Shakespeare and the visual imagination
Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of dramatic movement, construction of ideas, and ref...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043695276 | ||
| 003 | DE-604 | ||
| 005 | 20240724 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 160801s2015 |||| o||u| ||||||eng d | ||
| 020 | |a 9781139342759 |c Online |9 978-1-139-34275-9 | ||
| 024 | 7 | |a 10.1017/CBO9781139342759 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781139342759 | ||
| 035 | |a (OCoLC)930540878 | ||
| 035 | |a (DE-599)BVBBV043695276 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-473 |a DE-12 | ||
| 082 | 0 | |a 822.3/3 |2 23 | |
| 084 | |a HI 3323 |0 (DE-625)50007: |2 rvk | ||
| 100 | 1 | |a Sillars, Stuart |d 1951- |e Verfasser |0 (DE-588)138659788 |4 aut | |
| 245 | 1 | 0 | |a Shakespeare and the visual imagination |c Stuart Sillars |
| 246 | 1 | 3 | |a Shakespeare & the visual imagination |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2015 | |
| 300 | |a 1 Online-Ressource (xvii, 317 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 505 | 8 | |a Likeness, device, composition : Shakespeare's visual surroundings -- Allusion and idea in The taming of the shrew -- Visual exchange in the Poems -- Love's labour's lost and visual composition -- Richard II and the politics of perspective -- Visual identities in A midsummer night's dream -- Emblem, tradition and invention -- Imagination beyond image : ethopoeia and metatheatre -- Defining the visual in Shakespeare | |
| 520 | |a Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of dramatic movement, construction of ideas, and reflections on the artifice of theatre and language. The Taming of the Shrew, Love's Labour's Lost, Richard II and A Midsummer Night's Dream are explored in detail, offering new insights into their forms, themes, and place in European traditions. The use of emblems is examined in Titus Andronicus and As You Like It; studies of Venus and Adonis, some sonnets and The Rape of Lucrece reveal different but related visual aspects; a later chapter suggests how the new relation between seeing and soliloquy in The Rape of Lucrece is developed in other plays. Extensively illustrated, the book explores Shakespeare's assimilation and exploration of visual traditions in structure, theme and idea throughout the canon | ||
| 600 | 1 | 4 | |a Shakespeare, William / 1564-1616 / Criticism and interpretation |
| 600 | 1 | 7 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Visual perception in literature | |
| 650 | 4 | |a Painting in literature | |
| 650 | 4 | |a Art and literature | |
| 650 | 0 | 7 | |a Kunst |g Motiv |0 (DE-588)4128072-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Visuelle Wahrnehmung |g Motiv |0 (DE-588)4493482-8 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Shakespeare, William |d 1564-1616 |0 (DE-588)118613723 |D p |
| 689 | 0 | 1 | |a Kunst |g Motiv |0 (DE-588)4128072-6 |D s |
| 689 | 0 | 2 | |a Visuelle Wahrnehmung |g Motiv |0 (DE-588)4493482-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-1-107-02995-8 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/CBO9781139342759 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029107846 | |
| 966 | e | |u https://doi.org/10.1017/CBO9781139342759 |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9781139342759 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO_Kauf23 |x Verlag |3 Volltext | |
Datensatz im Suchindex
| DE-BY-UBG_katkey | 196079317 |
|---|---|
| DE-BY-UBG_local_url | Verlag https://doi.org/10.1017/CBO9781139342759 |
| _version_ | 1811360756079263744 |
| adam_text | |
| any_adam_object | |
| author | Sillars, Stuart 1951- |
| author_GND | (DE-588)138659788 |
| author_facet | Sillars, Stuart 1951- |
| author_role | aut |
| author_sort | Sillars, Stuart 1951- |
| author_variant | s s ss |
| building | Verbundindex |
| bvnumber | BV043695276 |
| classification_rvk | HI 3323 |
| collection | ZDB-20-CBO |
| contents | Likeness, device, composition : Shakespeare's visual surroundings -- Allusion and idea in The taming of the shrew -- Visual exchange in the Poems -- Love's labour's lost and visual composition -- Richard II and the politics of perspective -- Visual identities in A midsummer night's dream -- Emblem, tradition and invention -- Imagination beyond image : ethopoeia and metatheatre -- Defining the visual in Shakespeare |
| ctrlnum | (ZDB-20-CBO)CR9781139342759 (OCoLC)930540878 (DE-599)BVBBV043695276 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9781139342759 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV043695276</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240724</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">160801s2015 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139342759</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-139-34275-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9781139342759</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781139342759</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)930540878</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043695276</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-473</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">822.3/3</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 3323</subfield><subfield code="0">(DE-625)50007:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Sillars, Stuart</subfield><subfield