Folk music and modern sound

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Veröffentlicht: Jackson University Press of Mississippi ©1982
Schriftenreihe:Center for the Study of Southern Culture series
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500 |a Impact of recording technology on the British folksong revival - Kenneth S. Goldstein -- - Electric folk music in Britain - A.L. Lloyd -- - How the fiddler got on the roof - Mark Slobin -- - Slovenian style in Milwaukee - Charles Keil -- - Ethnic and popular style in America - Richard Spottswood -- - New directions in sacred harp singing - Doris J. Dyen -- - Gospel goes uptown : White gospel music, 1945-1955 - Charles K. Wolfe -- - Secularization of Black gospel music - Anthony Heilbut -- - Honky tonk : the music of the southern working class - Bill C. Malone -- - Commercialization and tradition in the Nashville sound - William Ivey -- - Charles Ives : Victorian gentleman or American folk hero? - Vivian Perlis -- - Myths about Black folk music - Dena J. Epstein -- - Blues and modern sound : past, present, and future - David Evans -- - Black music : its roots, its popularity, its commercial prostitution - Amiri Baraka -- - Folk, popular, jazz, and classical elements in New Orleans - Robert Palmer 
500 |a The essays in this collection range from the impact of technology on the British folksong revival to regional characteristics of early rock and roll in New Orleans. Attention is given to the blues, Sacred Harp singing, ethnic music, both black and white gospel, country music, and the polka. Other essays consider the relationship of music from the Yiddish-American theater with that of Broadway, the wide influence and commercialization of black music in today's popular music, myths about early black music, and Charles Ives as folk hero. Contributors include Amiri Baraka, Doris J. Dyen, Dena J.E. 
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Datensatz im Suchindex

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spelling Folk music and modern sound edited by William Ferris and Mary L. Hart
Jackson University Press of Mississippi ©1982
1 Online-Ressource (xiv, 215 pages)
txt rdacontent
c rdamedia
cr rdacarrier
Center for the Study of Southern Culture series
Based on lectures presented at a conference at the University of Mississippi, Apr. 17-19, 1980. - Includes index. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
Impact of recording technology on the British folksong revival - Kenneth S. Goldstein -- - Electric folk music in Britain - A.L. Lloyd -- - How the fiddler got on the roof - Mark Slobin -- - Slovenian style in Milwaukee - Charles Keil -- - Ethnic and popular style in America - Richard Spottswood -- - New directions in sacred harp singing - Doris J. Dyen -- - Gospel goes uptown : White gospel music, 1945-1955 - Charles K. Wolfe -- - Secularization of Black gospel music - Anthony Heilbut -- - Honky tonk : the music of the southern working class - Bill C. Malone -- - Commercialization and tradition in the Nashville sound - William Ivey -- - Charles Ives : Victorian gentleman or American folk hero? - Vivian Perlis -- - Myths about Black folk music - Dena J. Epstein -- - Blues and modern sound : past, present, and future - David Evans -- - Black music : its roots, its popularity, its commercial prostitution - Amiri Baraka -- - Folk, popular, jazz, and classical elements in New Orleans - Robert Palmer
The essays in this collection range from the impact of technology on the British folksong revival to regional characteristics of early rock and roll in New Orleans. Attention is given to the blues, Sacred Harp singing, ethnic music, both black and white gospel, country music, and the polka. Other essays consider the relationship of music from the Yiddish-American theater with that of Broadway, the wide influence and commercialization of black music in today's popular music, myths about early black music, and Charles Ives as folk hero. Contributors include Amiri Baraka, Doris J. Dyen, Dena J.E.
Fine Arts
MUSIC / Musical Instruments / General bisacsh
MUSIC / Genres & Styles / Folk & Traditional bisacsh
Folk music fast
Volksmusik swd
Aufsatzsammlung swd
Volkstümliche Musik swd
Folk music History and criticism
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Ferris, William R. Sonstige oth
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spellingShingle Folk music and modern sound
Fine Arts
MUSIC / Musical Instruments / General bisacsh
MUSIC / Genres & Styles / Folk & Traditional bisacsh
Folk music fast
Volksmusik swd
Aufsatzsammlung swd
Volkstümliche Musik swd
Folk music History and criticism
Volksmusik (DE-588)4063854-6 gnd
Volkstümliche Musik (DE-588)4331874-5 gnd
subject_GND (DE-588)4063854-6
(DE-588)4331874-5
(DE-588)4078704-7
(DE-588)4143413-4
title Folk music and modern sound
title_auth Folk music and modern sound
title_exact_search Folk music and modern sound
title_full Folk music and modern sound edited by William Ferris and Mary L. Hart
title_fullStr Folk music and modern sound edited by William Ferris and Mary L. Hart
title_full_unstemmed Folk music and modern sound edited by William Ferris and Mary L. Hart
title_short Folk music and modern sound
title_sort folk music and modern sound
topic Fine Arts
MUSIC / Musical Instruments / General bisacsh
MUSIC / Genres & Styles / Folk & Traditional bisacsh
Folk music fast
Volksmusik swd
Aufsatzsammlung swd
Volkstümliche Musik swd
Folk music History and criticism
Volksmusik (DE-588)4063854-6 gnd
Volkstümliche Musik (DE-588)4331874-5 gnd
topic_facet Fine Arts
MUSIC / Musical Instruments / General
MUSIC / Genres & Styles / Folk & Traditional
Folk music
Volksmusik
Aufsatzsammlung
Volkstümliche Musik
Folk music History and criticism
USA
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AT hartmaryl folkmusicandmodernsound