LP)(O)LLA NULD)
ANID)
I[SILAM[L[C
(C(O)IU~N1TIRI[LES
EDITED
BY
BEATA BIEDRONSKA-SLOTA.
MAGDALENA
GINTER-FROLOW
AND
JERZY
MALINOWSKI
JEW
MALINOWSKI
INTRODUCTION
9
BEATA BIEDRORISKA-SBTA
FNTRODUCTION
13
ZDZISLAW
ZYGULSKI
JR
POLAND AND
TURKEY: FROM ENMITY TO FRIENDSHIP
...............................................................................................................................................................
15
TOMASZ MISKIEWU
ABOUT TATARS
AND
MOSLEMS
ON POLISH
SOIL
17
I
ARCHITECTURE
BEKIR DENIZ
LAND
NTY
IN KAZAKHSTAN
AND
ITS CARAVANSERAI
.........................
..
...............................................................................................................................
23
ELNIRA
GYUL
?HE KARAKILANID ERA IN THE CONTEXT OF THE
FORMATTON OF ISLAMIC AN IN HLAVERANNAHR
41
EKATERINA KIRYUSHKINA
.........................................
THE SPANISH-MUSLIN1
TRADINON IN MONUMENTS
OF COURT
ARCHITARE
OF
CHRISTIAN
SPALN
IN THE
14TH CENTURY 49
FATIH
ELCIL
.......................................
AN OTTOMAN
CASTLE
IN THE
BAFKANS:SZIGETVAR
59
MEHMET KEREM
OZEL
AN INTERPRETATION OF SINAN S
SEHZADE
COMPLEX IN ISTANBUL
67
ADRIENN
PAPP
BUILDING
AND
BUILDER:
CONSTRUCTIONS UNDER
SOKOLLU
MUSTAFA PASHA S
REIGN
IN MEDIMAL
BUDA
75
TATYANA
STARODUB
PECULIAR PROPERTIES
OF THE
SAFAVID
FAIENCE DECORATION
IN TWO ISFAHAN ROYAL MOSQUES
-
84
MOHAMMAD GHARIPOUR
THE IMAGE
OF SAFAVID GARDEN
PALACES
IN EUROPEAN TRAVEL ACCOUNTS
93
KAYAHAN
TILRKANTOZ
TENDENCIES
IN CONTEMPORARY MOSQUE ARCHITECTURE OF TURKEY 103
IMAD OTAHBACHI
AI-FAISALIAH
TOWER
THEFIRST
SKYSCRAPER
IN SAUDI ARABIA 115
P P
PAI[NTI[NG,
(CALLIGRAPHY
AND EPIGRAPHY
GITI
NOROUZIAN
A COPY OF A PANEGYRIC
BIOGRAPHY OF
TIMUR, THE ZAFAR-NAMA
OF 935
H,
WITH PICTURES ATTRIBUTED TO BIHZAD
.....................................
135
SHAKHINA
B.
IBRAKHIMOVA
.................................................................................................................
THE AESTHETIC
IDEAL IN THE MINIATURES
OF THE
ALI-SHIR
NAVAT PERIOD
151
TAMAR
ABULADZE
PERSIAN
ILLUMINATED SCIENTFIC
MANUSCRIPTSFROM THE
NATIONAL CENTRE
OFMANUSCRIPTS IN TBILISI
157
DANIEL REDLINGER
....................................................................................................................................
IMAGE WITHOUT IMAGES: VISUALIZATION IN ISLAMIC EPIGRAPHY
163
SWIETLANA
M. CZERWONNAJA
MUSLIM EPIGRAPHY (TOMBS WITH INSCRIPTIONS)
AS A PHENOMENON WITHIN THEFINE ARTS
AND
ARCHITECTURE
(BASED
ON THE
CAUCASUS,
CRIMEA
AND
VOLGA-URAL
REGIONS
MATERIALS)
...............................................................................................................
173
I11
APPLIED ART
CATIA
VIEGAS
WESOLOWSKA
METAL
MOUNTS
ON IVORIES
OF ISLAMIC SPAIN
189
NURIYA
AKCHUI-INA-MUFTIEVA
BASIC
PURPOSES
OF CRIMEAN
TATAR
ORNAMENTAL ART
IN THE
CONTEXT
OF ISLAMIC
SYMBOLISM
......................................................................
199
SERGEY
BOCHAROV,
ANDREY
MASLOVSKY
DECOR
OF THE
MOSQUES
OF THE
GOLDEN
HORDE
TOWNS OF THE NORTHEASTERN BLACK SEA REGION
(ON
THE
BASIS OF ARCHAEOLOGICAL DATA)
..................................................................................................................................................................................
