Consuming music individuals, institutions, communities, 1730-1830
The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who b...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
2017
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| Schriftenreihe: | Eastman studies in music
V. 138 |
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| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
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Inhaltsangabe:
- Introduction. - Music's First Consumers: Publishers in the Late Eighteenth Century. - Inside a Viennese Kunsthandlung: Artaria in 1784. - Morality and the "Fair-Sexing" of Telemann's Faithful Music Master. - Eighteenth-Century Mediations of Music Theory: Meter, Tempo, and Affect in Print. - Musical Style as Commercial Strategy in Romantic Chamber Music. - In Vienna "Only Waltzes Get Printed": The Decline and Transformation of the Contredanse Hongroise in the Early Nineteenth Century. - The Power to Please: Gender and Celebrity Self-Commodification in the Early American Republic. - Exchanging Ideas in a Changing World: Adolph Bernhard Marx and the Berliner allgemeine musikalische Zeitung in 1824. - Parisian Opera between Commons and Commodity, ca. 1830. - Contributors. - Index