code="d">1951-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)138659788</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Shakespeare and the visual imagination</subfield><subfield code="c">Stuart Sillars</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Shakespeare & the visual imagination</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xvii, 317 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Likeness, device, composition : Shakespeare's visual surroundings -- Allusion and idea in The taming of the shrew -- Visual exchange in the Poems -- Love's labour's lost and visual composition -- Richard II and the politics of perspective -- Visual identities in A midsummer night's dream -- Emblem, tradition and invention -- Imagination beyond image : ethopoeia and metatheatre -- Defining the visual in Shakespeare</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of dramatic movement, construction of ideas, and reflections on the artifice of theatre and language. The Taming of the Shrew, Love's Labour's Lost, Richard II and A Midsummer Night's Dream are explored in detail, offering new insights into their forms, themes, and place in European traditions. The use of emblems is examined in Titus Andronicus and As You Like It; studies of Venus and Adonis, some sonnets and The Rape of Lucrece reveal different but related visual aspects; a later chapter suggests how the new relation between seeing and soliloquy in The Rape of Lucrece is developed in other plays. Extensively illustrated, the book explores Shakespeare's assimilation and exploration of visual traditions in structure, theme and idea throughout the canon</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Shakespeare, William / 1564-1616 / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shakespeare, William</subfield><subfield code="d">1564-1616</subfield><subfield code="0">(DE-588)118613723</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Visual perception in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and literature</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4128072-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Visuelle Wahrnehmung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4493482-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Shakespeare, William</subfield><subfield code="d">1564-1616</subfield><subfield code="0">(DE-588)118613723</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunst</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4128072-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Visuelle Wahrnehmung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4493482-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-1-107-02995-8</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9781139342759</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029107846</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139342759</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139342759</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO_Kauf23</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV043695276 |
| illustrated | Not Illustrated |
| index_date | 2024-09-20T13:29:36Z |
| indexdate | 2024-09-27T16:41:23Z |
| institution | BVB |
| isbn | 9781139342759 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029107846 |
| oclc_num | 930540878 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG DE-12 |
| owner_facet | DE-473 DE-BY-UBG DE-12 |
| physical | 1 Online-Ressource (xvii, 317 Seiten) Illustrationen |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO_Kauf23 |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Cambridge University Press |
| record_format | marc |
| spellingShingle | Sillars, Stuart 1951- Shakespeare and the visual imagination Likeness, device, composition : Shakespeare's visual surroundings -- Allusion and idea in The taming of the shrew -- Visual exchange in the Poems -- Love's labour's lost and visual composition -- Richard II and the politics of perspective -- Visual identities in A midsummer night's dream -- Emblem, tradition and invention -- Imagination beyond image : ethopoeia and metatheatre -- Defining the visual in Shakespeare Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Visual perception in literature Painting in literature Art and literature Kunst Motiv (DE-588)4128072-6 gnd Visuelle Wahrnehmung Motiv (DE-588)4493482-8 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4128072-6 (DE-588)4493482-8 |
| title | Shakespeare and the visual imagination |
| title_alt | Shakespeare & the visual imagination |
| title_auth | Shakespeare and the visual imagination |
| title_exact_search | Shakespeare and the visual imagination |
| title_full | Shakespeare and the visual imagination Stuart Sillars |
| title_fullStr | Shakespeare and the visual imagination Stuart Sillars |
| title_full_unstemmed | Shakespeare and the visual imagination Stuart Sillars |
| title_short | Shakespeare and the visual imagination |
| title_sort | shakespeare and the visual imagination |
| topic | Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Visual perception in literature Painting in literature Art and literature Kunst Motiv (DE-588)4128072-6 gnd Visuelle Wahrnehmung Motiv (DE-588)4493482-8 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 Visual perception in literature Painting in literature Art and literature Kunst Motiv Visuelle Wahrnehmung Motiv |
| url | https://doi.org/10.1017/CBO9781139342759 |
| work_keys_str_mv | AT sillarsstuart shakespeareandthevisualimagination AT sillarsstuart shakespearethevisualimagination |