The Cambridge handbook of the psychology of aesthetics and the arts
The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Ca...
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| Sprache: | English |
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Cambridge
Cambridge University Press
2014
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| Schriftenreihe: | Cambridge handbooks in psychology
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| 505 | 8 | |a Machine generated contents note: Part I. Concepts, Theories, and Methods: 1. Introduction by the editors Jeffrey K. Smith and Pablo P. L. Tinio; 2. Empirical aesthetics: hindsight and foresight Oshin Vartanian; 3. Philosophy of art and empirical aesthetics: resistance and rapprochement William P. Seeley; 4. Theoretical foundations for an empirical aesthetics Gerald C. Cupchik; 5. Aesthetics assessment Aaron Kozbelt and James C. Kaufman; Part II. Perspectives and Approaches to Art and Aesthetics: 6. Beyond perception: information processing approaches to art appreciation Helmut Leder; 7. Psychodynamics and the arts Pavel Machotka; 8. Evolutionary approaches to art and aesthetics Marcos Nadal and Gerardo Gómez-Puerto; 9. The walls do speak: psychological aesthetics and the museum experience Pablo P. L. Tinio, Jeffrey K. Smith and Lisa F. Smith; Part III. Objects and Media: 10. Empirical investigation of the elements of composition in paintings: a painting as stimulus Paul J. | |
| 505 | 8 | |a Locher; 11. 'Mute, motionless, variegated rectangles': aesthetics and photography I. C. McManus and Katherina Stöver; 12. Aesthetic responses to design: a battle of impulses Paul Hekkert; 13. From music perception to an integrative framework for the psychology of aesthetics Stefan Koelsch; 14. Theatre and dance: another pathway to understanding human nature Thalia R. Goldstein and Rebecca Yasskin; 15. Arts education, academic achievement, and cognitive ability Swathi Swaminathan and E. Glenn Schellenberg; 16. Aesthetics and the built environment: no painting or musical piece can compare Andre;a Livi Smith; 17. 'Mirror, mirror on the wall, who's the fairest one of all?' Influencing factors and effects of facial attractiveness Gernot Gerger and Helmut Leder; 18. An aesthetics of literary fiction David Carr; Part IV. Cognition and Emotion: 19. Neuroaesthetics: descriptive and experimental approaches Anjan Chatterjee; 20. How emotions shape aesthetic experiences Stefano Mastandrea; 21. | |
| 505 | 8 | |a Unusual aesthetic states Emily C. Nusbaum and Paul J. Silvia; 22. Personality and aesthetic experiences Viren Swami and Adrian Furnham; 23. Hokusai and Fuji: cognition, convention and pictorial invention in Japanese pictorial arts David Bell; Part V. Pulling It All Together: 24. And all that jazz: rigour and relevance in the psychology of aesthetics and the arts Pablo P. L. Tinio and Jeffrey K. Smith | |
| 520 | |a The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field | ||
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Datensatz im Suchindex
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| author2 | Tinio, Pablo P. L. Smith, Jeffrey K. |
