Pieces of tradition an analysis of contemporary tonal music
This book is about how music "in a key" is composed. Further, it is about how such music was composed when it was no longer compulsory to do so, starting a few years before the First World War. In an eclectic journey through the history of compositional technique, Daniel Harrison contends...
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Oxford University Press
[2016]
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Schriftenreihe: | Oxford studies in music theory
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Datensatz im Suchindex
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any_adam_object | |
author | Harrison, Daniel 1959- |
author_GND | (DE-588)1033653306 |
author_facet | Harrison, Daniel 1959- |
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author_sort | Harrison, Daniel 1959- |
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bvnumber | BV043837867 |
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dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.2/58 |
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discipline | Musikwissenschaft |
doi_str_mv | 10.1093/acprof:oso/9780190244460.001.0001 |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
format | Electronic eBook |
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indexdate | 2024-12-24T05:24:35Z |
institution | BVB |
isbn | 9780190244484 |
language | English |
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physical | 1 Online-Ressource (198 Seiten) Diagramme, Notenbeispiele |
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spelling | Harrison, Daniel 1959- Verfasser (DE-588)1033653306 aut Pieces of tradition an analysis of contemporary tonal music Daniel Harrison New York, NY Oxford University Press [2016] © 2016 1 Online-Ressource (198 Seiten) Diagramme, Notenbeispiele txt rdacontent c rdamedia cr rdacarrier Oxford studies in music theory This book is about how music "in a key" is composed. Further, it is about how such music was composed when it was no longer compulsory to do so, starting a few years before the First World War. In an eclectic journey through the history of compositional technique, Daniel Harrison contends that the tonal system did not simply die out with the dawn of twentieth century, but continued to supplement newer techniques as a compelling means of musical organization, even into current times. Well-known art music composers such as Bartok, Hindemith, Prokofiev, and Messiaen are represented alongside composers whose work moves outside the standard boundaries of art music: Leonard Bernstein, Murice Duruflé, Frank Martin, Xiaoyong Chen. Along the way, the book attends to military bugle calls, a trailer before a movie feature, a recomposition of a famous piece by Arnold Schoenberg, and the music of Neil Diamond, David Shire, and Brian Wilson. A celebration of the awesome variety of musical expressions encompassed in what is called tonal music, Pieces of Tradition is a book for composers seeking ideas and effects, music theorists interested in its innovations, and all those who practice the analysis of composition in all its modern and traditional variations. - Daniel Harrison is music theorist interested in general principles of music making and structure across a wide variety of classical and popular repertories. Previous studies of harmony at historical margins of the common-practice era have included Harmonic Function in Chromatic Music (Chicago, 1994), and several articles, including "Nonconformist Notions of Nineteenth-Century Enharmonicism" (Music Analysis, 2002). One of a few experts on the music of the Beach Boys, Harrison's work on popular music has been featured in Understanding Rock (Oxford University Press, 1997, ed. Covach and Boone) and Don Was' documentary on Brian Wilson, I Just Wasn't Made for These Times (1995). Geschichte 1900-2000 Musik Music 21st century Analysis, appreciation Music 20th century Analysis, appreciation Musikalischer Stil (DE-588)4170806-4 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Neue Musik (DE-588)4428235-7 gnd rswk-swf Tonalität (DE-588)4185654-5 gnd rswk-swf Neue Musik (DE-588)4428235-7 s Tonalität (DE-588)4185654-5 s Musikalischer Stil (DE-588)4170806-4 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Erscheint auch als Druck-Ausgabe, Festeinband 978-0-19-024446-0 https://doi.org/10.1093/acprof:oso/9780190244460.001.0001 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Harrison, Daniel 1959- Pieces of tradition an analysis of contemporary tonal music Musik Music 21st century Analysis, appreciation Music 20th century Analysis, appreciation Musikalischer Stil (DE-588)4170806-4 gnd Musikalische Analyse (DE-588)4040814-0 gnd Neue Musik (DE-588)4428235-7 gnd Tonalität (DE-588)4185654-5 gnd |
subject_GND | (DE-588)4170806-4 (DE-588)4040814-0 (DE-588)4428235-7 (DE-588)4185654-5 |
title | Pieces of tradition an analysis of contemporary tonal music |
title_auth | Pieces of tradition an analysis of contemporary tonal music |
title_exact_search | Pieces of tradition an analysis of contemporary tonal music |
title_full | Pieces of tradition an analysis of contemporary tonal music Daniel Harrison |
title_fullStr | Pieces of tradition an analysis of contemporary tonal music Daniel Harrison |
title_full_unstemmed | Pieces of tradition an analysis of contemporary tonal music Daniel Harrison |
title_short | Pieces of tradition |
title_sort | pieces of tradition an analysis of contemporary tonal music |
title_sub | an analysis of contemporary tonal music |
topic | Musik Music 21st century Analysis, appreciation Music 20th century Analysis, appreciation Musikalischer Stil (DE-588)4170806-4 gnd Musikalische Analyse (DE-588)4040814-0 gnd Neue Musik (DE-588)4428235-7 gnd Tonalität (DE-588)4185654-5 gnd |
topic_facet | Musik Music 21st century Analysis, appreciation Music 20th century Analysis, appreciation Musikalischer Stil Musikalische Analyse Neue Musik Tonalität |
url | https://doi.org/10.1093/acprof:oso/9780190244460.001.0001 |
work_keys_str_mv | AT harrisondaniel piecesoftraditionananalysisofcontemporarytonalmusic |