The struggle for control of Soviet music from 1932 to 1948 socialist realism vs. western formalism
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Lewiston
Edwin Mellen Press
2012
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| 100 | 1 | |a Herrala, Meri E., (Meri Elisabet) |d 1971- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The struggle for control of Soviet music from 1932 to 1948 |b socialist realism vs. western formalism |c Meri E. Herrala ; with a foreword by Timo Vihavainen |
| 264 | 1 | |a Lewiston |b Edwin Mellen Press |c 2012 | |
| 300 | |a 1 online resource (702 pages) | ||
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| 500 | |a Print version record. - Not About the Music, But the Plot | ||
| 505 | 8 | |a A Note on Transliteration; Abbreviations; Abstract; Foreword; Acknowledgements; Introduction; Problems of Soviet Music Research; From an Emphasis on Stalin to other "Actors"; Political and Ideaological Control of Soviet Music; Methodology; The Patron-Client Relationship; Soviet Subjectivism and Political Rhetoric; Sorces and Archives; Content of the Chapters; Part 1; Chapter 1- The Development of Soviet Cultural Policy; The Year 1932 as a Watershed; The Union of Soviet Composers; Development of Socialist Realism; Socialist Realism in Music | |
| 505 | 8 | |a Chapter 2- The Creation of Soviet Opera in the 1930'sDubious Fate of 'Lady Macbeth of Mtsensk District'; Shostakovich's Opera as an Approved Opera; Pravada and the Socialist Realism of 'Lady Macbeth'; The Repercussions of the "Lady Macbeth Scandal"; Chapter 3- Discussions in the Soviet Music during 1936-1937; From Shostakovish's Mistakes to the Dangers of Formalism; Soviet Music Criticism and Sollertinksy in the Firing Line; Down with the Remnants of RAPM! "Cultural Conspiracy" Undermines the Purity of Soviet Realism | |
| 505 | 8 | |a Fromer RAPM Elements are Dislodged Leading to the Deminse of Cheliapov and KerzhentsevPart 2; Chapter 4- Anti-Formalist Campaign in 1946-1948; Muradeli's Opera on Trial; The Polemics of 'The Great Friendship'; Faults in the Music of Muradeli's Opera; Faults in the Content of Muradeli's Opera; Mismanagement in the Financing of the Opera; Repercussions of the Muradeli's Affair; A Reduction of Funding at the Expense of Quality; Lebedev's Struggle as a Mediator; Chapter 5- Elite Hierarchies and Entrenched Conflicts of Intrest Are Revealed Within the Union of Soviet Composers | |
| 505 | 8 | |a The Road to Financial AuditsMuzfond's Assets Must Be Audited!; The Audit of the Ministry of State Control; Violations Regarding the Payment of Grants; Noninterest Loans; Author's Royalities and Sheet Music Production; Sheet Music Production; Creative Resorts and Work-Related Trips; Housing and Facilities for Everyday Needs; Repercussions from the Investigations; Muradeli Tries to Escape Scot-Free; Questions Remain About the Results of the Audits; Chapter 6- Boris Asaf'yev's Impact on the Part Line of Soviet Music in 1948; The History of Asaf'yev's Musicological Ideas | |
| 505 | 8 | |a Many Author of Asaf'yev's 1948 SpeechThe Relationship Between Asaf'yev's and Zhdanov's Theories; The Mystery of Asaf'yev's Letter to Audrey Zhdanov; Chapter 7- Sergey Prokofiev's Response to the Resolution; The Question of an All-Union Congress; Boris Khaykin's Different Faces; A Furious Attack on Prokofiev and His Opera; Khrennikov Gives Prokofiev a Slap on the Wrist; Prokofiev's Response to "Unjustified Criticism"; The Problem of Creating Soviet Opera; Part 3; Chapter 8- Frol Skobeyev and All One's Heart; Khrennikov Asserts His Authority; Khrennikov Wins the Round | |
| 505 | 8 | |a During the sixteen critical years of tumultuous artistic upheaval from 1932-1948, the Soviet Union's cultural authorities strove diligently to establish and refine a functional administrative infrastructure with which to direct and control Soviet Music. Yet in reality, this music policy system did not function as it had been intended to, which was to ensure the creation of Soviet operas acceptable to the Party. Because the agencies controlling the operas could not define which style best represented Socialist Realism, the music policy failed to establish adequate centralized control of Soviet | |
