Painting and narrative in France from Poussin to Gauguin

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Weitere Verfasser: Cooke, Peter 1962- (HerausgeberIn), Lübbren, Nina (HerausgeberIn)
Format: Buch
Sprache:English
Veröffentlicht: London ; New York Routledge 2016
Ausgabe:First published
Schriftenreihe:An Ashgate book
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Datensatz im Suchindex

_version_ 1804175795288014848
adam_text CONTENTS / /V/ T L- IGUIVS II XITICS MI (_ T)IIFRIHTNUR, XN INTRODUCTION: NARRATIVITY AND (FRENCH) PAINTING ! I I ; I-R I ( H K I A VI} SI K - : I MTNI S SF,(T H) I ANCICN REGIME 23 1 UNITS OF VISION AND NARRATIVE STRUCTURES: I PON READING IN S MAN TUT 25 * I AL L)! ! ML I I ML I 2 FIGURES OF NARRATION IN THE CONTEXT OF A PAINTED C YVLE: THE NORTH HAYS OF THE GRANDE (JALERIE AT VERSAILLES 40 M UI. NNI L 1)1 ANNO L-L !* IH - I 3 THE CRISIS OF NARRATION IN L- IGHTEENTH-CENTURY FRENCH HISTORY PSIINTLNG 51 SI .S * F A V II .1 !. 4 OBSCURE. CAPRICIOUS ANCI BIZARRE: NEOCLASSICAL PAINTING AND THE LIOICE OF SUBJECT 64 M VI .K 1 L ; 0HL,I V II RESTORATION AND JULY MONARCHY 5 DELAVROIX AND THE WORK OF THE READER TM I I :* W IT IDLL ! IS VIRRATIU 1 AND HIRTO * IN L,EFIKL ROL C-R( IRRINIL OFIHE IFUN I I(T R IN THE PONTIIU- UIR HC GII !) IN I :TUI F)CLUROCLIC* *I THE DUE DE (HUM V III SECOND ICNIPIIT AND THIRD REPUHLIC 8 I JTM|UCIIT ()L)JCI:T .: FERIIIF. LAURCNN ARID THE ARI OF INANIMATE NRRATION L IJRANNITAL LISOPJKIIIOTIITY: (ITISTAVC 10 1 HTALIICIIT SVRSUS ANTI-TLIIH ICSI!HV; *FI *IINI{)UTH IN ( STIICH LIII(*H* PIIINTIAL I I HIE ( )TIFIICU- F SLITTIN OF NARMLIVE IN TIN- VR( OF PAUL C.AUGTIIII KE ISSUES OF PICTORIAL NARRATIVE 1 -* I 12 NARMTTVJTS, ICINPORATITY AND AILEAORISATION. INNN I OASSIIT TO 1 REAII T (F 13 TOWARDS A STUDY OF NARRATIOTI IN FJIINLIIIK: 1 LIE MODERN PERIOD FIGURES JEAU-I I .JSNRC 1 N.INONARD. THE HALT L,E H IN U TO, LL H}, OIL ON CUAUTX 7I * U, I CM. YLUSEE DU LOUVRE, I ARIV I I IIILS OF VISION AND NARRATHE STRUCTURES: I PON READING POUSSIN S MANMI I.! NICUIAS I OUSSIN. / AT S-LANNA I H V 38 5 L I, IIL ON EAUUIS, 149 * 200 CM. VHWOO DU I.OII :V, PARIS. 26 1 2 VICOIAS I OUSSIII, /7K 1 MANNA ;DETAIL). 34 2 L- IYURES OF NARRATION IN THE CONTEXT OF A FAINTED CYCLE: THE NORTH (JAYS OF THE ( RANDE FIALERIE AT VERSAILLES 2. I ( HARK .-. LX URUU. TIK ( V AS///V. / THE RHINE ANT! I HE HIKING * M H( IRIEHI IN THE PRESENCE UF U .E !:NENTV J / E / *.MIA.V ;//. IV TUI C/ HI PRISE TIE T IASINEHI TIL PRESEIH E TIES ENNEN/IS J I )(? ) S4), OIL UN CAM;; -, APPLIED TO LIIC CCIIIIM OI SHC TIRASULC IIALCNC AT THE I BATEAU DO ER AILK-S (DINICIIVION*. UNKIIOWIII, 41 2.2 K-AN V1..I .SO, THE INTERNIR I H-EORANON AT THE ( EIUNV I A.INIIN^S HI THE { UIHEI X LIT VERSAILLES L)EVELOPPEINENT JE IN ILEI URAIITW TNIENENIE EL LES PEINHUVS DU PLULOINL TIE LA GAIERTE .A I I-RSAILLES (I T.S.! ?. PRIM. 49,5 *() EIN. 43 - 3 I INIRLO, X UNTIL, I J INURES ** HEN ,;-)! / RI/EHIITIIIIRJ; THE IS III^ I OIL ON EARN AS APPLIED TO SHE CEILING OI LLIC I IRANDC ( RAICRIE AT SL IC * !T; UEAU TIE VERSAILLES (DMIEI)SIONS UNKNOWN I, 44 3 THE CRISIS OF NARRATION IN FCIGHTCCNTII-CCNTURY FRENCH HISTORY PAINTING . *I I LIINCOII BIHICLICR, AITROIA AND ( EPLHIIUS L LUIMX EL L EPHI!I E (I 1 1 ), OIL ON EANVAS. 