Listening to an Earlier Java Aesthetics, Gender, and the Music of Wayang in Central Java
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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BRILL
2010
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| Schriftenreihe: | Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde
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| 245 | 1 | 0 | |a Listening to an Earlier Java |b Aesthetics, Gender, and the Music of Wayang in Central Java |
| 264 | 1 | |a Leiden |b BRILL |c 2010 | |
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| 505 | 8 | |a LISTENING TO AN EARLIER JAVA; Copyright; Contents; Acknowledgements; INTRODUCTIONPreliminary soundings; On the problems of being there: fieldwork at Central Javanese events; Refinement, restraint, rules, and 'rasa': music and politics in Central Javanese courts; Listening back to an earlier Java: 'rasa', female 'gender' players, and 'grimingan'; CHAPTER I Musical analysis and cultural analysis Pathet, grimingan, and gender; On musical notation; Javanese gamelan music: some basics; 'Pathet' and 'the village'; 'Grimingan': an introduction; Culturally bounded styles of analysis | |
| 505 | 8 | |a 'Grimingan': hearing or imposing structure and form?Comparing 'suluk' and 'grimingan' as played on the 'gender'; The process of 'grimingan'; Sameness in Javanese music performance contextualized; Finding 'pathet' in 'grimingan'; Conclusion; CHAPTER II Competing hegemonies The discourse on Javanese gender; On Javanese power and potency; The paradigm of potency: the Javanese idea of (male) potency; Feminist strategies: parallel power structures; Feminist strategies: inserting women into the dominant male paradigm; Feminist strategies: reinserting women into the discourse on potency | |
| 505 | 8 | |a Disempowerment and male biasCompeting and interacting hegemonies in Java; CHAPTER III Flaming wombs and female gender players Order, chaos, and gender in Central Javanese myth; Nyai Lara Kidul: loyal consort and destroyer of Central Javanese rulers; Chaotic love; Female 'gender' players and the gendered interaction between chaos and order; Myths and mundane realities; CHAPTER IV Javanese rasa Gendering emotion and restraint; Javanese performance and 'rasa'; 'Rasa' in Javanese music theoretical texts; Javanese music theories in historical context | |
| 505 | 8 | |a Location and difference: constructions of urban and rural performance stylesTalking about difference: distinguishing male and female styles of 'genderan'; Interpreting difference: distinguishing male and female styles of 'genderan'; Gendered 'rasa': concluding remarks; CHAPTER V Listening back; Connecting old and court wayang styles through aesthetics; The 'lakon' Palasara in the Serat Sastramiruda; Transitions to marital bliss: on the significance of 'gapuran'; Pain and pleasure of separation: the order and chaos of loyalty; Particularly Javanese additions to the Bharatayuddha | |
| 505 | 8 | |a CONCLUSION Final soundingsGlossary; Bibliography; Index | |
| 505 | 8 | |a This study is the first large-scale treatment of gender issues in Indonesian music. Integrating the analysis of gender and music with that of aesthetics, this study of the musical synergy between the puppeteer and his female accompanist describes the ways in which shifting gender constructions have helped to shape and change Central Javanese music and theatre performance practice while throwing new light on the history of Javanese gender relations and culture, as well as on the aesthetics of Central Javanese shadow-puppet theatre. PLEASE NOTE: The material on the CD-ROM included with the origi | |
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Datensatz im Suchindex
| _version_ | 1804175392949403648 |
|---|---|
| any_adam_object | |
| author | Weiss, Sarah |
| author_facet | Weiss, Sarah |
| author_role | aut |
| author_sort | Weiss, Sarah |
| author_variant | s w sw |
| building | Verbundindex |
| bvnumber | BV043034244 |
| collection | ZDB-4-EBA |
| contents | LISTENING TO AN EARLIER JAVA; Copyright; Contents; Acknowledgements; INTRODUCTIONPreliminary soundings; On the problems of being there: fieldwork at Central Javanese events; Refinement, restraint, rules, and 'rasa': music and politics in Central Javanese courts; Listening back to an earlier Java: 'rasa', female 'gender' players, and 'grimingan'; CHAPTER I Musical analysis and cultural analysis Pathet, grimingan, and gender; On musical notation; Javanese gamelan music: some basics; 'Pathet' and 'the village'; 'Grimingan': an introduction; Culturally bounded styles of analysis 'Grimingan': hearing or imposing structure and form?Comparing 'suluk' and 'grimingan' as played on the 'gender'; The process of 'grimingan'; Sameness in Javanese music performance contextualized; Finding 'pathet' in 'grimingan'; Conclusion; CHAPTER II Competing hegemonies The discourse on Javanese gender; On Javanese power and potency; The paradigm of potency: the Javanese idea of (male) potency; Feminist strategies: parallel power structures; Feminist strategies: inserting women into the dominant male paradigm; Feminist strategies: reinserting women into the discourse on potency Disempowerment and male biasCompeting and interacting hegemonies in Java; CHAPTER III Flaming wombs and female gender players Order, chaos, and gender in Central Javanese myth; Nyai Lara Kidul: loyal consort and destroyer of Central Javanese