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| 650 | 7 | |a MUSIC / Genres & Styles / International |2 bisacsh | |
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Datensatz im Suchindex
| _version_ | 1819295280523116544 |
|---|---|
| any_adam_object | |
| author | Herrala, Meri E., (Meri Elisabet) 1971- |
| author_facet | Herrala, Meri E., (Meri Elisabet) 1971- |
| author_role | aut |
| author_sort | Herrala, Meri E., (Meri Elisabet) 1971- |
| author_variant | m e m e h meme memeh |
| building | Verbundindex |
| bvnumber | BV043036724 |
| collection | ZDB-4-EBA |
| contents | A Note on Transliteration; Abbreviations; Abstract; Foreword; Acknowledgements; Introduction; Problems of Soviet Music Research; From an Emphasis on Stalin to other "Actors"; Political and Ideaological Control of Soviet Music; Methodology; The Patron-Client Relationship; Soviet Subjectivism and Political Rhetoric; Sorces and Archives; Content of the Chapters; Part 1; Chapter 1- The Development of Soviet Cultural Policy; The Year 1932 as a Watershed; The Union of Soviet Composers; Development of Socialist Realism; Socialist Realism in Music Chapter 2- The Creation of Soviet Opera in the 1930'sDubious Fate of 'Lady Macbeth of Mtsensk District'; Shostakovich's Opera as an Approved Opera; Pravada and the Socialist Realism of 'Lady Macbeth'; The Repercussions of the "Lady Macbeth Scandal"; Chapter 3- Discussions in the Soviet Music during 1936-1937; From Shostakovish's Mistakes to the Dangers of Formalism; Soviet Music Criticism and Sollertinksy in the Firing Line; Down with the Remnants of RAPM! "Cultural Conspiracy" Undermines the Purity of Soviet Realism Fromer RAPM Elements are Dislodged Leading to the Deminse of Cheliapov and KerzhentsevPart 2; Chapter 4- Anti-Formalist Campaign in 1946-1948; Muradeli's Opera on Trial; The Polemics of 'The Great Friendship'; Faults in the Music of Muradeli's Opera; Faults in the Content of Muradeli's Opera; Mismanagement in the Financing of the Opera; Repercussions of the Muradeli's Affair; A Reduction of Funding at the Expense of Quality; Lebedev's Struggle as a Mediator; Chapter 5- Elite Hierarchies and Entrenched Conflicts of Intrest Are Revealed Within the Union of Soviet Composers The Road to Financial AuditsMuzfond's Assets Must Be Audited!; The Audit of the Ministry of State Control; Violations Regarding the Payment of Grants; Noninterest Loans; Author's Royalities and Sheet Music Production; Sheet Music Production; Creative Resorts and Work-Related Trips; Housing and Facilities for Everyday Needs; Repercussions from the Investigations; Muradeli Tries to Escape Scot-Free; Questions Remain About the Results of the Audits; Chapter 6- Boris Asaf'yev's Impact on the Part Line of Soviet Music in 1948; The History of Asaf'yev's Musicological Ideas Many Author of Asaf'yev's 1948 SpeechThe Relationship Between Asaf'yev's and Zhdanov's Theories; The Mystery of Asaf'yev's Letter to Audrey Zhdanov; Chapter 7- Sergey Prokofiev's Response to the Resolution; The Question of an All-Union Congress; Boris Khaykin's Different Faces; A Furious Attack on Prokofiev and His Opera; Khrennikov Gives Prokofiev a Slap on the Wrist; Prokofiev's Response to "Unjustified Criticism"; The Problem of Creating Soviet Opera; Part 3; Chapter 8- Frol Skobeyev and All One's Heart; Khrennikov Asserts His Authority; Khrennikov Wins the Round During the sixteen critical years of tumultuous artistic upheaval from 1932-1948, the Soviet Union's cultural authorities strove diligently to establish and refine a functional administrative infrastructure with which to direct and control Soviet Music. Yet in reality, this music policy system did not function as it had been intended to, which was to ensure the creation of Soviet operas acceptable to the Party. Because the agencies controlling the operas could not define which style best represented Socialist Realism, the music policy failed to establish adequate centralized control of Soviet |
| ctrlnum | (OCoLC)797916313 (DE-599)BVBBV043036724 |
| dewey-full | 780.947/0904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.947/0904 |
| dewey-search | 780.947/0904 |
| dewey-sort | 3780.947 3904 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1932-1948 gnd Geschichte 1930-1940 gnd |
| era_facet | Geschichte 1932-1948 Geschichte 1930-1940 |
| format | Electronic eBook |