2? * 1 ^5 CNU MUSCEIKS )U-AU :-AI P TS. ANC . 53 DA L IIIIK, ?-, 11, ( I. ( ARK VON L, T / RI^,PI *I,RI^ -III . (! * * K OIL M . I;R, * . ! )0 -. JU I. HA-I. MI . IU,I O! UI /*LI.MIIR CI! .1 * . FL,I,V. I !, CIMIII II MI 14 -,(, 4 OBSCURE, CAPRICIOUS AND JJI/ARRER NEOCKIV-IML I JIIIITIIIF/ AND TLIT- CHOICE OF SUBJECT -S ! H MI-WDI: *INIILIV I T I .TF IS LULL *!H L,III T TURN L III IR T IS IND III ( II) :F T!IIII II TO ALONE L I V.V .H ,!*,!, * N,I L IIER F IH TII/II I LIHI JE 11 .TII I IPJ TN TV )I;| I 17). ), OIL UI, C. IIV.! 1 , II 5 |J6(UT MUST. . J.; II,.AU., ,TI,, |(,I;I , (,(, 4, JV;.N-I[O! O:V I NTUONNRJ, 74- Y//C7; / / T ,T */(-,.*- .*MERIFI.-IN.; MUSE., DU L, U A I- CIN.. A/ 4. .* I I .T! - I -} !J. *VHI JHIIN (TILL, HIIL,* I I! FILLS ID IH L. ITIULU WIN, IT . ILITOH 1 , IH . IU JI LU IK // ( * IVLC INR ,N I IT- . TO TLV IT)I :U:M )!. , ,/I IIRT *. UHCIIIENII .S IN TINT -V %. ** / //W ILL HI IRJT. (I, )LLH ITITLIV *. L I I L. { I /7A; - LL *!! PUPT-I HITIL I,I CIITIMI, ^ 9 ; WILL. J H-. V WVLIIII. MII A JCUII HJJMI ,U; CTRC 1 !/^ 1 , S JI LIMIU^ SCY* HI ^HUU ,IVIVUIIL I IS^W/HK* D L LOIUK . I ARI-,. 7 II 4.** I.TC.JUV*--L III . 1 IJ /IT 1 , //* . /./I /I / S HI !N^I)I T HOME TN IU TILTI, LLW IJ MII . F IN-, I)- IJ-J !/(, I /,,- . / F U LLI . KI/I/ I)I I, IIT N IU 01 US MUM. , DU I. KJW... P IRI-, 5 DCLACRUIV AND * ! BE WOI K OF THE UCAILET 5.) I ,ULIH, !)I !UIT U. . J LH I LIN LION T I LLELN. I , A L KNI EUWM TIE UI HX. U/J 11 X4IJ|, I I (IN :.,IN A-, HI!) N. .M MCHDPIILIIJIN VLII-CUNS, CV* IS*( (, K;, 2 R.II JCUC IJV !II(.RO. *. FIIF WIII.L I OF IHT LII -HOJ, I// / ; T;, II !I6CA MI;,0I-ILN I ON 1 ,RC, I 1 UI . VI *. 1 I .:;NC IJVL ICI ^ , HIE I I/EIITION ( / , 1 .A/; ///N / ALIEN | / / I- //. (/ -* TU! ! F L- I ! EI I ! I IL F*). ML NIL UUR.A-I L- U ,4 ! I I FIN V/AIBIF; I I)!I V CNT4I I ,N I I;I. X T 6 NARNILHT- AND HISTORV IN LEOPOLD KOBCR -IRRIVAL OF THE HARVESTER* IN LITE PONTINE ILFURSHES (*. I LEOPOLD KOLV.1. IRI- S; ILL DI TIN 1 (I.I VCWC/ S M THE P-IT/!NH HN ARNW K * !IITI ! . I)!II !TR .//;. N.-IIUN 1 - F EOIUR-,, I H : ILL), NIL IJ; I:I(IR.IH, I [1,5 ? 2 CIIK M I -.LV TIN I .UMI. HIP-,. 7 NARRATIVE STRATEGIES IN PAUL I DAROCHE .S.-JVSO,S,S/////// OF THE DUE TK (TTTKE 7.! J :UI I )I LURO(.HE //; * I :ISSNI:IIII N , F ILTC I UC J.~ (.!**:!:**: L/:L Y II , , L/LLT TILL JILL I/I (/{(/ C; I JX/4). NIL ON CUIULLY 5 V 4 : CM, MN-.EE T. UOFJC, FLSAIUILLV. ! |0 *. F HAI LI.