207
OLENA
FIALKO.
SVITLANA
BILYAYEVA
ART CERAMICS OF THE
ISLAMIC
WORLD IN UKRAINIAN LANDS
(13TH-18TH CENTURIES)
215
ANIK6
TOTH
TURHH
CERAMICS RECOVERED DURING THE
ARCHAEOLOGICAL EXCAVATIONS
ON THE CASTLE
HILL OF BUDA
-
.
223
BELGIN DEMIRSAR
AR11, HATICE
ADIGILZEL
THE
CONNECTION BETWEEN
THE
TILE DECORATION OF THE
16TH AND
17TH
CENTURIES IN ISTANBUL
WITH
THE
TILEFRAGMENTSFOUND IN IZNIK
EXCAVATIONS
235
IVIN
SZANT6
HOW
TO OBTAIN
A PERSIAN
RUG
IN
17TH-CENTURY HUNGARY?
246
VALIDE PASHAYEVA
ARTISTIC
AND
TECHNICALFEATURES OF
AZERBAIJAN S
MAGAI
SIUC SCARVES
253
IV
ARTISTIC CULTURE
OF THE POLISH-LITHUANIAN
TATARS
HANY
NONIS
REFLECTIONS UPON
SUFT
INFLUENCES
WITHIN
THE ARTISTIC
EXPRESSION,
AND
IN THE MANUSCRIPT DOCUMENTS,
OF THE
BELARUSIAN,
THELITHUANIANAND THEPOLISHTATARS
265
ANDNEJ
DROZD
DECORATION
IN
THECULTUREOFTHEPOLISH-LITHUANIAN
TATARS:APREIIMINAY
STUDY
..............................................................................................
271
LUCYNA LESISZ KAROLINA
RADBWSKA
TATAR MONUMENTS IN THE COLLECTION
OF THE HISTORICAL MUSEUM IN BIABSTOK
283
MIESTE
HOTOPP-RIECKE
THE
MUSLIM
TATAR
CULTURAL
LEGACY IN ITS GERMAN-POLISH CONTEXT 291
V
RELATIONSHIPS
BETWEEN THE ART
OF:
POLAND/ CENTRAL-EASTERN EUROPE
AND
ISLAMIC
COUNTRIES
SVITLANA BILYAYEVA
LSLAMICART
IN UKRAINIAN LANDS (13TH-18TH CENTURIES 09
ZDZTSIAW
ZYGULSKI
JR
ARMENIANS
IN POLAND: A FOREIGN CULTURE INCORPORATED 317
JANINA
POSKROBKO-STRZGIWILK
THE 18TH-CENTUY
POLISH
SILK
SASH
AND
ITS ORIENTAL PROTOTYPES
337
ELVAN
TOPALLI
A MEETING OF TWO
PAINTERSFROM WEST AND
EAST:
STANISLAW CHLEBOWSKI S
AND
OSMAN HAMDI BEY S
PAINTINGS OF THE
GREEN MOSQUE
347
TAREK
EL-AKKAD
NEO-LSLAMIC
ARCHITECTURE
IN
CENTRAL
AND
EASTERN
EUROPE
357
V1
ISLAMIC
ART
IN
EUROPEAN COLLECTIONS
AGNIESZKA KLUCZEWSKA-W6JCIK
A NEW APPROACH TO ISLAMIC
ART.
THE COLLECTTNG
OF EASTERN
CARPETS IN POLAND AT THE
BEGINNING
OF THE
20TH
CENRWY
....................
371
HANA
NOVALIOVCI
ISLAMIC
ARTFROM CZECH
COLLECTIONS
(WITH
AN ACCENT ON IMIKPOTTEY)
385
EMESE
P&SZTOR
...........................................
OTTOMAN-TURKISH AND
IRANIAN
TEXTILES
IN THE
COLLECTION
OF THE
MUSEUM OF APPLIED ARTS IN BUDAPEST 391
MAGDALENA
GINTER-FRDROW
MINIATURESFROM
PERSIAN
MANUSCRIPTS: THE HISTORY
OF POLISH COLLECTIONS
........................................................................................................
401
MALGOLZATA
MARTINI
...............
