The lively arts of the London stage, 1675-1725
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey, England ; Burlington, VT
Ashgate
[2014]
|
| Schriftenreihe: | Performance in the long eighteenth century
|
| Schlagworte: |
Theater
> England
> London
> History
> 17th century
> Theater
> England
> London
> History
> 18th century
> Musical theater
> England
> London
> History
> 17th century
> Musical theater
> England
> London
> History
> 18th century
|
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| 245 | 1 | 0 | |a The lively arts of the London stage, 1675-1725 |c edited by Kathryn Lowerre |
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| 505 | 8 | |a Cover; Contents; List of Figures; List of Music Examples; List of Tables; Notes on Contributors; Acknowledgments; Introduction; Part IFirst, Music: Settings of Congreve's Judgment of Paris; 1 The Singers of The Judgment of Paris; 2 Harmonia Anglicana or Why Finger Failed in 'The Prize Musick'; 3The 'Prize Musick' of 1701: A Reinvestigation of the Staging Issue; Part II Mainpiece: The Lively Arts of the London Stage; 4 Composing after the Italian Manner: The English Cantata 1700-1710; 5 Johann Pepusch, Aesthetics, and the Sister Arts | |
| 505 | 8 | |a 6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write | |
| 505 | 8 | |a Or, Colley Cibber and The Drury-Lane Monster13 'Quotation is the sincerest form of ... '?: Signature Songs as Inter-Theatrical References; Bibliography; Index | |
| 505 | 8 | |a Reflecting the myriad options available to London audiences at the turn of the eighteenth century, this volume offers readers a portrait of the interrelated music, drama and dance productions that characterized this rich period. By bringing together work by scholars in different fields, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world | |
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Datensatz im Suchindex
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| contents | Cover; Contents; List of Figures; List of Music Examples; List of Tables; Notes on Contributors; Acknowledgments; Introduction; Part IFirst, Music: Settings of Congreve's Judgment of Paris; 1 The Singers of The Judgment of Paris; 2 Harmonia Anglicana or Why Finger Failed in 'The Prize Musick'; 3The 'Prize Musick' of 1701: A Reinvestigation of the Staging Issue; Part II Mainpiece: The Lively Arts of the London Stage; 4 Composing after the Italian Manner: The English Cantata 1700-1710; 5 Johann Pepusch, Aesthetics, and the Sister Arts 6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write Or, Colley Cibber and The Drury-Lane Monster13 'Quotation is the sincerest form of ... '?: Signature Songs as Inter-Theatrical References; Bibliography; Index Reflecting the myriad options available to London audiences at the turn of the eighteenth century, this volume offers readers a portrait of the interrelated music, drama and dance productions that characterized this rich period. By bringing together work by scholars in different fields, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world |
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| dewey-full | 792/.09421 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792/.09421 |
| dewey-search | 792/.09421 |
| dewey-sort | 3792 49421 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1675-1725 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1675-1725 |
| format | Electronic eBook |
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| spelling | The lively arts of the London stage, 1675-1725 edited by Kathryn Lowerre Farnham, Surrey, England ; Burlington, VT Ashgate [2014] 1 online resource (xv, 306 pages .) txt rdacontent c rdamedia cr rdacarrier Performance in the long eighteenth century Print version record Cover; Contents; List of Figures; List of Music Examples; List of Tables; Notes on Contributors; Acknowledgments; Introduction; Part IFirst, Music: Settings of Congreve's Judgment of Paris; 1 The Singers of The Judgment of Paris; 2 Harmonia Anglicana or Why Finger Failed in 'The Prize Musick'; 3The 'Prize Musick' of 1701: A Reinvestigation of the Staging Issue; Part II Mainpiece: The Lively Arts of the London Stage; 4 Composing after the Italian Manner: The English Cantata 1700-1710; 5 Johann Pepusch, Aesthetics, and the Sister Arts 6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write Or, Colley Cibber and The Drury-Lane Monster13 'Quotation is the sincerest form of ... '?: Signature Songs as Inter-Theatrical References; Bibliography; Index Reflecting the myriad options available to London audiences at the turn of the eighteenth century, this volume offers readers a portrait of the interrelated music, drama and dance productions that characterized this rich