Thievery
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Akron, Ohio
University of Akron Press
2013
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| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
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| 505 | 8 | |a A few rare holdouts to the contrary, American culture is loud, unsubtle, insensitive, needy, exhausting, cheaply convenient, unreflective, and above all, distracted. What has been happening behind the scenes during all the years we haven't been paying attention? What world have we given ourselves and what have we given up in that shallow exchange? Such observations are deeply implied by the poems in Seth Abramson's Thievery. At the bottom of this book is the sense that we've been ripped off and don't even know it yet. That we have allowed it has left us stunted, morally and spiritually, with no greater sense of wonder than a Styrofoam cup. Abramson is not preaching, however: he is telling the melancholy, lonely truth.--Maurice Manning, The Common Man Here is a book that is truly quietly deeply subtle. | |
| 505 | 8 | |a It appears to operate along the lines of here is how one thing follows another; it appears to rely on anticipated cause and effect to spring us forth from one fraction of a split second's thought to the next. There are many and then actions in this book. What follows comes as a surprise sometimes even when it shouldn't. For instance, at one poem's conclusion it says: An archer shoots. That's what an archer does. And this is astonishing. And then it is almost heartbreaking and then one must do a double take and then there is poetry.--Dara Wier In Thievery, his third and best book so far, Seth Abramson implicitly locates the source of the disaffection by which we are guided, not in the disasters of the twentieth century, which reconfirmed it, but in an unnameable and centuries-gone past. | |
| 505 | 8 | |a And by doing so he acknowledges that disaffection as the presence most familiar to us--indeed, its presence makes us familiar to each other: 'To be lost is to be connected / interminably.' These are grim and yet also startled poems, at home in a broken world and yet again and again and always surprised by its brokenness, and radiant with the sense that even the world in which one feels at home must be changed for the better.--Shane McCrae, Blood | |
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| 650 | 4 | |a American poetry | |
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Datensatz im Suchindex
| _version_ | 1804175398584451072 |
|---|---|
| any_adam_object | |
| author | Abramson, Seth 1976- |
| author_facet | Abramson, Seth 1976- |
| author_role | aut |
| author_sort | Abramson, Seth 1976- |
| author_variant | s a sa |
| building | Verbundindex |
| bvnumber | BV043037385 |
| collection | ZDB-4-EBA |
| contents | A few rare holdouts to the contrary, American culture is loud, unsubtle, insensitive, needy, exhausting, cheaply convenient, unreflective, and above all, distracted. What has been happening behind the scenes during all the years we haven't been paying attention? What world have we given ourselves and what have we given up in that shallow exchange? Such observations are deeply implied by the poems in Seth Abramson's Thievery. At the bottom of this book is the sense that we've been ripped off and don't even know it yet. That we have allowed it has left us stunted, morally and spiritually, with no greater sense of wonder than a Styrofoam cup. Abramson is not preaching, however: he is telling the melancholy, lonely truth.--Maurice Manning, The Common Man Here is a book that is truly quietly deeply subtle. It appears to operate along the lines of here is how one thing follows another; it appears to rely on anticipated cause and effect to spring us forth from one fraction of a split second's thought to the next. There are many and then actions in this book. What follows comes as a surprise sometimes even when it shouldn't. For instance, at one poem's conclusion it says: An archer shoots. That's what an archer does. And this is astonishing. And then it is almost heartbreaking and then one must do a double take and then there is poetry.--Dara Wier In Thievery, his third and best book so far, Seth Abramson implicitly locates the source of the disaffection by which we are guided, not in the disasters of the twentieth century, which reconfirmed it, but in an unnameable and centuries-gone past. And by doing so he acknowledges that disaffection as the presence most familiar to us--indeed, its presence makes us familiar to each other: 'To be lost is to be connected / interminably.' These are grim and yet also startled poems, at home in a broken world and yet again and again and always surprised by its brokenness, and radiant with the sense that even the world in which one feels at home must be changed for the better.--Shane McCrae, Blood |
| ctrlnum | (OCoLC)867774650 (DE-599)BVBBV043037385 |
| dewey-full | 811/.6 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 811 - American poetry in English |
| dewey-raw | 811/.6 |
| dewey-search | 811/.6 |
| dewey-sort | 3811 16 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| edition | First edition |
| format | Electronic eBook |
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| id | DE-604.BV043037385 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:15:39Z |
| institution | BVB |
| isbn | 1937378667 1937378675 1937378683 9781937378660 9781937378677 9781937378684 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028462033 |
| oclc_num | 867774650 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (79 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | University of Akron Press |
