Desire and pleasure in seventeenth-century music

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: McClary, Susan 1946- (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Berkeley University of California Press 2012
Schlagworte:
Online-Zugang:DE-1046
DE-1047
Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!

MARC

LEADER 00000nam a2200000zc 4500
001 BV043106602
003 DE-604
005 20191121
007 cr|uuu---uuuuu
008 151126s2012 xx o|||| 00||| eng d
020 |a 0520952065  |c electronic bk.  |9 0-520-95206-5 
020 |a 9780520952065  |c electronic bk.  |9 978-0-520-95206-5 
035 |a (OCoLC)775871185 
035 |a (DE-599)BVBBV043106602 
040 |a DE-604  |b ger  |e aacr 
041 0 |a eng 
049 |a DE-1046  |a DE-1047 
082 0 |a 780.9032 
084 |a LP 19504  |0 (DE-625)105954:13532  |2 rvk 
100 1 |a McClary, Susan  |d 1946-  |e Verfasser  |0 (DE-588)134295900  |4 aut 
245 1 0 |a Desire and pleasure in seventeenth-century music  |c Susan McClary 
264 1 |a Berkeley  |b University of California Press  |c 2012 
300 |a 1 Online-Ressource (xi, 340 pages) 
336 |b txt  |2 rdacontent 
337 |b c  |2 rdamedia 
338 |b cr  |2 rdacarrier 
500 |a In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states-desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the .. 
500 |a Includes bibliographical references and index 
500 |a Cover; Title; Copyright; Contents; Acknowledgments; Prelude: The Music of Pleasure and Desire; Part I. The Hydraulics of Musical Desire; 1. The Expansion Principle; 2. Composites, or the Still-Divided Subject; Part II. Gendering Voice; 3. Soprano as Fetish: Professional Singers in Early Modern Italy; 4. Gender Ambiguities and Erotic Excess in the Operas of Cavalli; Part III. Divine Love; 5. Libidinous Theology; 6. Straining Belief: The Toccata; Part IV. Dancing Bodies; 7. The Social History of a Groove: Chacona, Ciaccona, Chaconne, and the Chaconne 
648 7 |a 1600 - 1699  |2 fast 
648 4 |a Geschichte 1600-1700 
648 7 |a Geschichte 1600-1700  |2 gnd  |9 rswk-swf 
650 4 |a Music / 17th century / History and criticism 
650 7 |a MUSIC / History & Criticism  |2 bisacsh 
650 7 |a MUSIC / Genres & Styles / Classical  |2 bisacsh 
650 7 |a Music  |2 fast 
650 4 |a Musik 
650 4 |a Music  |y 17th century  |x History and criticism 
650 0 7 |a Musik  |0 (DE-588)4040802-4  |2 gnd  |9 rswk-swf 
650 0 7 |a Tonalität  |0 (DE-588)4185654-5  |2 gnd  |9 rswk-swf 
650 0 7 |a Sinnlichkeit  |0 (DE-588)4135841-7  |2 gnd  |9 rswk-swf 
651 7 |a Frankreich  |0 (DE-588)4018145-5  |2 gnd  |9 rswk-swf 
651 7 |a Italien  |0 (DE-588)4027833-5  |2 gnd  |9 rswk-swf 
689 0 0 |a Italien  |0 (DE-588)4027833-5  |D g 
689 0 1 |a Frankreich  |0 (DE-588)4018145-5  |D g 
689 0 2 |a Musik  |0 (DE-588)4040802-4  |D s 
689 0 3 |a Tonalität  |0 (DE-588)4185654-5  |D s 
689 0 4 |a Sinnlichkeit  |0 (DE-588)4135841-7  |D s 
689 0 5 |a Geschichte 1600-1700  |A z 
689 0 |8 1\p  |5 DE-604 
776 0 8 |i Erscheint auch als  |n Druck-Ausgabe, Hardcover  |z 0-520-24734-5 
776 0 8 |i Erscheint auch als  |n Druck-Ausgabe, Hardcover  |z 978-0-520-24734-5 
856 4 0 |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436613  |x Aggregator  |3 Volltext 
883 1 |8 1\p  |a cgwrk  |d 20201028  |q DE-101  |u https://d-nb.info/provenance/plan#cgwrk 
912 |a ZDB-4-EBA 
943 1 |a oai:aleph.bib-bvb.de:BVB01-028530793 
966 e |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436613  |l DE-1046  |p ZDB-4-EBA  |q FAW_PDA_EBA  |x Aggregator  |3 Volltext 
966 e |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436613  |l DE-1047  |p ZDB-4-EBA  |q FAW_PDA_EBA  |x Aggregator  |3 Volltext 

