Painting in tempera, c. 1900
This co- publication of Archetype Publications Ltd with Schweizerisches Institut für Kunstwissenschaft (SIK-ISEA) is a collection of essays by an international group of scholars which provides access to an important chapter of technical art history: the rise in the popularity of temperas as an alter...
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Sprache: | English |
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Zurich
Swiss Institute for Art Research
[2016]
London Archetype Publications Ltd. |
Schriftenreihe: | Kunstmaterial
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245 | 1 | 0 | |a Painting in tempera, c. 1900 |c Karoline Beltinger and Jilleen Nadolny |
264 | 1 | |a Zurich |b Swiss Institute for Art Research |c [2016] | |
264 | 1 | |a London |b Archetype Publications Ltd. | |
264 | 4 | |c 2016 | |
300 | |a 263 Seiten |b Illustrationen | ||
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490 | 1 | |a Kunstmaterial |v 4 | |
520 | |a This co- publication of Archetype Publications Ltd with Schweizerisches Institut für Kunstwissenschaft (SIK-ISEA) is a collection of essays by an international group of scholars which provides access to an important chapter of technical art history: the rise in the popularity of temperas as an alternative to oil paints in Europe in the 19th and early 20th century. The term 'tempera' designated media that were generally water-soluble and which could include components as wide ranging as egg, gums, glues, soaps, waxes and resins. Revered as the technique of the ancients, it possessed both historical cachet and aesthetic and practical advantages, such as luminosity of colour, short drying times, and resistance to yellowing and cracking. Although interest in tempera paints was not limited to any one country, their industrial manufacture was concentrated in the region of present-day Germany, while in Italy a distinct tradition of artisanal production evolved. Developments in these two regions are surveyed, lending insight into the academic polemics surrounding temperas, the varied range of products on the market, their composition and their use by specific artists for easel paintings, murals and decorative schemes alike. Based upon source material, conservation research and technical studies of paintings as well as scientific approaches to the analysis of historical temperas, a vivid depiction of this complex artistic period emerges | ||
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Datensatz im Suchindex
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adam_text | PREFACE AND ACKNOWLEDGEMENTS
PART 1: INTRODUCTION
- TEMPERA: ON THE HISTORY OF A TECHNICAL TERM / EVA REINKOWSKI
PART 2: PROPAGATION OF TEMPERA
- THE USE OF TEMPERA BY PAINTERS AND RESTORERS IN ITALY AND LATIN EUROPE, C. 1800–1870 / GIUSEPPINA PERUSINI AND TERESA PERUSINI
- FROM WALL TO CANVAS: THE ROLE OF TEMPERA IN THE DEVELOPMENT OF MURAL AND EASEL PAINTING IN GERMANY IN THE 19TH CENTURY / EVA REINKOWSKI
- ERNST BERGER AND HIS ROLE IN THE MUNICH TEMPERA CONTROVERSY / KATHRIN KINSEHER
- EVIDENCE FOR WAX TEMPERA BINDING MEDIA IN ITALIAN TECHNICAL LITERATURE OF THE FIRST HALF OF THE 20TH CENTURY / PAOLA TRAVAGLIO
PART 3: TYPES OF TEMPERA
- THE PEREIRA TEMPERA SYSTEM / KAROLINE BELTINGER
- TEMPERA PAINTS IN ITALY IN THE FIRST HALF OF THE 20TH CENTURY, WITH A SPECIAL FOCUS ON ‘TEMPERA GRASSA’ BY MAIMERI / SANDRO BARONI, SIMONA RINALDI AND MAITE ROSSI
- PHOTOGRAPHIC LAYER AND PAINT LAYER: APPROACHES TO TEMPERA BEYOND TRADITION / ALBRECHT POHLMANN
- A TABULATED LISTING OF INDUSTRIALLY PRODUCED TEMPERA PAINTS, C. 1900 / ALBRECHT POHLMANN, KATHRIN KINSEHER, WIBKE NEUGEBAUER, EVA REINKOWSKI AND SIMONA RINALDI
PART 4: TEMPERA APPLICATION TECHNIQUES
- LAYERED AND ALLA PRIMA: SOME EXAMPLES OF TEMPERA PAINTING TECHNIQUES, 1850–1914 / WIBKE NEUGEBAUER
