The Classic Short Story, 1870-1925 Theory of a Genre
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, England
Open Book Publishers
2014
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| Online-Zugang: | FAW01 FAW02 |
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| 264 | 4 | |c © 2014 | |
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| 500 | |a Online resource; title from PDF title page (ebrary, viewed April 08, 2014) | ||
| 505 | 8 | |a ""Table of Contents""; ""Acknowledgements""; ""Introduction""; ""PART I: STRUCTURE""; ""1. Paroxystic Characterisation""; ""Extremes in the fantastic short story""; ""2. Antithetic Structure""; ""Secondary tensions""; ""Editing antithetic tension: Maupassant and James""; ""3. Ending with a Twist""; ""The â€twist-in-the-tailâ€? and antithetic tension ""; ""The â€Twist-in-the-tailâ€? and retroreading""; ""â€Openâ€? texts and tension""; ""4. The Tools of Brevity""; ""Preconstructed material""; ""Character types""; ""Recurring characters and empty characters""; ""Tight focus"" | |
| 505 | 8 | |a ""Permanence of types""""5. Conclusion to Part I""; ""Hypotyposis and schematisation""; ""Short stories, sensational news items and serials""; ""The short story: privileged object of narratology""; ""PART II: MEDIA""; ""6. Exoticism in the Classic Short Story""; ""The role of the press""; ""Exotic subjects""; ""The constraints of the newspapers""; ""Exceptions to the rule""; ""7. Short Stories and the Travelogue""; ""Praise of nature, criticism of culture""; ""From vision to judgement: guidelines for description""; ""PART III: READER, CHARACTER AND AUTHOR""; ""8. A Foreign World"" | |
| 505 | 8 | |a ""An explicit distance""""The use of types: subversion or immersion?""; ""â€Deceptive representationsâ€? of reality""; ""The great man""; ""â€We are simply the caseâ€?: James and abstract entities""; ""Reading at face value: the double distance""; ""9. Dialogue and Character Discreditation""; ""Direct and indirect speech: Vergaâ€?s novel versus short stories""; ""Dialect and distancing""; ""Foreign terms""; ""10. The Narrator, the Reflector and the Reader""; ""Unreliable narrators and reflectors""; ""Reliable narrators and reflectors""; ""11. Distance and Emotion"" | |
| 505 | 8 | |a ""The short story with a dilemma""""Readers� emotional response to the classic short story""; ""12. Conclusion to Part III: Are Dostoevsky�s Short Stories Polyphonic?""; ""Epilogue: Beyond the Classic Short Story""; ""Lengthy stories: the long Yvette after the brief Yveline""; ""Fantastic tales: the deconstruction of the self""; ""Authors at a crossroads""; ""Bibliography""; ""Index""; ""read""; ""Naturalism""; ""Parox""; ""Verga""; ""James1""; ""Chek""; ""fan2""; ""Mau""; ""Stev""; ""ohen""; ""Verg1""; ""Tieck""; ""Akutagawa1""; ""James2""; ""Akutagawa2""; ""Chek1""; ""Mau1""; ""James"" | |
| 505 | 8 | |a ""James3""""end""; ""Chek2""; ""Mau2""; ""retro""; ""Chek3""; ""fan3""; ""Mau3""; ""read1""; ""precon""; ""read2""; ""type""; ""type1""; ""read3""; ""Chek5""; ""prov""; ""Mau4""; ""cyc""; ""emo""; ""James5""; ""James4""; ""type2""; ""Mau5""; ""James6""; ""hyp""; ""fait""; ""novel""; ""news""; ""Mau6""; ""news1""; ""Gil""; ""Fanful""; ""Ver2""; ""Ver3""; ""Chek6""; ""sat""; ""int""; ""read4""; ""Joyce""; ""Prou""; ""Mau7""; ""read5""; ""News2"" | |
| 650 | 7 | |a LITERARY CRITICISM / Semiotics & Theory |2 bisacsh | |
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| 650 | 4 | |a Literature / History and criticism / Theory, etc | |
| 650 | 4 | |a Literature / Philosophy | |
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| 650 | 4 | |a Literatur | |
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| 650 | 4 | |a Literature |x History and criticism |x Theory, etc |a Literature |x Philosophy |a Literary form |x History | |
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Datensatz im Suchindex
| _version_ | 1804176611125231616 |
|---|---|
| any_adam_object | |
| author | Goyet, Florence |