Datensatz im Suchindex

_version_ 1820231201513799680
adam_text
any_adam_object
author McClary, Susan 1946-
author_GND (DE-588)134295900
author_facet McClary, Susan 1946-
author_role aut
author_sort McClary, Susan 1946-
author_variant s m sm
building Verbundindex
bvnumber BV043106602
classification_rvk LP 19504
collection ZDB-4-EBA
ctrlnum (OCoLC)775871185
(DE-599)BVBBV043106602
dewey-full 780.9032
dewey-hundreds 700 - The arts
dewey-ones 780 - Music
dewey-raw 780.9032
dewey-search 780.9032
dewey-sort 3780.9032
dewey-tens 780 - Music
discipline Musikwissenschaft
era 1600 - 1699 fast
Geschichte 1600-1700
Geschichte 1600-1700 gnd
era_facet 1600 - 1699
Geschichte 1600-1700
format Electronic
eBook
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV043106602</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20191121</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2012 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520952065</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">0-520-95206-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520952065</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-0-520-95206-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)775871185</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043106602</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.9032</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 19504</subfield><subfield code="0">(DE-625)105954:13532</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">McClary, Susan</subfield><subfield code="d">1946-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)134295900</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Desire and pleasure in seventeenth-century music</subfield><subfield code="c">Susan McClary</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berkeley</subfield><subfield code="b">University of California Press</subfield><subfield code="c">2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xi, 340 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states-desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the ..</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Cover; Title; Copyright; Contents; Acknowledgments; Prelude: The Music of Pleasure and Desire; Part I. The Hydraulics of Musical Desire; 1. The Expansion Principle; 2. Composites, or the Still-Divided Subject; Part II. Gendering Voice; 3. Soprano as Fetish: Professional Singers in Early Modern Italy; 4. Gender Ambiguities and Erotic Excess in the Operas of Cavalli; Part III. Divine Love; 5. Libidinous Theology; 6. Straining Belief: The Toccata; Part IV. Dancing Bodies; 7. The Social History of a Groove: Chacona, Ciaccona, Chaconne, and the Chaconne</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1600 - 1699</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1600-1700</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1600-1700</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / 17th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / History &amp; Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Genres &amp; Styles / Classical</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="y">17th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tonalität</subfield><subfield code="0">(DE-588)4185654-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sinnlichkeit</subfield><subfield code="0">(DE-588)4135841-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Tonalität</subfield><subfield code="0">(DE-588)4185654-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Sinnlichkeit</subfield><subfield code="0">(DE-588)4135841-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1600-1700</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">0-520-24734-5</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-520-24734-5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&amp;scope=site&amp;db=nlebk&amp;db=nlabk&amp;AN=436613</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028530793</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&amp;scope=site&amp;db=nlebk&amp;db=nlabk&amp;AN=436613</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&amp;scope=site&amp;db=nlebk&amp;db=nlabk&amp;AN=436613</subfield><subfield code="l">DE-1047</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection>