-^AIARIC LLOUUNI. ,SV/// /, ////** /; ///T- /() ?;/ I,-/ HIS MNILU-R SNIIN I OUR, AN IDIIIL I .ITT ;L TF MCH F NL IL. NIL UP I.MW,. 2U I * ! 12 TIN 1 *NIA!!ICHK ;HI V1UM:C NALI IIT:(I (IN ( IIASCAU -JC ) (T|IL:II!LCBLC T LLL, ! I.* : .. ; WIDMOR MITL ; I?, L.I IUII, L,S NS /I,IIII T) F FLIC I I--I TTI IJII R,!.: L LIHIIIIM, H L I LLLTL I )T !UL IH HI, | I,S SIFSSILHLL DI ILL/C HI ( LLLI V I I(IL L: IN */ .* F. I M/I UCUINU H-J , H U(RT) VTIL RAX I;!^. 2 I 5 12.1 CM IV. .CLU(.LIIIL LC L). /*-* MII . N.UII/IITLI IVM/M; 22 I |MO) P. !I L I I I * .4 T IMRLEVBAIHCLI. MX-JEAII I)URUPI. 7LH~ ASS,I MINNI II NI IL,I; DUE ,L (JIII, : J T;.;UI ;IIHI/ I/II -.IIIR U R (ITII C I IK-2L, MI! ON ^A^ A^. * L 2 FIN. MH^CC DU HATCAII TK- HLUI^. I ID 7 5 ! LIU ) I ICTAISNC. ?//* /. / ( /. F /// I- PIV YIIN II R .J S R Y( / .* . (NUT I L.I IIINH RS I I;J:T THE LI V F T ILH I HIIV.M IL FIT L.I DILI 1 TK (.IIIISC ;N SIDIIIIL IN CTITIRIS IUI-TTU JC IN JU III S FIIH /. -. .IRHIV JIT I LIAU NI D L,U IS ^ IT OI! I!I C:HIV;U. . L - UI} CM. ]JJ- H FLIMPICNL OBJECTS: (IEROME, 1 AURENS AND THE ART OF INANIMATE NARRATION ^.1 JCAN-LCON (ICRIUIIC, 1 HE IH: N S I NF ( NCIIR L I LU, */ /(*{ E JR I INFIV;. NIL UII CATNAS. ^5 5 ?-T .5 UII. WALLER AM MUM UIII. IIAHIIN IV. AIIW.IIK IN THE PIIHIIC (LOINAIN. ILL) ^**L ICAN-FASSI LAUICNS, !HV KXCIJI/ITUITITIT IIII.I J KUHI ***} IL/E P;.;A L L. TIINIIIIINIT .ITINIT JE RIIHEII IC PIEUX {IS75I. OIL ON CANVAV SO DH CM. MTISCC D ORSAV. I ARI^. )3U *V I N)(.-SI MCISMIIIICR. FLIC L.OM I RU-XR I U RELI . IEIIX NI ILII TI NN I HIL(II!E IC. 1 X K}, OIL MI CAINAS, 15 21 TIN, (.(VAIMO UIIJSIU II: LONIK IJX 1 OCL H AM TCI LITIUS HISV.IRI^CH MI^I-IUN, K.-PROILFKCD M *(/-, JTIITI RTN!. 40, !VS. I (I* ~S). LATNIL P. 2 WT, | ) LU AIIMICA! LIHIPPORTUMTV (IUSTTITC VJOJVJIMS AUTT-INTMUIVC STRAK^ I -S * .T;R I. VL IJSAN FR ,IFI JJT;-U , ! T L IMSTH. A ( I ^FF ; I OIL -!, *.HI I .U ., _ ) 112 ( :III MN . . HI L;T.. FVLORT JI;, I ,,O , ! J . ? * INWIC, C )M,IJ. , I LIILH, -! NL ! H C ( I - 1 - , 1 ) * ; , , J.ICC * ,; *) UR, VIN-.I, ,- IF M , )* I I!M ! ! ) ; ( . IIL . . ^ 1-. !* T:,RL SI//! ILL,J HI -LIT * NIL *LI LI IL./TI!, ,I/R ,! JL/I , (IN 1 .1 % . ..T CL . I S NIL OIL ;I-.ILI, I 7* -I. I TI L, M L H .IIN! ! ISL,.I!!I MU M. LLI! ( .II II I I , V.4 R JU*.L,I,. M LTI IIN (JLI /L IT ( RPLIC- K I ,-I /I , . III |I | ;ITI! I ! C 4 * / ; *.;! ,, M .ST VM 1 ! J|SI . [:, *; . ! ; . ** (F .R.I. N . V!I.M. T.I HIR -.MM-I I,I * I N II )L JI IH ! .; ) *; .IL II CIKVA 1 .. ; 4 * ! . IN M,I V. R ( IUS -IV . 1 MTI! I I I AII. ! PI I HFIIFT ICITLIIY VT-RSUS ANTI- L LITALIIFAIIT}: A RII O LI T HNIIJUCS IN FRENCLI LFIS OR PAHITIII (IS~0- 1900) R . I I (.* ! I BVIL IFC. I!C JI-.R HI ILH I L M L I L 0 L !./. // I, IIH-IT F/I ,INIHI I K- ?J DT! .,11 I-IIN R . MN - 11 I R.NT I **,)!.* ^.DIICIIII 1 - !* /? . !C ,:II;II . * U N,O, , |.. , WF. IN IH: I II ,T N;,IN H SI^ J HH !