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| geographic | Sowjetunion Sowjetunion (DE-588)4077548-3 gnd Russland (DE-588)4076899-5 gnd |
| geographic_facet | Sowjetunion Russland |
| id | DE-604.BV043036724 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-24T04:39:42Z |
| institution | BVB |
| isbn | 0773411534 9780773411531 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028461372 |
| oclc_num | 797916313 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (702 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Edwin Mellen Press |
| record_format | marc |
| spelling | Herrala, Meri E., (Meri Elisabet) 1971- Verfasser aut The struggle for control of Soviet music from 1932 to 1948 socialist realism vs. western formalism Meri E. Herrala ; with a foreword by Timo Vihavainen Lewiston Edwin Mellen Press 2012 1 online resource (702 pages) txt rdacontent c rdamedia cr rdacarrier Print version record. - Not About the Music, But the Plot A Note on Transliteration; Abbreviations; Abstract; Foreword; Acknowledgements; Introduction; Problems of Soviet Music Research; From an Emphasis on Stalin to other "Actors"; Political and Ideaological Control of Soviet Music; Methodology; The Patron-Client Relationship; Soviet Subjectivism and Political Rhetoric; Sorces and Archives; Content of the Chapters; Part 1; Chapter 1- The Development of Soviet Cultural Policy; The Year 1932 as a Watershed; The Union of Soviet Composers; Development of Socialist Realism; Socialist Realism in Music Chapter 2- The Creation of Soviet Opera in the 1930'sDubious Fate of 'Lady Macbeth of Mtsensk District'; Shostakovich's Opera as an Approved Opera; Pravada and the Socialist Realism of 'Lady Macbeth'; The Repercussions of the "Lady Macbeth Scandal"; Chapter 3- Discussions in the Soviet Music during 1936-1937; From Shostakovish's Mistakes to the Dangers of Formalism; Soviet Music Criticism and Sollertinksy in the Firing Line; Down with the Remnants of RAPM! "Cultural Conspiracy" Undermines the Purity of Soviet Realism Fromer RAPM Elements are Dislodged Leading to the Deminse of Cheliapov and KerzhentsevPart 2; Chapter 4- Anti-Formalist Campaign in 1946-1948; Muradeli's Opera on Trial; The Polemics of 'The Great Friendship'; Faults in the Music of Muradeli's Opera; Faults in the Content of Muradeli's Opera; Mismanagement in the Financing of the Opera; Repercussions of the Muradeli's Affair; A Reduction of Funding at the Expense of Quality; Lebedev's Struggle as a Mediator; Chapter 5- Elite Hierarchies and Entrenched Conflicts of Intrest Are Revealed Within the Union of Soviet Composers The Road to Financial AuditsMuzfond's Assets Must Be Audited!; The Audit of the Ministry of State Control; Violations Regarding the Payment of Grants; Noninterest Loans; Author's Royalities and Sheet Music Production; Sheet Music Production; Creative Resorts and Work-Related Trips; Housing and Facilities for Everyday Needs; Repercussions from the Investigations; Muradeli Tries to Escape Scot-Free; Questions Remain About the Results of the Audits; Chapter 6- Boris Asaf'yev's Impact on the Part Line of Soviet Music in 1948; The History of Asaf'yev's Musicological Ideas Many Author of Asaf'yev's 1948 SpeechThe Relationship Between Asaf'yev's and Zhdanov's Theories; The Mystery of Asaf'yev's Letter to Audrey Zhdanov; Chapter 7- Sergey Prokofiev's Response to the Resolution; The Question of an All-Union Congress; Boris Khaykin's Different Faces; A Furious Attack on Prokofiev and His Opera; Khrennikov Gives Prokofiev a Slap on the Wrist; Prokofiev's Response to "Unjustified Criticism"; The Problem of Creating Soviet Opera; Part 3; Chapter 8- Frol Skobeyev and All One's Heart; Khrennikov Asserts His Authority; Khrennikov Wins the Round During the sixteen critical years of tumultuous artistic upheaval from 1932-1948, the Soviet Union's cultural authorities strove diligently to establish and refine a functional administrative infrastructure with which to direct and control Soviet Music. Yet in reality, this music policy system did not function as it had been intended to, which was to ensure the creation of Soviet operas acceptable to the Party. Because the agencies controlling the operas could not define which style best represented Socialist Realism, the music