PART 5: TEMPERA ANALYSIS
- ANALYSIS OF COMPLEX TEMPERA BINDING MEDIA COMBINING CHROMATOGRAPHIC TECHNIQUES, FLUORESCENT STAINING FOR PROTEINS AND FTIR-FPA IMAGING / PATRICK DIETEMANN, WIBKE NEUGEBAUER, URSULA BAUMER, IRENE FIEDLER, CEDRIC BEIL, ANDREA OBERMEIER, STEPHAN SCHAEFER AND STEFAN ZUMBUEHL
- THE ROLE OF RECONSTRUCTIONS IN THE IDENTIFICATION OF A WAX/RESIN/GUM TEMPERA BINDER DEVELOPED BY HERMANN URBAN IN 1901 AND USED BY CUNO AMIET IN 1902 / ESTER S.B. FERREIRA, KARIN WYSS, VIOLAINE DE VILLEMEREUIL, KAROLINE BELTINGER, FEDERICA MARONE, NADIM C. SCHERRER AND STEFAN ZUMBUEHL
BIBLIOGRAPHY
PHOTO CREDITS
INDEX OF PERSONS, COMPANIES, AND BODIES
INDEX OF PRODUCTS AND MATERIALS
AUTHORS’ BIOGRAPHIES
|
any_adam_object | 1 |
author2 | Beltinger, Karoline 19XX- Nadolny, Jilleen -2023 |
author2_role | edt edt |
author2_variant | k b kb j n jn |
author_GND | (DE-588)133152200 (DE-588)133164144 |
author_facet | Beltinger, Karoline 19XX- Nadolny, Jilleen -2023 |
building | Verbundindex |
bvnumber | BV043840663 |
classification_rvk | LH 70250 |
ctrlnum | (OCoLC)962069500 (DE-599)OBVAC13319461 |
discipline | Kunstgeschichte |
era | Geschichte 1900-2000 Geschichte 1800-1900 gnd |
era_facet | Geschichte 1900-2000 Geschichte 1800-1900 |
format | Book |
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genre_facet | Aufsatzsammlung |
geographic | Europa |
geographic_facet | Europa |
id | DE-604.BV043840663 |
illustrated | Illustrated |
indexdate | 2024-12-24T05:24:54Z |
institution | BVB |
institution_GND | (DE-588)1006766-8 |
isbn | 9781909492448 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029251200 |
oclc_num | 962069500 |
open_access_boolean | |
owner | DE-255 DE-M498 DE-Y3 DE-523 DE-M157 DE-M507 DE-473 DE-BY-UBG DE-12 |
owner_facet | DE-255 DE-M498 DE-Y3 DE-523 DE-M157 DE-M507 DE-473 DE-BY-UBG DE-12 |
physical | 263 Seiten Illustrationen |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | Swiss Institute for Art Research Archetype Publications Ltd. |
record_format | marc |
series | Kunstmaterial |
series2 | Kunstmaterial |
spellingShingle | Painting in tempera, c. 1900 Kunstmaterial Tempera painting / History / 20th century / Europe Tempera painting / Technique Chromatographic analysis Geschichte Temperamalerei (DE-588)4059425-7 gnd Instrumentelle Analytik (DE-588)4222592-9 gnd Maltechnik (DE-588)4125812-5 gnd Malmaterial (DE-588)4168721-8 gnd Restaurierung (DE-588)4049600-4 gnd |
subject_GND | (DE-588)4059425-7 (DE-588)4222592-9 (DE-588)4125812-5 (DE-588)4168721-8 (DE-588)4049600-4 (DE-588)4143413-4 |
title | Painting in tempera, c. 1900 |
title_auth | Painting in tempera, c. 1900 |
title_exact_search | Painting in tempera, c. 1900 |
title_full | Painting in tempera, c. 1900 Karoline Beltinger and Jilleen Nadolny |
title_fullStr | Painting in tempera, c. 1900 Karoline Beltinger and Jilleen Nadolny |
title_full_unstemmed | Painting in tempera, c. 1900 Karoline Beltinger and Jilleen Nadolny |
title_short | Painting in tempera, c. 1900 |
title_sort | painting in tempera c 1900 |
topic | Tempera painting / History / 20th century / Europe Tempera painting / Technique Chromatographic analysis Geschichte Temperamalerei (DE-588)4059425-7 gnd Instrumentelle Analytik (DE-588)4222592-9 gnd Maltechnik (DE-588)4125812-5 gnd Malmaterial (DE-588)4168721-8 gnd Restaurierung (DE-588)4049600-4 gnd |
topic_facet | Tempera painting / History / 20th century / Europe Tempera painting / Technique Chromatographic analysis Geschichte Temperamalerei Instrumentelle Analytik Maltechnik Malmaterial Restaurierung Europa Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029251200&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV042576159 |
work_keys_str_mv | AT beltingerkaroline paintingintemperac1900 AT nadolnyjilleen paintingintemperac1900 AT schweizerischesinstitutfurkunstwissenschaft paintingintemperac1900 |