period. By bringing together work by scholars in different fields, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1675-1725 gnd rswk-swf Musical theater / England / London / History / 17th century Musical theater / England / London / History / 18th century Theater / England / London / History / 17th century Theater / England / London / History / 18th century PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Theater / General bisacsh Musical theater fast Theater fast Geschichte Theater England London History 17th century Theater England London History 18th century Musical theater England London History 17th century Musical theater England London History 18th century Musiktheater (DE-588)4040874-7 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf London (DE-588)4074335-4 gnd rswk-swf London (DE-588)4074335-4 g Theater (DE-588)4059702-7 s Musiktheater (DE-588)4040874-7 s Geschichte 1675-1725 z 1\p DE-604 Lowerre, Kathryn edt Erscheint auch als Druck-Ausgabe Lively arts of the London stage, 1675-1725 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | The lively arts of the London stage, 1675-1725 Cover; Contents; List of Figures; List of Music Examples; List of Tables; Notes on Contributors; Acknowledgments; Introduction; Part IFirst, Music: Settings of Congreve's Judgment of Paris; 1 The Singers of The Judgment of Paris; 2 Harmonia Anglicana or Why Finger Failed in 'The Prize Musick'; 3The 'Prize Musick' of 1701: A Reinvestigation of the Staging Issue; Part II Mainpiece: The Lively Arts of the London Stage; 4 Composing after the Italian Manner: The English Cantata 1700-1710; 5 Johann Pepusch, Aesthetics, and the Sister Arts 6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write Or, Colley Cibber and The Drury-Lane Monster13 'Quotation is the sincerest form of ... '?: Signature Songs as Inter-Theatrical References; Bibliography; Index Reflecting the myriad options available to London audiences at the turn of the eighteenth century, this volume offers readers a portrait of the interrelated music, drama and dance productions that characterized this rich period. By bringing together work by scholars in different fields, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world Musical theater / England / London / History / 17th century Musical theater / England / London / History / 18th century Theater / England / London / History / 17th century Theater / England / London / History / 18th century PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Theater / General bisacsh Musical theater fast Theater fast Geschichte Theater England London History 17th century Theater England London History 18th century Musical theater England London History 17th century Musical theater England London History 18th century Musiktheater (DE-588)4040874-7 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4040874-7 (DE-588)4059702-7 (DE-588)4074335-4 |
| title | The lively arts of the London stage, 1675-1725 |
| title_auth | The lively arts of the London stage, 1675-1725 |
| title_exact_search | The lively arts of the London stage, 1675-1725 |
| title_full | The lively arts of the London stage, 1675-1725 edited by Kathryn Lowerre |
| title_fullStr | The lively arts of the London stage, 1675-1725 edited by Kathryn Lowerre |
| title_full_unstemmed | The lively arts of the London stage, 1675-1725 edited by Kathryn Lowerre |
| title_short | The lively arts of the London stage, 1675-1725 |
| title_sort | the lively arts of the london stage 1675 1725 |
| topic | Musical theater / England / London / History / 17th century Musical theater / England / London / History / 18th century Theater / England / London / History / 17th century Theater / England / London / History / 18th century PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Theater / General bisacsh Musical theater fast Theater fast Geschichte Theater England London History 17th century Theater England London History 18th century Musical theater England London History 17th century Musical theater England London History 18th century Musiktheater (DE-588)4040874-7 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Musical theater / England / London / History / 17th century Musical theater / England / London / History / 18th century Theater / England / London / History / 17th century Theater / England / London / History / 18th century PERFORMING ARTS / Reference PERFORMING ARTS / Theater / General Musical theater Theater Geschichte Theater England London History 17th century Theater England London History 18th century Musical theater England London History 17th century Musical theater England London History 18th century Musiktheater London |
| work_keys_str_mv | AT lowerrekathryn thelivelyartsofthelondonstage16751725 |