geographic Frankreich (DE-588)4018145-5 gnd
Italien (DE-588)4027833-5 gnd
geographic_facet Frankreich
Italien
id DE-604.BV043106602
illustrated Not Illustrated
indexdate 2025-01-03T12:35:46Z
institution BVB
isbn 0520952065
9780520952065
language English
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-028530793
oclc_num 775871185
open_access_boolean
owner DE-1046
DE-1047
owner_facet DE-1046
DE-1047
physical 1 Online-Ressource (xi, 340 pages)
psigel ZDB-4-EBA
ZDB-4-EBA FAW_PDA_EBA
publishDate 2012
publishDateSearch 2012
publishDateSort 2012
publisher University of California Press
record_format marc
spelling McClary, Susan 1946- Verfasser (DE-588)134295900 aut
Desire and pleasure in seventeenth-century music Susan McClary
Berkeley University of California Press 2012
1 Online-Ressource (xi, 340 pages)
txt rdacontent
c rdamedia
cr rdacarrier
In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states-desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the ..
Includes bibliographical references and index
Cover; Title; Copyright; Contents; Acknowledgments; Prelude: The Music of Pleasure and Desire; Part I. The Hydraulics of Musical Desire; 1. The Expansion Principle; 2. Composites, or the Still-Divided Subject; Part II. Gendering Voice; 3. Soprano as Fetish: Professional Singers in Early Modern Italy; 4. Gender Ambiguities and Erotic Excess in the Operas of Cavalli; Part III. Divine Love; 5. Libidinous Theology; 6. Straining Belief: The Toccata; Part IV. Dancing Bodies; 7. The Social History of a Groove: Chacona, Ciaccona, Chaconne, and the Chaconne
1600 - 1699 fast
Geschichte 1600-1700
Geschichte 1600-1700 gnd rswk-swf
Music / 17th century / History and criticism
MUSIC / History & Criticism bisacsh
MUSIC / Genres & Styles / Classical bisacsh
Music fast
Musik
Music 17th century History and criticism
Musik (DE-588)4040802-4 gnd rswk-swf
Tonalität (DE-588)4185654-5 gnd rswk-swf
Sinnlichkeit (DE-588)4135841-7 gnd rswk-swf
Frankreich (DE-588)4018145-5 gnd rswk-swf
Italien (DE-588)4027833-5 gnd rswk-swf
Italien (DE-588)4027833-5 g
Frankreich (DE-588)4018145-5 g
Musik (DE-588)4040802-4 s
Tonalität (DE-588)4185654-5 s
Sinnlichkeit (DE-588)4135841-7 s
Geschichte 1600-1700 z
1\p DE-604
Erscheint auch als Druck-Ausgabe, Hardcover 0-520-24734-5
Erscheint auch als Druck-Ausgabe, Hardcover 978-0-520-24734-5
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436613 Aggregator Volltext
1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle McClary, Susan 1946-
Desire and pleasure in seventeenth-century music
Music / 17th century / History and criticism
MUSIC / History & Criticism bisacsh
MUSIC / Genres & Styles / Classical bisacsh
Music fast
Musik
Music 17th century History and criticism
Musik (DE-588)4040802-4 gnd
Tonalität (DE-588)4185654-5 gnd
Sinnlichkeit (DE-588)4135841-7 gnd
subject_GND (DE-588)4040802-4
(DE-588)4185654-5
(DE-588)4135841-7
(DE-588)4018145-5
(DE-588)4027833-5
title Desire and pleasure in seventeenth-century music
title_auth Desire and pleasure in seventeenth-century music
title_exact_search Desire and pleasure in seventeenth-century music
title_full Desire and pleasure in seventeenth-century music Susan McClary
title_fullStr Desire and pleasure in seventeenth-century music Susan McClary
title_full_unstemmed Desire and pleasure in seventeenth-century music Susan McClary
title_short Desire and pleasure in seventeenth-century music
title_sort desire and pleasure in seventeenth century music
topic Music / 17th century / History and criticism
MUSIC / History & Criticism bisacsh
MUSIC / Genres & Styles / Classical bisacsh
Music fast
Musik
Music 17th century History and criticism
Musik (DE-588)4040802-4 gnd
Tonalität (DE-588)4185654-5 gnd
Sinnlichkeit (DE-588)4135841-7 gnd
topic_facet Music / 17th century / History and criticism
MUSIC / History & Criticism
MUSIC / Genres & Styles / Classical
Music
Musik
Music 17th century History and criticism
Tonalität
Sinnlichkeit
Frankreich
Italien
url http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=436613
work_keys_str_mv AT mcclarysusan desireandpleasureinseventeenthcenturymusic