Robert Altman in the American grain

Known as an iconoclast and maverick, film director Robert Altman has consistently pushed against the boundaries of genre. From refashioning film noir in "The Long Goodbye," the western in "McCabe & Mrs. Miller," the psychological drama in "Images," science fiction i...

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1. Verfasser: Caso, Frank (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: London Reaktion Books 2015
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100 1 |a Caso, Frank  |e Verfasser  |4 aut 
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500 |a Includes bibliographical references (pages 259-273), filmography (pages 275-278) and index 
505 8 |a Part One: Apprentice and Journeymen -- Kansas City -- Journeyman's Blues -- Part Two: The Artist in Bloom -- M*A*S*H and its Immediate Successors -- The Neo-noir Director -- Paradise Lost -- Strange Interlude -- Career Ebb -- Part Three: Exile -- The Play's the Thing, Part One: Television Work -- The Play's the Thing, Part Two: Features Again -- Part Four: The Prodigal's Return -- Renaissance -- Crime, Punishment and Vaginas -- Death is the Only Real Ending 
520 |a Known as an iconoclast and maverick, film director Robert Altman has consistently pushed against the boundaries of genre. From refashioning film noir in "The Long Goodbye," the western in "McCabe & Mrs. Miller," the psychological drama in "Images," science fiction in "Quintet," and the romantic comedy in "A Perfect Couple," he has always tested the limits of what film can and should do. In this book, Frank Caso examines the development of Altman s artistic method from his earliest days in industrial film to his work in television and feature films. Altman is one of those directors whose films audiences can easily recognize, but what exactly are the distinctive elements that have become his signature? Caso identifies more than twenty such elements in Altman s style, tracing some such as his use of free-hand cameras and engagement with Christian imagery to the beginning of his career. Caso also examines Altman s unsettling mix of offbeat comedic tone with a predominance of violence, murder, and death, showing how their counterpointing effects rendered his films at once naturalistic and otherworldly. Exploring these and other aspects of the Altmanesque style, Caso maps the innovations that have made Altman a master filmmaker. Enriched with illustration throughout, "Robert Altman" will appeal to fans of this distinctive American auteur or anyone interested in ground-breaking cinema 
600 1 4 |a Altman, Robert / 1925-2006 / Criticism and interpretation 
600 1 7 |a Altman, Robert / 1925-2006  |2 fast 
650 4 |a Motion picture producers and directors / United States 
650 7 |a Motion picture producers and directors  |2 fast 
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655 7 |0 (DE-588)4006804-3  |a Biografie  |2 gnd-content 
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Datensatz im Suchindex

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contents Part One: Apprentice and Journeymen -- Kansas City -- Journeyman's Blues -- Part Two: The Artist in Bloom -- M*A*S*H and its Immediate Successors -- The Neo-noir Director -- Paradise Lost -- Strange Interlude -- Career Ebb -- Part Three: Exile -- The Play's the Thing, Part One: Television Work -- The Play's the Thing, Part Two: Features Again -- Part Four: The Prodigal's Return -- Renaissance -- Crime, Punishment and Vaginas -- Death is the Only Real Ending
ctrlnum (OCoLC)953676825
(DE-599)BVBBV043669005
dewey-full 791.430233
dewey-hundreds 700 - The arts
dewey-ones 791 - Public performances
dewey-raw 791.430233
dewey-search 791.430233
dewey-sort 3791.430233
dewey-tens 790 - Recreational and performing arts
discipline Allgemeines
format Book
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Robert Altman in the American grain Frank Caso
London Reaktion Books 2015
287 Seiten Illustationen 20 cm
txt rdacontent
n rdamedia
nc rdacarrier
Includes bibliographical references (pages 259-273), filmography (pages 275-278) and index
Part One: Apprentice and Journeymen -- Kansas City -- Journeyman's Blues -- Part Two: The Artist in Bloom -- M*A*S*H and its Immediate Successors -- The Neo-noir Director -- Paradise Lost -- Strange Interlude -- Career Ebb -- Part Three: Exile -- The Play's the Thing, Part One: Television Work -- The Play's the Thing, Part Two: Features Again -- Part Four: The Prodigal's Return -- Renaissance -- Crime, Punishment and Vaginas -- Death is the Only Real Ending
Known as an iconoclast and maverick, film director Robert Altman has consistently pushed against the boundaries of genre. From refashioning film noir in "The Long Goodbye," the western in "McCabe & Mrs. Miller," the psychological drama in "Images," science fiction in "Quintet," and the romantic comedy in "A Perfect Couple," he has always tested the limits of what film can and should do. In this book, Frank Caso examines the development of Altman s artistic method from his earliest days in industrial film to his work in television and feature films. Altman is one of those directors whose films audiences can easily recognize, but what exactly are the distinctive elements that have become his signature? Caso identifies more than twenty such elements in Altman s style, tracing some such as his use of free-hand cameras and engagement with Christian imagery to the beginning of his career. Caso also examines Altman s unsettling mix of offbeat comedic tone with a predominance of violence, murder, and death, showing how their counterpointing effects rendered his films at once naturalistic and otherworldly. Exploring these and other aspects of the Altmanesque style, Caso maps the innovations that have made Altman a master filmmaker. Enriched with illustration throughout, "Robert Altman" will appeal to fans of this distinctive American auteur or anyone interested in ground-breaking cinema
Altman, Robert / 1925-2006 / Criticism and interpretation
Altman, Robert / 1925-2006 fast
Motion picture producers and directors / United States
Motion picture producers and directors fast
United States fast
USA
(DE-588)4006804-3 Biografie gnd-content
spellingShingle Caso, Frank
Robert Altman in the American grain
Part One: Apprentice and Journeymen -- Kansas City -- Journeyman's Blues -- Part Two: The Artist in Bloom -- M*A*S*H and its Immediate Successors -- The Neo-noir Director -- Paradise Lost -- Strange Interlude -- Career Ebb -- Part Three: Exile -- The Play's the Thing, Part One: Television Work -- The Play's the Thing, Part Two: Features Again -- Part Four: The Prodigal's Return -- Renaissance -- Crime, Punishment and Vaginas -- Death is the Only Real Ending
Altman, Robert / 1925-2006 / Criticism and interpretation
Altman, Robert / 1925-2006 fast
Motion picture producers and directors / United States
Motion picture producers and directors fast
subject_GND (DE-588)4006804-3
title Robert Altman in the American grain
title_auth Robert Altman in the American grain
title_exact_search Robert Altman in the American grain
title_full Robert Altman in the American grain Frank Caso
title_fullStr Robert Altman in the American grain Frank Caso
title_full_unstemmed Robert Altman in the American grain Frank Caso
title_short Robert Altman in the American grain
title_sort robert altman in the american grain
topic Altman, Robert / 1925-2006 / Criticism and interpretation
Altman, Robert / 1925-2006 fast
Motion picture producers and directors / United States
Motion picture producers and directors fast
topic_facet Altman, Robert / 1925-2006 / Criticism and interpretation
Altman, Robert / 1925-2006
Motion picture producers and directors / United States
Motion picture producers and directors
United States
USA
Biografie
work_keys_str_mv AT casofrank robertaltmanintheamericangrain