| author_facet | Goyet, Florence |
| author_role | aut |
| author_sort | Goyet, Florence |
| author_variant | f g fg |
| building | Verbundindex |
| bvnumber | BV043780946 |
| collection | ZDB-4-EBA |
| contents | ""Table of Contents""; ""Acknowledgements""; ""Introduction""; ""PART I: STRUCTURE""; ""1. Paroxystic Characterisation""; ""Extremes in the fantastic short story""; ""2. Antithetic Structure""; ""Secondary tensions""; ""Editing antithetic tension: Maupassant and James""; ""3. Ending with a Twist""; ""The â€twist-in-the-tailâ€? and antithetic tension ""; ""The â€Twist-in-the-tailâ€? and retroreading""; ""â€Openâ€? texts and tension""; ""4. The Tools of Brevity""; ""Preconstructed material""; ""Character types""; ""Recurring characters and empty characters""; ""Tight focus"" ""Permanence of types""""5. Conclusion to Part I""; ""Hypotyposis and schematisation""; ""Short stories, sensational news items and serials""; ""The short story: privileged object of narratology""; ""PART II: MEDIA""; ""6. Exoticism in the Classic Short Story""; ""The role of the press""; ""Exotic subjects""; ""The constraints of the newspapers""; ""Exceptions to the rule""; ""7. Short Stories and the Travelogue""; ""Praise of nature, criticism of culture""; ""From vision to judgement: guidelines for description""; ""PART III: READER, CHARACTER AND AUTHOR""; ""8. A Foreign World"" ""An explicit distance""""The use of types: subversion or immersion?""; ""â€Deceptive representationsâ€? of reality""; ""The great man""; ""â€We are simply the caseâ€?: James and abstract entities""; ""Reading at face value: the double distance""; ""9. Dialogue and Character Discreditation""; ""Direct and indirect speech: Vergaâ€?s novel versus short stories""; ""Dialect and distancing""; ""Foreign terms""; ""10. The Narrator, the Reflector and the Reader""; ""Unreliable narrators and reflectors""; ""Reliable narrators and reflectors""; ""11. Distance and Emotion"" ""The short story with a dilemma""""Readersâ€? emotional response to the classic short story""; ""12. Conclusion to Part III: Are Dostoevskyâ€?s Short Stories Polyphonic?""; ""Epilogue: Beyond the Classic Short Story""; ""Lengthy stories: the long Yvette after the brief Yveline""; ""Fantastic tales: the deconstruction of the self""; ""Authors at a crossroads""; ""Bibliography""; ""Index""; ""read""; ""Naturalism""; ""Parox""; ""Verga""; ""James1""; ""Chek""; ""fan2""; ""Mau""; ""Stev""; ""ohen""; ""Verg1""; ""Tieck""; ""Akutagawa1""; ""James2""; ""Akutagawa2""; ""Chek1""; ""Mau1""; ""James"" ""James3""""end""; ""Chek2""; ""Mau2""; ""retro""; ""Chek3""; ""fan3""; ""Mau3""; ""read1""; ""precon""; ""read2""; ""type""; ""type1""; ""read3""; ""Chek5""; ""prov""; ""Mau4""; ""cyc""; ""emo""; ""James5""; ""James4""; ""type2""; ""Mau5""; ""James6""; ""hyp""; ""fait""; ""novel""; ""news""; ""Mau6""; ""news1""; ""Gil""; ""Fanful""; ""Ver2""; ""Ver3""; ""Chek6""; ""sat""; ""int""; ""read4""; ""Joyce""; ""Prou""; ""Mau7""; ""read5""; ""News2"" |
| ctrlnum | (ZDB-4-EBA)ocn878145065 (OCoLC)878145065 (DE-599)BVBBV043780946 |
| dewey-full | 801.95 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 801 - Philosophy and theory |
| dewey-raw | 801.95 |
| dewey-search | 801.95 |
| dewey-sort | 3801.95 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043780946 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:34:56Z |
| institution | BVB |
| isbn | 9781909254770 1909254770 9781909254763 9781909254787 9781909254794 1909254762 9781909254756 1909254754 1909254789 1909254797 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029192006 |
| oclc_num | 878145065 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (223 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Open Book Publishers |
| record_format | marc |
