Northrop Frye's Notebooks on Renaissance Literature

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1. Verfasser: Frye, Northrop (VerfasserIn)
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Veröffentlicht: Toronto University of Toronto Press [2016]
Schriftenreihe:Collected Works of Northrop Frye v. 20
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Datensatz im Suchindex

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any_adam_object
author Frye, Northrop
author_facet Frye, Northrop
author_role aut
author_sort Frye, Northrop
author_variant n f nf
building Verbundindex
bvnumber BV043491997
collection ZDB-23-DGG
contents Although Northrop Frye's first book, Fearful Symmetry (1947), elevated the reputation of William Blake from the status of a minor eccentric to that of a major Romantic poet, Frye in fact saw Blake as a poet (and, consequently, himself as a critic) not of the Romantic period, but of the Renaissance. As such, Frye's meditations on the Renaissance are particularly valuable. This volume collects six of Frye's notebooks and five sets of his typed notes on subjects related to Renaissance literature. Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose. The organization of this volume reflects 'a comprehensive study of Renaissance Symbolism' in three volumes, which Frye proposed to the Guggenheim Foundation in 1949. Frye received a Guggenheim fellowship, but never wrote the book; nevertheless, his application, part of which is also included here, is an important document. The Guggenheim application not only reveals the outlines of Frye's thinking about literature, it also uncovers his plans for his future creative life during the crucial period between his completion of Fearful Symmetry and his absorption in the writing of Anatomy of Criticism. In addition to providing insight into Frye's thinking process, the material collected into this key volume in the Collected Works is of particular importance because much of it has no direct counterpart in any of Frye's other published works
ctrlnum (ZDB-23-DGG)9781442620858
(OCoLC)1165451446
(DE-599)BVBBV043491997
dewey-full 820.9/003
dewey-hundreds 800 - Literature (Belles-lettres) and rhetoric
dewey-ones 820 - English & Old English literatures
dewey-raw 820.9/003
dewey-search 820.9/003
dewey-sort 3820.9 13
dewey-tens 820 - English & Old English literatures
discipline Anglistik / Amerikanistik
era Geschichte 1500-1620 gnd
era_facet Geschichte 1500-1620
format Electronic
eBook
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series2 Collected Works of Northrop Frye
spelling Frye, Northrop Verfasser aut
Northrop Frye's Notebooks on Renaissance Literature Northrop Frye; ed. by Michael Dolzani
Toronto University of Toronto Press [2016]
© 2006
1 online resource
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Collected Works of Northrop Frye v. 20
Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)
Although Northrop Frye's first book, Fearful Symmetry (1947), elevated the reputation of William Blake from the status of a minor eccentric to that of a major Romantic poet, Frye in fact saw Blake as a poet (and, consequently, himself as a critic) not of the Romantic period, but of the Renaissance. As such, Frye's meditations on the Renaissance are particularly valuable. This volume collects six of Frye's notebooks and five sets of his typed notes on subjects related to Renaissance literature. Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose. The organization of this volume reflects 'a comprehensive study of Renaissance Symbolism' in three volumes, which Frye proposed to the Guggenheim Foundation in 1949. Frye received a Guggenheim fellowship, but never wrote the book; nevertheless, his application, part of which is also included here, is an important document. The Guggenheim application not only reveals the outlines of Frye's thinking about literature, it also uncovers his plans for his future creative life during the crucial period between his completion of Fearful Symmetry and his absorption in the writing of Anatomy of Criticism. In addition to providing insight into Frye's thinking process, the material collected into this key volume in the Collected Works is of particular importance because much of it has no direct counterpart in any of Frye's other published works
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http://www.degruyter.com/doi/book/10.3138/9781442620858 Verlag URL des Erstveröffentlichers Volltext
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spellingShingle Frye, Northrop
Northrop Frye's Notebooks on Renaissance Literature
Although Northrop Frye's first book, Fearful Symmetry (1947), elevated the reputation of William Blake from the status of a minor eccentric to that of a major Romantic poet, Frye in fact saw Blake as a poet (and, consequently, himself as a critic) not of the Romantic period, but of the Renaissance. As such, Frye's meditations on the Renaissance are particularly valuable. This volume collects six of Frye's notebooks and five sets of his typed notes on subjects related to Renaissance literature. Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose. The organization of this volume reflects 'a comprehensive study of Renaissance Symbolism' in three volumes, which Frye proposed to the Guggenheim Foundation in 1949. Frye received a Guggenheim fellowship, but never wrote the book; nevertheless, his application, part of which is also included here, is an important document. The Guggenheim application not only reveals the outlines of Frye's thinking about literature, it also uncovers his plans for his future creative life during the crucial period between his completion of Fearful Symmetry and his absorption in the writing of Anatomy of Criticism. In addition to providing insight into Frye's thinking process, the material collected into this key volume in the Collected Works is of particular importance because much of it has no direct counterpart in any of Frye's other published works
Frye, Northrop 1912-1991 (DE-588)119012863 gnd
Shakespeare, William 1564-1616 (DE-588)118613723 gnd
Spenser, Edmund 1552-1599 (DE-588)118616129 gnd
English literature Early modern, 1500-1700 History and criticism
Englisch (DE-588)4014777-0 gnd
Schrift (DE-588)4053297-5 gnd
Literatur (DE-588)4035964-5 gnd
Renaissance (DE-588)4049450-0 gnd
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(DE-588)118613723
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(DE-588)4014777-0
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(DE-588)4035964-5
(DE-588)4049450-0
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title Northrop Frye's Notebooks on Renaissance Literature
title_auth Northrop Frye's Notebooks on Renaissance Literature
title_exact_search Northrop Frye's Notebooks on Renaissance Literature
title_full Northrop Frye's Notebooks on Renaissance Literature Northrop Frye; ed. by Michael Dolzani
title_fullStr Northrop Frye's Notebooks on Renaissance Literature Northrop Frye; ed. by Michael Dolzani
title_full_unstemmed Northrop Frye's Notebooks on Renaissance Literature Northrop Frye; ed. by Michael Dolzani
title_short Northrop Frye's Notebooks on Renaissance Literature
title_sort northrop frye s notebooks on renaissance literature
topic Frye, Northrop 1912-1991 (DE-588)119012863 gnd
Shakespeare, William 1564-1616 (DE-588)118613723 gnd
Spenser, Edmund 1552-1599 (DE-588)118616129 gnd
English literature Early modern, 1500-1700 History and criticism
Englisch (DE-588)4014777-0 gnd
Schrift (DE-588)4053297-5 gnd
Literatur (DE-588)4035964-5 gnd
Renaissance (DE-588)4049450-0 gnd
topic_facet Frye, Northrop 1912-1991
Shakespeare, William 1564-1616
Spenser, Edmund 1552-1599
English literature Early modern, 1500-1700 History and criticism
Englisch
Schrift
Literatur
Renaissance
Aufsatzsammlung
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