policy failed to establish adequate centralized control of Soviet Geschichte 1932-1948 gnd rswk-swf Geschichte 1930-1940 gnd rswk-swf Communism and music / Soviet Union Music / Political aspects / Soviet Union Music / Soviet Union / History and criticism Music and state / Soviet Union Opera / Soviet Union Soviet Union / Cultural policy Fine Arts MUSIC / Genres & Styles / International bisacsh Communism and music fast Cultural policy fast Music and state fast Music fast Music / Political aspects fast Opera fast Socialist realism in music fast Musik Politik Music and state Soviet Union Music Political aspects Soviet Union Music Soviet Union History and criticism Opera Soviet Union Socialist realism in music Communism and music Soviet Union Zensur (DE-588)4067601-8 gnd rswk-swf Kulturpolitik (DE-588)4033581-1 gnd rswk-swf Musikpolitik (DE-588)4135111-3 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Sowjetunion Sowjetunion (DE-588)4077548-3 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Sowjetunion (DE-588)4077548-3 g Musikpolitik (DE-588)4135111-3 s Kulturpolitik (DE-588)4033581-1 s Zensur (DE-588)4067601-8 s Geschichte 1932-1948 z 1\p DE-604 Russland (DE-588)4076899-5 g Oper (DE-588)4043582-9 s Geschichte 1930-1940 z 2\p DE-604 Erscheint auch als Druck-Ausgabe Herrala, Meri Elisabet Struggle for Control of Soviet Music From 1932 to 1948 : Socialist Realism vs. Western Formalism http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=467270 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Herrala, Meri E., (Meri Elisabet) 1971- The struggle for control of Soviet music from 1932 to 1948 socialist realism vs. western formalism A Note on Transliteration; Abbreviations; Abstract; Foreword; Acknowledgements; Introduction; Problems of Soviet Music Research; From an Emphasis on Stalin to other "Actors"; Political and Ideaological Control of Soviet Music; Methodology; The Patron-Client Relationship; Soviet Subjectivism and Political Rhetoric; Sorces and Archives; Content of the Chapters; Part 1; Chapter 1- The Development of Soviet Cultural Policy; The Year 1932 as a Watershed; The Union of Soviet Composers; Development of Socialist Realism; Socialist Realism in Music Chapter 2- The Creation of Soviet Opera in the 1930'sDubious Fate of 'Lady Macbeth of Mtsensk District'; Shostakovich's Opera as an Approved Opera; Pravada and the Socialist Realism of 'Lady Macbeth'; The Repercussions of the "Lady Macbeth Scandal"; Chapter 3- Discussions in the Soviet Music during 1936-1937; From Shostakovish's Mistakes to the Dangers of Formalism; Soviet Music Criticism and Sollertinksy in the Firing Line; Down with the Remnants of RAPM! "Cultural Conspiracy" Undermines the Purity of Soviet Realism Fromer RAPM Elements are Dislodged Leading to the Deminse of Cheliapov and KerzhentsevPart 2; Chapter 4- Anti-Formalist Campaign in 1946-1948; Muradeli's Opera on Trial; The Polemics of 'The Great Friendship'; Faults in the Music of Muradeli's Opera; Faults in the Content of Muradeli's Opera; Mismanagement in the Financing of the Opera; Repercussions of the Muradeli's Affair; A Reduction of Funding at the Expense of Quality; Lebedev's Struggle as a Mediator; Chapter 5- Elite Hierarchies and Entrenched Conflicts of Intrest Are Revealed Within the Union of Soviet Composers The Road to Financial AuditsMuzfond's Assets Must Be Audited!; The Audit of the Ministry of State Control; Violations Regarding the Payment of Grants; Noninterest Loans; Author's Royalities and Sheet Music Production; Sheet Music Production; Creative Resorts and Work-Related Trips; Housing and Facilities for Everyday Needs; Repercussions from the Investigations; Muradeli Tries to Escape Scot-Free; Questions Remain About the Results of the Audits; Chapter 6- Boris Asaf'yev's Impact on the Part Line of Soviet Music in 1948; The History of Asaf'yev's Musicological Ideas Many Author of Asaf'yev's 1948 SpeechThe Relationship Between Asaf'yev's and Zhdanov's Theories; The Mystery of Asaf'yev's Letter to Audrey Zhdanov; Chapter 7- Sergey Prokofiev's Response to the Resolution; The Question of an All-Union Congress; Boris Khaykin's Different Faces; A Furious Attack on Prokofiev and His Opera; Khrennikov Gives Prokofiev a Slap on the Wrist; Prokofiev's Response to "Unjustified