| spelling | Goyet, Florence Verfasser aut The Classic Short Story, 1870-1925 Theory of a Genre Florence Goyet Cambridge, England Open Book Publishers 2014 © 2014 1 online resource (223 pages) txt rdacontent c rdamedia cr rdacarrier Online resource; title from PDF title page (ebrary, viewed April 08, 2014) ""Table of Contents""; ""Acknowledgements""; ""Introduction""; ""PART I: STRUCTURE""; ""1. Paroxystic Characterisation""; ""Extremes in the fantastic short story""; ""2. Antithetic Structure""; ""Secondary tensions""; ""Editing antithetic tension: Maupassant and James""; ""3. Ending with a Twist""; ""The â€twist-in-the-tailâ€? and antithetic tension ""; ""The â€Twist-in-the-tailâ€? and retroreading""; ""â€Openâ€? texts and tension""; ""4. The Tools of Brevity""; ""Preconstructed material""; ""Character types""; ""Recurring characters and empty characters""; ""Tight focus"" ""Permanence of types""""5. Conclusion to Part I""; ""Hypotyposis and schematisation""; ""Short stories, sensational news items and serials""; ""The short story: privileged object of narratology""; ""PART II: MEDIA""; ""6. Exoticism in the Classic Short Story""; ""The role of the press""; ""Exotic subjects""; ""The constraints of the newspapers""; ""Exceptions to the rule""; ""7. Short Stories and the Travelogue""; ""Praise of nature, criticism of culture""; ""From vision to judgement: guidelines for description""; ""PART III: READER, CHARACTER AND AUTHOR""; ""8. A Foreign World"" ""An explicit distance""""The use of types: subversion or immersion?""; ""â€Deceptive representationsâ€? of reality""; ""The great man""; ""â€We are simply the caseâ€?: James and abstract entities""; ""Reading at face value: the double distance""; ""9. Dialogue and Character Discreditation""; ""Direct and indirect speech: Vergaâ€?s novel versus short stories""; ""Dialect and distancing""; ""Foreign terms""; ""10. The Narrator, the Reflector and the Reader""; ""Unreliable narrators and reflectors""; ""Reliable narrators and reflectors""; ""11. Distance and Emotion"" ""The short story with a dilemma""""Readersâ€? emotional response to the classic short story""; ""12. Conclusion to Part III: Are Dostoevskyâ€?s Short Stories Polyphonic?""; ""Epilogue: Beyond the Classic Short Story""; ""Lengthy stories: the long Yvette after the brief Yveline""; ""Fantastic tales: the deconstruction of the self""; ""Authors at a crossroads""; ""Bibliography""; ""Index""; ""read""; ""Naturalism""; ""Parox""; ""Verga""; ""James1""; ""Chek""; ""fan2""; ""Mau""; ""Stev""; ""ohen""; ""Verg1""; ""Tieck""; ""Akutagawa1""; ""James2""; ""Akutagawa2""; ""Chek1""; ""Mau1""; ""James"" ""James3""""end""; ""Chek2""; ""Mau2""; ""retro""; ""Chek3""; ""fan3""; ""Mau3""; ""read1""; ""precon""; ""read2""; ""type""; ""type1""; ""read3""; ""Chek5""; ""prov""; ""Mau4""; ""cyc""; ""emo""; ""James5""; ""James4""; ""type2""; ""Mau5""; ""James6""; ""hyp""; ""fait""; ""novel""; ""news""; ""Mau6""; ""news1""; ""Gil""; ""Fanful""; ""Ver2""; ""Ver3""; ""Chek6""; ""sat""; ""int""; ""read4""; ""Joyce""; ""Prou""; ""Mau7""; ""read5""; ""News2"" LITERARY CRITICISM / Semiotics & Theory bisacsh Literary form fast Literature / Philosophy fast Literature / Theory, etc fast Literary form / History Literature / History and criticism / Theory, etc Literature / Philosophy Geschichte Literatur Philosophie Literature History and criticism Theory, etc Literature Philosophy Literary form History Erscheint auch als Druck-Ausgabe Goyet, Florence Classic short story, 1870-1925 : theory of a genre |
| spellingShingle | Goyet, Florence The Classic Short Story, 1870-1925 Theory of a Genre ""Table of Contents""; ""Acknowledgements""; ""Introduction""; ""PART I: STRUCTURE""; ""1. Paroxystic Characterisation""; ""Extremes in the fantastic short story""; ""2. Antithetic Structure""; ""Secondary tensions""; ""Editing antithetic tension: Maupassant and James""; ""3. Ending with a Twist""; ""The â€twist-in-the-tailâ€? and antithetic tension ""; ""The â€Twist-in-the-tailâ€? and retroreading""; ""â€Openâ€? texts and tension""; ""4. The Tools of Brevity""; ""Preconstructed material""; ""Character types""; ""Recurring characters