rulers; Chaotic love; Female 'gender' players and the gendered interaction between chaos and order; Myths and mundane realities; CHAPTER IV Javanese rasa Gendering emotion and restraint; Javanese performance and 'rasa'; 'Rasa' in Javanese music theoretical texts; Javanese music theories in historical context Location and difference: constructions of urban and rural performance stylesTalking about difference: distinguishing male and female styles of 'genderan'; Interpreting difference: distinguishing male and female styles of 'genderan'; Gendered 'rasa': concluding remarks; CHAPTER V Listening back; Connecting old and court wayang styles through aesthetics; The 'lakon' Palasara in the Serat Sastramiruda; Transitions to marital bliss: on the significance of 'gapuran'; Pain and pleasure of separation: the order and chaos of loyalty; Particularly Javanese additions to the Bharatayuddha CONCLUSION Final soundingsGlossary; Bibliography; Index This study is the first large-scale treatment of gender issues in Indonesian music. Integrating the analysis of gender and music with that of aesthetics, this study of the musical synergy between the puppeteer and his female accompanist describes the ways in which shifting gender constructions have helped to shape and change Central Javanese music and theatre performance practice while throwing new light on the history of Javanese gender relations and culture, as well as on the aesthetics of Central Javanese shadow-puppet theatre. PLEASE NOTE: The material on the CD-ROM included with the origi |
| ctrlnum | (OCoLC)855969910 (DE-599)BVBBV043034244 |
| dewey-full | 780.9598 780.9598/26 780.959826 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9598 780.9598/26 780.959826 |
| dewey-search | 780.9598 780.9598/26 780.959826 |
| dewey-sort | 3780.9598 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| isbn | 9004253696 9789004253698 |
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| series2 | Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde |
| spelling | Weiss, Sarah Verfasser aut Listening to an Earlier Java Aesthetics, Gender, and the Music of Wayang in Central Java Leiden BRILL 2010 1 online resource (195 pages) txt rdacontent c rdamedia cr rdacarrier Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde Print version record LISTENING TO AN EARLIER JAVA; Copyright; Contents; Acknowledgements; INTRODUCTIONPreliminary soundings; On the problems of being there: fieldwork at Central Javanese events; Refinement, restraint, rules, and 'rasa': music and politics in Central Javanese courts; Listening back to an earlier Java: 'rasa', female 'gender' players, and 'grimingan'; CHAPTER I Musical analysis and cultural analysis Pathet, grimingan, and gender; On musical notation; Javanese gamelan music: some basics; 'Pathet' and 'the village'; 'Grimingan': an introduction; Culturally bounded styles of analysis 'Grimingan': hearing or imposing structure and form?Comparing 'suluk' and 'grimingan' as played on the 'gender'; The process of 'grimingan'; Sameness in Javanese music performance contextualized; Finding 'pathet' in 'grimingan'; Conclusion; CHAPTER II Competing hegemonies The discourse on Javanese gender; On Javanese power and potency; The paradigm of potency: the Javanese idea of (male) potency; Feminist strategies: parallel power structures; Feminist strategies: inserting women into the dominant male paradigm; Feminist strategies: reinserting women into the discourse on potency Disempowerment and male biasCompeting and interacting hegemonies in Java; CHAPTER III Flaming wombs and female gender players Order, chaos, and gender in Central Javanese myth; Nyai Lara Kidul: loyal consort and destroyer of Central Javanese rulers; Chaotic love; Female 'gender' players and the gendered interaction between chaos and order; Myths and mundane realities; CHAPTER IV Javanese rasa Gendering emotion and restraint; Javanese performance and 'rasa'; 'Rasa' in Javanese music theoretical texts; Javanese music theories in historical context Location and difference: constructions of urban and rural performance stylesTalking about difference: distinguishing male and female styles of 'genderan'; Interpreting difference: distinguishing male and female styles of 'genderan'; Gendered 'rasa': concluding remarks; CHAPTER V Listening back; Connecting old and court wayang styles through aesthetics; The 'lakon' Palasara in the Serat Sastramiruda; Transitions to marital bliss: on the significance of 'gapuran'; Pain and pleasure of separation: the order and chaos of loyalty; Particularly Javanese additions to the Bharatayuddha CONCLUSION Final soundingsGlossary; Bibliography; Index This study is the first large-scale treatment of gender issues in Indonesian music. Integrating the analysis of gender and music with that of aesthetics, this study of the musical synergy between the puppeteer and his female accompanist describes the ways in which shifting gender constructions have helped to shape and change Central Javanese music and theatre performance practice while throwing new light on the history of Javanese gender relations and culture, as well as on the aesthetics of Central Javanese shadow-puppet theatre. PLEASE NOTE: The material on the CD-ROM included with the origi Sex in music Sex role / Indonesia / Java Wayang music / Indonesia / Java Wayang music MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Sex in music fast Sex role fast Wayang