Subject of the event reagency in the American novel after 2000
"Examines the conception of events and subjects in five contemporary American novels: Cormac McCarthy's The Road (2006), Jess Walter's The Zero (2006), Mark Z. Danielewski's Only Revolutions (2006), Paul Beatty's Slumberland (2008) and Thomas Pynchon's Against the Day (...
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
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New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc
2016
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| 520 | |a "Examines the conception of events and subjects in five contemporary American novels: Cormac McCarthy's The Road (2006), Jess Walter's The Zero (2006), Mark Z. Danielewski's Only Revolutions (2006), Paul Beatty's Slumberland (2008) and Thomas Pynchon's Against the Day (2006)"... | ||
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Datensatz im Suchindex
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| adam_text | SUBJECT OF THE EVENT
/ HUBER, SEBASTIANYYD1986-
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: AMERICA S SUBJECTS OF EVENTS
CHAPTER 1. THE QUESTION OF THE EVENT AND THE QUESTION(S) OF THE SUBJECT
CHAPTER 2. YOU HAVE TO CARRY THE FIRE : THE REACTIVE SUBJECT IN CORMAC
MCCARTHY S THE ROAD (2006)
CHAPTER 3. WITH US OR AGAINST US : THE OBSCURE SUBJECT IN JESS WALTER S
THE ZERO (2006)
CHAPTER 4. LET US GO THEN YOU AND I : THE AMOROUS SUBJECT IN MARK Z.
DANIELEWSKI S ONLY REVOLUTIONS (2006)
CHAPTER 5. YOU LL NEVER BE PASSE : THE AESTHETICO-POLITICAL SUBJECT IN
PAUL BEATTY S SLUMBERLAND (2008)
CHAPTER 6. THERE IS NOTHING TO COMPARE IT TO NOW : THE
SCIENTIFIC-POLITICAL SUBJECTS IN THOMAS PYNCHON S AGAINST THE DAY (2006)
CONCLUSION: THE END AS ENJAMBMENT
DIESES SCHRIFTSTCK WURDE MASCHINELL ERZEUGT.
Contents
Acknowledgments viii
List of Abbreviations ix
Introduction: America’s Subjects of Events 1
1 The Question of the Event and the Question(s) of the Subject 19
2 “You have to carry the fire”: The Reactive Subject in Cormac McCarthy’s
The Road (2006) 49
3 “With us or against us”: The Obscure Subject in Jess Walter’s
The Zero (2006) 89
4 “Let us go then, you and I”: The Amorous Subject in Mark Z.
Danielewski’s Only Revolutions (2006) 111
5 “You’ll never be passé”: The Aesthetico-Political Subject in Paul Beatty’s
Slumberland(2008) 153
6 “There is nothing to compare it to now”: The Scientific-Political Subjects
in Thomas Pynchon’s Against the Day (2006) 189
Conclusion: The End as Enjambment 243
Notes 249
Bibliography 297
Index 315
As the first book to comprehensively engage with Alain Badiou s writings outside of
a philosophical context, Subject of the Event analyzes five acclaimed novels of the
new millennium-Cormac McCarthy s The Road, Jess Walter’s The Zero, Mark Z,
Danielewski’s Only Revolutions, Paul Beatty’s and Thomas Pynchon’s
Against the Day-and argues that they create different subjects of the event that
are empowered with reagency Exploring how each of the novels at hand critically
approaches the American penchant for the event, be it a new beginning or the
apocalypse, Sebastian Huber reveals how singular disruptions open up ways for subjects
to affirm and become empowered by the new propositions of these happenings.
|
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 2000-2006 gnd |
| era_facet | Geschichte 2000-2006 |
| format | Thesis Book |
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| title | Subject of the event reagency in the American novel after 2000 |
| title_auth | Subject of the event reagency in the American novel after 2000 |
| title_exact_search | Subject of the event reagency in the American novel after 2000 |
| title_full | Subject of the event reagency in the American novel after 2000 Sebastian Huber |
| title_fullStr | Subject of the event reagency in the American novel after 2000 Sebastian Huber |
| title_full_unstemmed | Subject of the event reagency in the American novel after 2000 Sebastian Huber |
| title_short | Subject of the event |
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| title_sub | reagency in the American novel after 2000 |
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