* //LI INLN J( I ^4 ; I. MIL ON T UIVN I I-* ! I J * JC, ! IMII. F ! LIIOII .TLI L ! J ICIJRT V . ] (ICHW!I!I-. V,,IH LII, II T IN | )IILR ITNIII ) T , JI ;.! ;.;; U! IMI I.I:)-,U, M S J *) ) I-NI, VIU .-WT I.!. -- P._Y IX -AILS R I: .I, KK I L 4 I . NT-.C * H N.TCUJO- ...-, ///.* (JIT,UI R I/ / F V/;(V : .:* !, ,L UU OIIV !-. - - X! - V C;I . L-CPI.HIUCEIL IIT M / UI ,{ / ,I *. ! MAX ! X ; ; * I:I . I TIN T IS;.! ; N ., L(I ( F LI.IHVL ,N : I / 1 I. , ! |, .YR,-,N-. /T)0 / ) I ***** KI-PI . DLLITC! S (IIH L II! I, A R-JI; -,PI;I.IIIL (*,-,! _. .* ) * L I I/- 1 /! -|II !I:I,: I IL /-I. I * II 1 LIE C OTILLICTFFT STATUS F URRALI C IN THE AIL OF T AUL FIAUGUIN ILL FUUMJ. IICIIII: WHEN-!H, II * DINN-J KHH H H T -A- !! .* (I /;**, ///; IT,-HIHIS 1 T %| * I. ;) ON CMRWIS H M - * -I - * UU. MUVUNI FII I UK AR , HIV-S.SII I 1 1 I .IUL (I.ITY.I-UU. LIUUI/FTL HI:NN JI L: - J H IIIODHIH* . J ( ) ; KI MJ HI VAN 1 ,AS I,? - 0, CI I O/TLIIIPI IIURTL F OFFI NHU . I N I!. P . TII (I.III . I III / // .- *NH FI IL M LHNTITITI L N U ! / I/ / - . . - I (1 V/ . I. OIL UU C.!FI .R,. !.)* HJI, I LIII -F LI IF I , ,I VI I - ID,! U! AM 12 NARRATIVITY, TEMPOMHTY AMI ALLCGORISUTION. FROM POUSSIN TO VLORCAU I 2.1 NICOLAS PIHISMH, THE .LIHLYYINAIL UI SULNINUN J/.I L JN^CME/II /, F SIIL)IIII )II (164 ?). NIL ON CAINA.S, !00 150 CM. MUSCE TLU 1 ,OU RC, I ! AN . L L 5 12.2 JCAN-LLONOIV I RAIIOIUINJ, TLIE BULL |/.R L CRR UT) (E. 1 H), (NI ON C IN ;IS. 3 * L KY CM. ^LTI; CCDTI L.OUVRO, L ;IRI , 197 1 2.3 JACQUCS-I .OUIS DAVIIL. I HE (HUH UL ILIV LLNNNII LV SCRMCIN TH:. LIUNIFCSL (I 7X5), OIL ON CANVU:-.. 32Y. -) * 424.S CM. MUMJC DU I.OUMV. I ARIS. 1W ! 2.4 NICOKIS I OIISSIII, TIN MII*- TNX L ILH /UN I / TS !.C /C/*V;/(*;* ,* (/I S INNI)T.X IIIS T N 3 I -321, OIL NN CAM AS. 14S - I 4.5 ON. MU CC COIULC, CLI;TNLILK. 201 12.5 (.CON L OI!,INE!, SVCUCFRUIN I/W L/S/.W,I,/N NF IH-J HINOC.- TLS |, V; : DU LUDSSIK IV LII ^ IN)H RCIIIS F 1X24). OIL ON CANVAS. 2^5 235 CM, MUSCC IKS BOAUX-ARIS. KCNNCN. 202 ! L.H VICIOR ()RSCL. IIW INFAIN MO*CS 1 IVSAILCTL IO /// ** ) H.JR,;UH MO I SC. VNKINI. /;/ I U /T ; / L FIURUI II I 1H3 1), OIL .O CANVAS, 32 ) -4^1 CM. VLUSCC CLCS I$CAUX-ARTS. L.SON. 204
any_adam_object 1
author2 Cooke, Peter 1962-
Lübbren, Nina
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edt
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n l nl
author_GND (DE-588)124962572
(DE-588)188463070
author_facet Cooke, Peter 1962-
Lübbren, Nina
building Verbundindex
bvnumber BV043271864
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ctrlnum (OCoLC)953459377
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dewey-full 759.44
dewey-hundreds 700 - The arts
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era Geschichte 1600-1900 gnd
era_facet Geschichte 1600-1900
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genre (DE-588)1071861417 Konferenzschrift University of Manchester 05.01.2010-07.01.2010 Manchester gnd-content