music fast Wayang music Indonesia Java Sex role Indonesia Java Wayang (DE-588)4188961-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Zentraljava (DE-588)4067631-6 gnd rswk-swf Zentraljava (DE-588)4067631-6 g Wayang (DE-588)4188961-7 s Musik (DE-588)4040802-4 s 1\p DE-604 Erscheint auch als Druck-Ausgabe Weiss, Sarah Listening to an Earlier Java : Aesthetics, Gender, and the Music of Wayang in Central Java http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=631058 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Weiss, Sarah Listening to an Earlier Java Aesthetics, Gender, and the Music of Wayang in Central Java LISTENING TO AN EARLIER JAVA; Copyright; Contents; Acknowledgements; INTRODUCTIONPreliminary soundings; On the problems of being there: fieldwork at Central Javanese events; Refinement, restraint, rules, and 'rasa': music and politics in Central Javanese courts; Listening back to an earlier Java: 'rasa', female 'gender' players, and 'grimingan'; CHAPTER I Musical analysis and cultural analysis Pathet, grimingan, and gender; On musical notation; Javanese gamelan music: some basics; 'Pathet' and 'the village'; 'Grimingan': an introduction; Culturally bounded styles of analysis 'Grimingan': hearing or imposing structure and form?Comparing 'suluk' and 'grimingan' as played on the 'gender'; The process of 'grimingan'; Sameness in Javanese music performance contextualized; Finding 'pathet' in 'grimingan'; Conclusion; CHAPTER II Competing hegemonies The discourse on Javanese gender; On Javanese power and potency; The paradigm of potency: the Javanese idea of (male) potency; Feminist strategies: parallel power structures; Feminist strategies: inserting women into the dominant male paradigm; Feminist strategies: reinserting women into the discourse on potency Disempowerment and male biasCompeting and interacting hegemonies in Java; CHAPTER III Flaming wombs and female gender players Order, chaos, and gender in Central Javanese myth; Nyai Lara Kidul: loyal consort and destroyer of Central Javanese rulers; Chaotic love; Female 'gender' players and the gendered interaction between chaos and order; Myths and mundane realities; CHAPTER IV Javanese rasa Gendering emotion and restraint; Javanese performance and 'rasa'; 'Rasa' in Javanese music theoretical texts; Javanese music theories in historical context Location and difference: constructions of urban and rural performance stylesTalking about difference: distinguishing male and female styles of 'genderan'; Interpreting difference: distinguishing male and female styles of 'genderan'; Gendered 'rasa': concluding remarks; CHAPTER V Listening back; Connecting old and court wayang styles through aesthetics; The 'lakon' Palasara in the Serat Sastramiruda; Transitions to marital bliss: on the significance of 'gapuran'; Pain and pleasure of separation: the order and chaos of loyalty; Particularly Javanese additions to the Bharatayuddha CONCLUSION Final soundingsGlossary; Bibliography; Index This study is the first large-scale treatment of gender issues in Indonesian music. Integrating the analysis of gender and music with that of aesthetics, this study of the musical synergy between the puppeteer and his female accompanist describes the ways in which shifting gender constructions have helped to shape and change Central Javanese music and theatre performance practice while throwing new light on the history of Javanese gender relations and culture, as well as on the aesthetics of Central Javanese shadow-puppet theatre. PLEASE NOTE: The material on the CD-ROM included with the origi Sex in music Sex role / Indonesia / Java Wayang music / Indonesia / Java Wayang music MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Sex in music fast Sex role fast Wayang music fast Wayang music Indonesia Java Sex role Indonesia Java Wayang (DE-588)4188961-7 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4188961-7 (DE-588)4040802-4 (DE-588)4067631-6 |
| title | Listening to an Earlier Java Aesthetics, Gender, and the Music of Wayang in Central Java |
| title_auth | Listening to an Earlier Java Aesthetics, Gender, and the Music of Wayang in Central Java |
| title_exact_search | Listening to an Earlier Java Aesthetics, Gender, and the Music of Wayang in Central Java |
| title_full | Listening to an Earlier Java Aesthetics, Gender, and the Music of Wayang in Central Java |
| title_fullStr | Listening to an Earlier Java Aesthetics, Gender, and the Music of Wayang in Central Java |
| title_full_unstemmed | Listening to an Earlier Java Aesthetics, Gender, and the Music of Wayang in Central Java |
| title_short | Listening to an Earlier Java |
| title_sort | listening to an earlier java aesthetics gender and the music of wayang in central java |
| title_sub | Aesthetics, Gender, and the Music of Wayang in Central Java |
| topic | Sex in music Sex role / Indonesia / Java Wayang music / Indonesia / Java Wayang music MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Sex in music fast Sex role fast Wayang music fast Wayang music Indonesia Java Sex role Indonesia Java Wayang (DE-588)4188961-7 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Sex in music Sex role / Indonesia / Java Wayang music / Indonesia / Java Wayang music MUSIC / Genres & Styles / Classical MUSIC / Reference Sex role Wayang music Indonesia Java Sex role Indonesia Java Wayang Musik Zentraljava |
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