Designing sound audiovisual aesthetics in 1970s American cinema
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| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, New Jersey
Rutgers University Press
[2016]
|
| Schriftenreihe: | Techniques of the moving image
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
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| 650 | 4 | |a Film | |
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Datensatz im Suchindex
| _version_ | 1819621698734915584 |
|---|---|
| adam_text | DESIGNING SOUND
/ BECK, JAY 1966-
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: THE STATE OF THE ART
PART 1. GENERAL TRENDS (1965-1971)
THE BRITISH INVASION
TV AND DOCUMENTARY S INFLUENCE ON SOUND AESTHETICS
NEW VOICES AND PERSONAL SOUND AESTHETICS: 1970-71
PART 2. DIRECTOR CASE STUDIES (1968-1976) FRANCIS FORD COPPOLA: AMERICAN
ZOETROPE AND COLLECTIVE FILMMAKING
ROBERT ALTMAN S COLLABORATIVE SOUND WORK
MARTIN SCORSESE S DIALECTICAL SOUND
THE DOLBY STEREO ERA (1975-1980)
THE SOUND OF MUSIC: DOLBY STEREO AND MUSIC IN THE NEW AMERICAN CINEMA
THE SOUND OF SPECTACLE: DOLBY STEREO AND THE NEW CLASSICISM
THE SOUND OF STORYTELLING: DOLBY STEREO AND THE ART OF SOUND DESIGN
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
The late 1960s and 1970s are widely recognized as a golden age for American film, when
directors like Francis Ford Coppola, George Lucas, and Martin Scorsese expanded the Holly- |
wood model with aesthetically innovative works. As this groundbreaking new study reveals,
those filmmakers were blessed with more than just visionary eyes; Designing Sound focuses on
how those filmmakers also had keen ears that enabled them to perceive new possibilities for
cinematic sound design.
Offering detailed case studies of key films and filmmakers, Jay Beck explores how sound
design was central to the era s experimentation with new modes of cinematic storytelling. He
. demonstrates how sound was crucial to many directors signature aesthetics, from the overlap-
f ping dialogue that contributes to Robert Altman s naturalism to the wordless interludes at the i
heart of Terrence Malick s lyricism.
Designing Sound provides readers with a fresh take on a much-studied era in American
film, offering a new appreciation of how artistry emerged from a period of rapid industrial and :;
technological change. Filled with rich behind-the-scenes details, the book vividly conveys how
sound practices developed by 1970s filmmakers changed the course of American cinema;
: JAY BECK is an associate professor of cinema and media studies at Carleton College in North- ?
field, Minnesota. In addition to cofounding the Sound Studies Special Interest Group of the
Society for Cinema and Media Studies, he is the American coeditor of the journal Music,
Sound, and the Moving Image, He has also coedited Lowering the Boom: Critical Studies in
Film Sound.
|
| any_adam_object | 1 |
| author | Beck, Jay |
| author_GND | (DE-588)104439224X |
| author_facet | Beck, Jay |
| author_role | aut |
| author_sort | Beck, Jay |
| author_variant | j b jb |
| building | Verbundindex |
| bvnumber | BV043662209 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.7 |
| callnumber-search | PN1995.7 |
| callnumber-sort | PN 41995.7 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 51450 |
| ctrlnum | (OCoLC)957677926 (DE-599)BVBBV043662209 |
| dewey-full | 791.4302/4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/4 |
| dewey-search | 791.4302/4 |
| dewey-sort | 3791.4302 14 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1900-2000 Geschichte 1965-1980 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1965-1980 |
| format | Book |
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| indexdate | 2024-12-24T05:10:56Z |
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| isbn | 9780813564135 9780813564142 |
| language | English |
| lccn | 015028626 |
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| physical | viii, 262 Seiten Illustrationen |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Rutgers University Press |
| record_format | marc |
| series2 | Techniques of the moving image |
| spellingShingle | Beck, Jay Designing sound audiovisual aesthetics in 1970s American cinema Film Geschichte Sound motion pictures Motion pictures Production and direction United States History 20th century Film (DE-588)4017102-4 gnd Filmmusik (DE-588)4017129-2 gnd Klang (DE-588)4030933-2 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4017129-2 (DE-588)4030933-2 (DE-588)4078704-7 |
| title | Designing sound audiovisual aesthetics in 1970s American cinema |
| title_auth | Designing sound audiovisual aesthetics in 1970s American cinema |
| title_exact_search | Designing sound audiovisual aesthetics in 1970s American cinema |
| title_full | Designing sound audiovisual aesthetics in 1970s American cinema Jay Beck |
| title_fullStr | Designing sound audiovisual aesthetics in 1970s American cinema Jay Beck |
| title_full_unstemmed | Designing sound audiovisual aesthetics in 1970s American cinema Jay Beck |
| title_short | Designing sound |
| title_sort | designing sound audiovisual aesthetics in 1970s american cinema |
| title_sub | audiovisual aesthetics in 1970s American cinema |
| topic | Film Geschichte Sound motion pictures Motion pictures Production and direction United States History 20th century Film (DE-588)4017102-4 gnd Filmmusik (DE-588)4017129-2 gnd Klang (DE-588)4030933-2 gnd |
| topic_facet | Film Geschichte Sound motion pictures Motion pictures Production and direction United States History 20th century Filmmusik Klang USA |
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