and empty characters""; ""Tight focus"" ""Permanence of types""""5. Conclusion to Part I""; ""Hypotyposis and schematisation""; ""Short stories, sensational news items and serials""; ""The short story: privileged object of narratology""; ""PART II: MEDIA""; ""6. Exoticism in the Classic Short Story""; ""The role of the press""; ""Exotic subjects""; ""The constraints of the newspapers""; ""Exceptions to the rule""; ""7. Short Stories and the Travelogue""; ""Praise of nature, criticism of culture""; ""From vision to judgement: guidelines for description""; ""PART III: READER, CHARACTER AND AUTHOR""; ""8. A Foreign World"" ""An explicit distance""""The use of types: subversion or immersion?""; ""â€Deceptive representationsâ€? of reality""; ""The great man""; ""â€We are simply the caseâ€?: James and abstract entities""; ""Reading at face value: the double distance""; ""9. Dialogue and Character Discreditation""; ""Direct and indirect speech: Vergaâ€?s novel versus short stories""; ""Dialect and distancing""; ""Foreign terms""; ""10. The Narrator, the Reflector and the Reader""; ""Unreliable narrators and reflectors""; ""Reliable narrators and reflectors""; ""11. Distance and Emotion"" ""The short story with a dilemma""""Readersâ€? emotional response to the classic short story""; ""12. Conclusion to Part III: Are Dostoevskyâ€?s Short Stories Polyphonic?""; ""Epilogue: Beyond the Classic Short Story""; ""Lengthy stories: the long Yvette after the brief Yveline""; ""Fantastic tales: the deconstruction of the self""; ""Authors at a crossroads""; ""Bibliography""; ""Index""; ""read""; ""Naturalism""; ""Parox""; ""Verga""; ""James1""; ""Chek""; ""fan2""; ""Mau""; ""Stev""; ""ohen""; ""Verg1""; ""Tieck""; ""Akutagawa1""; ""James2""; ""Akutagawa2""; ""Chek1""; ""Mau1""; ""James"" ""James3""""end""; ""Chek2""; ""Mau2""; ""retro""; ""Chek3""; ""fan3""; ""Mau3""; ""read1""; ""precon""; ""read2""; ""type""; ""type1""; ""read3""; ""Chek5""; ""prov""; ""Mau4""; ""cyc""; ""emo""; ""James5""; ""James4""; ""type2""; ""Mau5""; ""James6""; ""hyp""; ""fait""; ""novel""; ""news""; ""Mau6""; ""news1""; ""Gil""; ""Fanful""; ""Ver2""; ""Ver3""; ""Chek6""; ""sat""; ""int""; ""read4""; ""Joyce""; ""Prou""; ""Mau7""; ""read5""; ""News2"" LITERARY CRITICISM / Semiotics & Theory bisacsh Literary form fast Literature / Philosophy fast Literature / Theory, etc fast Literary form / History Literature / History and criticism / Theory, etc Literature / Philosophy Geschichte Literatur Philosophie Literature History and criticism Theory, etc Literature Philosophy Literary form History |
| title | The Classic Short Story, 1870-1925 Theory of a Genre |
| title_auth | The Classic Short Story, 1870-1925 Theory of a Genre |
| title_exact_search | The Classic Short Story, 1870-1925 Theory of a Genre |
| title_full | The Classic Short Story, 1870-1925 Theory of a Genre Florence Goyet |
| title_fullStr | The Classic Short Story, 1870-1925 Theory of a Genre Florence Goyet |
| title_full_unstemmed | The Classic Short Story, 1870-1925 Theory of a Genre Florence Goyet |
| title_short | The Classic Short Story, 1870-1925 |
| title_sort | the classic short story 1870 1925 theory of a genre |
| title_sub | Theory of a Genre |
| topic | LITERARY CRITICISM / Semiotics & Theory bisacsh Literary form fast Literature / Philosophy fast Literature / Theory, etc fast Literary form / History Literature / History and criticism / Theory, etc Literature / Philosophy Geschichte Literatur Philosophie Literature History and criticism Theory, etc Literature Philosophy Literary form History |
| topic_facet | LITERARY CRITICISM / Semiotics & Theory Literary form Literature / Philosophy Literature / Theory, etc Literary form / History Literature / History and criticism / Theory, etc Geschichte Literatur Philosophie Literature History and criticism Theory, etc Literature Philosophy Literary form History |
| work_keys_str_mv | AT goyetflorence theclassicshortstory18701925theoryofagenre |