SCISSORS
FOR ISLAMIC CALLIGRAPHY
AS
AN EXAMPLE OF COLLECTING
ARTIFACTSFROM
OTHER
CULTURES
FOR THEIR EXOTIC
ORIGIN 414
V1
I
MODERN
AND
CONTEMPORARY ART
MARS
AKHRNADULLIN
THE ART
OF BOOK PRINTING
IN ARABIC TYPE IN THE
VOLGA-URAL REGION DURING THE
LATE 19TH
AND EARLY
20TH CENTURIES
..................
427
FUAD PEPINOV
CARICATURE
IN TURKICPUBLIC LIFE
UNDER
THERUSSIAN
EMPIRE
.....................................................................................................................................
438
OLGA ULEMNOVA
ISLAM AND
FINE
ARTS
OF THE 1920S
IN SOVIET RUSSIA
.....................................................................................................................................................
449
RAUZA SULTANOVA
ISLAMIC
AESTHETICS AND
SCEN~GRAPHY
OF THE TATAR
THEATRE
........................................................................................................................................
459
DINA
KHISAMOVA
THEFIGURATIVE
SYSTEM
OF ISLAM IN TATAR
SCULPTU
467
HAMID SEVERI
WHAT IS
SELF?SAMPLES
OF CONTEMPORARY
IRANIANPHOTOGRAPHIC
SELF-PORTRAITS
...............................................................................................
475
V111
SPIRITUAL
HERITAGE
OF
THE
ISLAMIC
WORLD
VLADIMIR KOSHAEV
STEPSONS
OF THE
URALS-: THE TURKIC-FINNISH
INCORPORATION IN THE CULTURE
OF THE
BESSEMANS
............................................................
487
OTHMAN
YATIM
ARCHITECTURE
AND OTHER
ISLAMIC ARTS,
PARTICULARLY IN MALAYSIA.
UNITY IN DIVERSITY
...................................................................................
492
|
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| author2 | Biedrońska-Słota, Beata 19XX- Ginter-Frołow, Magdalena Malinowski, Jerzy 1950- |
| author2_role | edt edt edt |
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| author_facet | Biedrońska-Słota, Beata 19XX- Ginter-Frołow, Magdalena Malinowski, Jerzy 1950- |
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| bvnumber | BV043843956 |
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| genre | (DE-588)1071861417 Konferenzschrift Muzeum Sztuki i Techniki Japońskiej Manggha 2009 Krakau gnd-content |
| genre_facet | Konferenzschrift Muzeum Sztuki i Techniki Japońskiej Manggha 2009 Krakau |
| id | DE-604.BV043843956 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T05:24:57Z |
| institution | BVB |
| institution_GND | (DE-588)16068495-X (DE-588)1026073936 |
| isbn | 9788362096114 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029254440 |
| oclc_num | 965153636 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 498 Seiten Illustrationen 28 cm |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | "Manggha" Museum of Japanese Art and Technology Polish Institute of World Art Studies |
| record_format | marc |
| spellingShingle | The art of the Islamic world and the artistic relationships between Poland and Islamic countries |
| subject_GND | (DE-588)1071861417 |
| title | The art of the Islamic world and the artistic relationships between Poland and Islamic countries |
| title_alt | 1st Conference of Islamic Art in Poland 11th Conference of the Polish Institute of World Art Studies (former Polish Society of Oriental Art) |
| title_auth | The art of the Islamic world and the artistic relationships between Poland and Islamic countries |
| title_exact_search | The art of the Islamic world and the artistic relationships between Poland and Islamic countries |
| title_full | The art of the Islamic world and the artistic relationships between Poland and Islamic countries edited by Beata Biedrońska-Słota, Magdalena Ginter-Frołow and Jerzy Malinowski ; "Manggha" Museum of Japanese Art and Technology & Polish Institute of World Art Studies |
| title_fullStr | The art of the Islamic world and the artistic relationships between Poland and Islamic countries edited by Beata Biedrońska-Słota, Magdalena Ginter-Frołow and Jerzy Malinowski ; "Manggha" Museum of Japanese Art and Technology & Polish Institute of World Art Studies |
| title_full_unstemmed | The art of the Islamic world and the artistic relationships between Poland and Islamic countries edited by Beata Biedrońska-Słota, Magdalena Ginter-Frołow and Jerzy Malinowski ; "Manggha" Museum of Japanese Art and Technology & Polish Institute of World Art Studies |
| title_short | The art of the Islamic world and the artistic relationships between Poland and Islamic countries |
| title_sort | the art of the islamic world and the artistic relationships between poland and islamic countries |
| topic_facet | Konferenzschrift Muzeum Sztuki i Techniki Japońskiej Manggha 2009 Krakau |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029254440&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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