| record_format | marc |
| spelling | Abramson, Seth 1976- Verfasser aut Poems Thievery Seth Abramson First edition Akron, Ohio University of Akron Press 2013 1 online resource (79 pages) txt rdacontent c rdamedia cr rdacarrier Description based on print version record A few rare holdouts to the contrary, American culture is loud, unsubtle, insensitive, needy, exhausting, cheaply convenient, unreflective, and above all, distracted. What has been happening behind the scenes during all the years we haven't been paying attention? What world have we given ourselves and what have we given up in that shallow exchange? Such observations are deeply implied by the poems in Seth Abramson's Thievery. At the bottom of this book is the sense that we've been ripped off and don't even know it yet. That we have allowed it has left us stunted, morally and spiritually, with no greater sense of wonder than a Styrofoam cup. Abramson is not preaching, however: he is telling the melancholy, lonely truth.--Maurice Manning, The Common Man Here is a book that is truly quietly deeply subtle. It appears to operate along the lines of here is how one thing follows another; it appears to rely on anticipated cause and effect to spring us forth from one fraction of a split second's thought to the next. There are many and then actions in this book. What follows comes as a surprise sometimes even when it shouldn't. For instance, at one poem's conclusion it says: An archer shoots. That's what an archer does. And this is astonishing. And then it is almost heartbreaking and then one must do a double take and then there is poetry.--Dara Wier In Thievery, his third and best book so far, Seth Abramson implicitly locates the source of the disaffection by which we are guided, not in the disasters of the twentieth century, which reconfirmed it, but in an unnameable and centuries-gone past. And by doing so he acknowledges that disaffection as the presence most familiar to us--indeed, its presence makes us familiar to each other: 'To be lost is to be connected / interminably.' These are grim and yet also startled poems, at home in a broken world and yet again and again and always surprised by its brokenness, and radiant with the sense that even the world in which one feels at home must be changed for the better.--Shane McCrae, Blood Lyrik gnd Amerikanisches Englisch gnd POETRY / General bisacsh LITERARY CRITICISM / Poetry bisacsh American literature fast American poetry fast American literature American poetry Erscheint auch als Druck-Ausgabe Abramson, Seth, 1976- Thievery http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=657285 Aggregator Volltext |
| spellingShingle | Abramson, Seth 1976- Thievery A few rare holdouts to the contrary, American culture is loud, unsubtle, insensitive, needy, exhausting, cheaply convenient, unreflective, and above all, distracted. What has been happening behind the scenes during all the years we haven't been paying attention? What world have we given ourselves and what have we given up in that shallow exchange? Such observations are deeply implied by the poems in Seth Abramson's Thievery. At the bottom of this book is the sense that we've been ripped off and don't even know it yet. That we have allowed it has left us stunted, morally and spiritually, with no greater sense of wonder than a Styrofoam cup. Abramson is not preaching, however: he is telling the melancholy, lonely truth.--Maurice Manning, The Common Man Here is a book that is truly quietly deeply subtle. It appears to operate along the lines of here is how one thing follows another; it appears to rely on anticipated cause and effect to spring us forth from one fraction of a split second's thought to the next. There are many and then actions in this book. What follows comes as a surprise sometimes even when it shouldn't. For instance, at one poem's conclusion it says: An archer shoots. That's what an archer does. And this is astonishing. And then it is almost heartbreaking and then one must do a double take and then there is poetry.--Dara Wier In Thievery, his third and best book so far, Seth Abramson implicitly locates the source of the disaffection by which we are guided, not in the disasters of the twentieth century, which reconfirmed it, but in an unnameable and centuries-gone past. And by doing so he acknowledges that disaffection as the presence most familiar to us--indeed, its presence makes us familiar to each other: 'To be lost is to be connected / interminably.' These are grim and yet also startled poems, at home in a broken world and yet again and again and always surprised by its brokenness, and radiant with the sense that even the world in which one feels at home must be changed for the better.--Shane McCrae, Blood Lyrik gnd Amerikanisches Englisch gnd POETRY / General bisacsh LITERARY CRITICISM / Poetry bisacsh American literature fast American poetry fast American literature American poetry |
| title | Thievery |
| title_alt | Poems |
| title_auth | Thievery |
| title_exact_search | Thievery |
| title_full | Thievery Seth Abramson |
| title_fullStr | Thievery Seth Abramson |
| title_full_unstemmed | Thievery Seth Abramson |
| title_short | Thievery |
| title_sort | thievery |
| topic | Lyrik gnd Amerikanisches Englisch gnd POETRY / General bisacsh LITERARY CRITICISM / Poetry bisacsh American literature fast American poetry fast American literature American poetry |
| topic_facet | Lyrik Amerikanisches Englisch POETRY / General LITERARY CRITICISM / Poetry American literature American poetry |
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