Criticism"; The Problem of Creating Soviet Opera; Part 3; Chapter 8- Frol Skobeyev and All One's Heart; Khrennikov Asserts His Authority; Khrennikov Wins the Round During the sixteen critical years of tumultuous artistic upheaval from 1932-1948, the Soviet Union's cultural authorities strove diligently to establish and refine a functional administrative infrastructure with which to direct and control Soviet Music. Yet in reality, this music policy system did not function as it had been intended to, which was to ensure the creation of Soviet operas acceptable to the Party. Because the agencies controlling the operas could not define which style best represented Socialist Realism, the music policy failed to establish adequate centralized control of Soviet Communism and music / Soviet Union Music / Political aspects / Soviet Union Music / Soviet Union / History and criticism Music and state / Soviet Union Opera / Soviet Union Soviet Union / Cultural policy Fine Arts MUSIC / Genres & Styles / International bisacsh Communism and music fast Cultural policy fast Music and state fast Music fast Music / Political aspects fast Opera fast Socialist realism in music fast Musik Politik Music and state Soviet Union Music Political aspects Soviet Union Music Soviet Union History and criticism Opera Soviet Union Socialist realism in music Communism and music Soviet Union Zensur (DE-588)4067601-8 gnd Kulturpolitik (DE-588)4033581-1 gnd Musikpolitik (DE-588)4135111-3 gnd Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)4067601-8 (DE-588)4033581-1 (DE-588)4135111-3 (DE-588)4043582-9 (DE-588)4077548-3 (DE-588)4076899-5 |
| title | The struggle for control of Soviet music from 1932 to 1948 socialist realism vs. western formalism |
| title_auth | The struggle for control of Soviet music from 1932 to 1948 socialist realism vs. western formalism |
| title_exact_search | The struggle for control of Soviet music from 1932 to 1948 socialist realism vs. western formalism |
| title_full | The struggle for control of Soviet music from 1932 to 1948 socialist realism vs. western formalism Meri E. Herrala ; with a foreword by Timo Vihavainen |
| title_fullStr | The struggle for control of Soviet music from 1932 to 1948 socialist realism vs. western formalism Meri E. Herrala ; with a foreword by Timo Vihavainen |
| title_full_unstemmed | The struggle for control of Soviet music from 1932 to 1948 socialist realism vs. western formalism Meri E. Herrala ; with a foreword by Timo Vihavainen |
| title_short | The struggle for control of Soviet music from 1932 to 1948 |
| title_sort | the struggle for control of soviet music from 1932 to 1948 socialist realism vs western formalism |
| title_sub | socialist realism vs. western formalism |
| topic | Communism and music / Soviet Union Music / Political aspects / Soviet Union Music / Soviet Union / History and criticism Music and state / Soviet Union Opera / Soviet Union Soviet Union / Cultural policy Fine Arts MUSIC / Genres & Styles / International bisacsh Communism and music fast Cultural policy fast Music and state fast Music fast Music / Political aspects fast Opera fast Socialist realism in music fast Musik Politik Music and state Soviet Union Music Political aspects Soviet Union Music Soviet Union History and criticism Opera Soviet Union Socialist realism in music Communism and music Soviet Union Zensur (DE-588)4067601-8 gnd Kulturpolitik (DE-588)4033581-1 gnd Musikpolitik (DE-588)4135111-3 gnd Oper (DE-588)4043582-9 gnd |
| topic_facet | Communism and music / Soviet Union Music / Political aspects / Soviet Union Music / Soviet Union / History and criticism Music and state / Soviet Union Opera / Soviet Union Soviet Union / Cultural policy Fine Arts MUSIC / Genres & Styles / International Communism and music Cultural policy Music and state Music Music / Political aspects Opera Socialist realism in music Musik Politik Music and state Soviet Union Music Political aspects Soviet Union Music Soviet Union History and criticism Opera Soviet Union Communism and music Soviet Union Zensur Kulturpolitik Musikpolitik Oper Sowjetunion Russland |
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| work_keys_str_mv | AT herralameriemerielisabet thestruggleforcontrolofsovietmusicfrom1932to1948socialistrealismvswesternformalism |