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| contents | Machine generated contents note: Part I. Concepts, Theories, and Methods: 1. Introduction by the editors Jeffrey K. Smith and Pablo P. L. Tinio; 2. Empirical aesthetics: hindsight and foresight Oshin Vartanian; 3. Philosophy of art and empirical aesthetics: resistance and rapprochement William P. Seeley; 4. Theoretical foundations for an empirical aesthetics Gerald C. Cupchik; 5. Aesthetics assessment Aaron Kozbelt and James C. Kaufman; Part II. Perspectives and Approaches to Art and Aesthetics: 6. Beyond perception: information processing approaches to art appreciation Helmut Leder; 7. Psychodynamics and the arts Pavel Machotka; 8. Evolutionary approaches to art and aesthetics Marcos Nadal and Gerardo Gómez-Puerto; 9. The walls do speak: psychological aesthetics and the museum experience Pablo P. L. Tinio, Jeffrey K. Smith and Lisa F. Smith; Part III. Objects and Media: 10. Empirical investigation of the elements of composition in paintings: a painting as stimulus Paul J. Locher; 11. 'Mute, motionless, variegated rectangles': aesthetics and photography I. C. McManus and Katherina Stöver; 12. Aesthetic responses to design: a battle of impulses Paul Hekkert; 13. From music perception to an integrative framework for the psychology of aesthetics Stefan Koelsch; 14. Theatre and dance: another pathway to understanding human nature Thalia R. Goldstein and Rebecca Yasskin; 15. Arts education, academic achievement, and cognitive ability Swathi Swaminathan and E. Glenn Schellenberg; 16. Aesthetics and the built environment: no painting or musical piece can compare Andre;a Livi Smith; 17. 'Mirror, mirror on the wall, who's the fairest one of all?' Influencing factors and effects of facial attractiveness Gernot Gerger and Helmut Leder; 18. An aesthetics of literary fiction David Carr; Part IV. Cognition and Emotion: 19. Neuroaesthetics: descriptive and experimental approaches Anjan Chatterjee; 20. How emotions shape aesthetic experiences Stefano Mastandrea; 21. Unusual aesthetic states Emily C. Nusbaum and Paul J. Silvia; 22. Personality and aesthetic experiences Viren Swami and Adrian Furnham; 23. Hokusai and Fuji: cognition, convention and pictorial invention in Japanese pictorial arts David Bell; Part V. Pulling It All Together: 24. And all that jazz: rigour and relevance in the psychology of aesthetics and the arts Pablo P. L. Tinio and Jeffrey K. Smith |
| ctrlnum | (ZDB-20-CBO)CR9781139207058 (OCoLC)930540906 (DE-599)BVBBV043695602 |
| dewey-full | 701.17 111/.85019 |
| dewey-hundreds | 700 - The arts 100 - Philosophy & psychology |
| dewey-ones | 701 - Philosophy of fine & decorative arts 111 - Ontology |
| dewey-raw | 701.17 111/.85019 |
| dewey-search | 701.17 111/.85019 |
| dewey-sort | 3701.17 |
| dewey-tens | 700 - The arts 110 - Metaphysics |
| discipline | Kunstgeschichte Psychologie Philosophie |
| doi_str_mv | 10.1017/CBO9781139207058 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| genre_facet | Aufsatzsammlung |
| id | DE-604.BV043695602 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-03T17:57:29Z |
| institution | BVB |
| isbn | 9781139207058 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029108172 |
| oclc_num | 930540906 |
| open_access_boolean | |
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| owner_facet | DE-473 DE-BY-UBG DE-12 DE-29 DE-739 DE-11 DE-19 DE-BY-UBM DE-20 |
| physical | 1 online resource (620 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO_Kauf17 ZDB-20-CBO UBM_PDA_CBO_Kauf ZDB-20-CBO UER_PDA_CBO_Kauf ZDB-20-CBO UPA_PDA_CBO_Kauf2020 ZDB-20-CBO UBW_PDA_CBO_Kauf_2023 |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge handbooks in psychology |