genre_facet Konferenzschrift University of Manchester 05.01.2010-07.01.2010 Manchester
geographic Frankreich (DE-588)4018145-5 gnd
geographic_facet Frankreich
id DE-604.BV043271864
illustrated Illustrated
indexdate 2024-07-10T07:21:58Z
institution BVB
isbn 9781472440105
language English
lccn 015031471
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-028693488
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physical xiv, 233 Seiten Illustrationen
publishDate 2016
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publisher Routledge
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series2 An Ashgate book
spelling Painting and narrative in France from Poussin to Gauguin edited by Peter Cooke and Nina Lübbren
First published
London ; New York Routledge 2016
xiv, 233 Seiten Illustrationen
txt rdacontent
n rdamedia
nc rdacarrier
An Ashgate book
"Versions of most of the chapters in this book were first delivered at the 'Narrative painting in France' conference, held at the University of Manchester on 5-7 January 2010" (Acknowledgements)
Geschichte 1600-1900 gnd rswk-swf
Narrative painting, French
Malerei (DE-588)4037220-0 gnd rswk-swf
Frankreich (DE-588)4018145-5 gnd rswk-swf
(DE-588)1071861417 Konferenzschrift University of Manchester 05.01.2010-07.01.2010 Manchester gnd-content
Frankreich (DE-588)4018145-5 g
Malerei (DE-588)4037220-0 s
Geschichte 1600-1900 z
DE-604
Cooke, Peter 1962- (DE-588)124962572 edt
Lübbren, Nina (DE-588)188463070 edt
SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028693488&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle Painting and narrative in France from Poussin to Gauguin
Narrative painting, French
Malerei (DE-588)4037220-0 gnd
subject_GND (DE-588)4037220-0
(DE-588)4018145-5
(DE-588)1071861417
title Painting and narrative in France from Poussin to Gauguin
title_auth Painting and narrative in France from Poussin to Gauguin
title_exact_search Painting and narrative in France from Poussin to Gauguin
title_full Painting and narrative in France from Poussin to Gauguin edited by Peter Cooke and Nina Lübbren
title_fullStr Painting and narrative in France from Poussin to Gauguin edited by Peter Cooke and Nina Lübbren
title_full_unstemmed Painting and narrative in France from Poussin to Gauguin edited by Peter Cooke and Nina Lübbren
title_short Painting and narrative in France
title_sort painting and narrative in france from poussin to gauguin
title_sub from Poussin to Gauguin
topic Narrative painting, French
Malerei (DE-588)4037220-0 gnd
topic_facet Narrative painting, French
Malerei
Frankreich
Konferenzschrift University of Manchester 05.01.2010-07.01.2010 Manchester
url http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028693488&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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