| spellingShingle | The Cambridge handbook of the psychology of aesthetics and the arts Machine generated contents note: Part I. Concepts, Theories, and Methods: 1. Introduction by the editors Jeffrey K. Smith and Pablo P. L. Tinio; 2. Empirical aesthetics: hindsight and foresight Oshin Vartanian; 3. Philosophy of art and empirical aesthetics: resistance and rapprochement William P. Seeley; 4. Theoretical foundations for an empirical aesthetics Gerald C. Cupchik; 5. Aesthetics assessment Aaron Kozbelt and James C. Kaufman; Part II. Perspectives and Approaches to Art and Aesthetics: 6. Beyond perception: information processing approaches to art appreciation Helmut Leder; 7. Psychodynamics and the arts Pavel Machotka; 8. Evolutionary approaches to art and aesthetics Marcos Nadal and Gerardo Gómez-Puerto; 9. The walls do speak: psychological aesthetics and the museum experience Pablo P. L. Tinio, Jeffrey K. Smith and Lisa F. Smith; Part III. Objects and Media: 10. Empirical investigation of the elements of composition in paintings: a painting as stimulus Paul J. Locher; 11. 'Mute, motionless, variegated rectangles': aesthetics and photography I. C. McManus and Katherina Stöver; 12. Aesthetic responses to design: a battle of impulses Paul Hekkert; 13. From music perception to an integrative framework for the psychology of aesthetics Stefan Koelsch; 14. Theatre and dance: another pathway to understanding human nature Thalia R. Goldstein and Rebecca Yasskin; 15. Arts education, academic achievement, and cognitive ability Swathi Swaminathan and E. Glenn Schellenberg; 16. Aesthetics and the built environment: no painting or musical piece can compare Andre;a Livi Smith; 17. 'Mirror, mirror on the wall, who's the fairest one of all?' Influencing factors and effects of facial attractiveness Gernot Gerger and Helmut Leder; 18. An aesthetics of literary fiction David Carr; Part IV. Cognition and Emotion: 19. Neuroaesthetics: descriptive and experimental approaches Anjan Chatterjee; 20. How emotions shape aesthetic experiences Stefano Mastandrea; 21. Unusual aesthetic states Emily C. Nusbaum and Paul J. Silvia; 22. Personality and aesthetic experiences Viren Swami and Adrian Furnham; 23. Hokusai and Fuji: cognition, convention and pictorial invention in Japanese pictorial arts David Bell; Part V. Pulling It All Together: 24. And all that jazz: rigour and relevance in the psychology of aesthetics and the arts Pablo P. L. Tinio and Jeffrey K. Smith Psychologie Ästhetik Aesthetics / Psychological aspects Arts / Psychological aspects Psychologie (DE-588)4047704-6 gnd Künste (DE-588)4033422-3 gnd Ästhetik (DE-588)4000626-8 gnd Kunstpsychologie (DE-588)4033669-4 gnd |
| subject_GND | (DE-588)4047704-6 (DE-588)4033422-3 (DE-588)4000626-8 (DE-588)4033669-4 (DE-588)4143413-4 |
| title | The Cambridge handbook of the psychology of aesthetics and the arts |
| title_alt | The Cambridge Handbook of the Psychology of Aesthetics & the Arts Handbook of the psychology of aesthetics and the arts |
| title_auth | The Cambridge handbook of the psychology of aesthetics and the arts |
| title_exact_search | The Cambridge handbook of the psychology of aesthetics and the arts |
| title_full | The Cambridge handbook of the psychology of aesthetics and the arts edited by Pablo P.L. Tinio and Jeffrey K. Smith |
| title_fullStr | The Cambridge handbook of the psychology of aesthetics and the arts edited by Pablo P.L. Tinio and Jeffrey K. Smith |
| title_full_unstemmed | The Cambridge handbook of the psychology of aesthetics and the arts edited by Pablo P.L. Tinio and Jeffrey K. Smith |
| title_short | The Cambridge handbook of the psychology of aesthetics and the arts |
| title_sort | the cambridge handbook of the psychology of aesthetics and the arts |
| topic | Psychologie Ästhetik Aesthetics / Psychological aspects Arts / Psychological aspects Psychologie (DE-588)4047704-6 gnd Künste (DE-588)4033422-3 gnd Ästhetik (DE-588)4000626-8 gnd Kunstpsychologie (DE-588)4033669-4 gnd |
| topic_facet | Psychologie Ästhetik Aesthetics / Psychological aspects Arts / Psychological aspects Künste Kunstpsychologie Aufsatzsammlung |
| url | https://doi.org/10.1017/CBO9781139207058 |
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