Humanism, love and music
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| 245 | 1 | 0 | |a Humanism, love and music |c Constantin Floros ; translated by Ernest Bernhardt-Kabisch |
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| 650 | 7 | |a Love in music |2 fast | |
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Datensatz im Suchindex
| _version_ | 1819767559247888384 |
|---|---|
| adam_text | TABLE OF CONTENTS
PREFACE
I. MAN IS THE MEASURE OF THINGS : HUMAN MUSIC
WHAT IS MUSIC? MULTIPLICITY OF CONCEPTIONS - DEVELOPMENT OF AES-
THETIC SCIENCES - A HISTORY OF ART WITHOUT A NAME - THE ANTHROPO-
LOGICAL RELATION: MUSIC IS MADE BY HUMANS FOR HUMANS - STYLE AND
EXPRESSION - STRUCTURAL AND SEMANTIC ANALYSIS - THE PSYCHIC, INTEL-
LECTUAL AND SOCIAL DEPTH DIMENSION OF MUSIC - THE CONCEPT OF AN IN-
TEGRAL MUSICOLOGY - MUSIC AND LANGUAGE - MUSICAL-RHETORICAL FIG-
URES AND OTHER FORMS OF MUSICAL LANGUAGE
THE MUCH-INVOKED POWER OF MUSIC THE ANCIENT GREEK MYTHS OF
THE MAGIC POWER OF MUSIC: AMPHION, ARION AND ORPHEUS - THE OR-
PHEUS MYTH AS ARCHETYPE OF ALL TALES OF LOVE AND DEATH - ADDITIONAL
ASPECTS OF MYTH INTERPRETATION - REASONS FOR THE POPULARITY OF THE
ORPHEUS STORY IN ANTIQUITY AND SINCE 1600 - THE MAGIC POWER OF
MUSIC IN SCHIKANEDER/MOZART S MAGIC FLUTE (1792) AND VI-
GANOE/BEETHOVEN S CREATURES OF PROMETHEUS (1801) - MUSIKE IN THE
SERVICE OF MORAL EDUCATION IN CLASSICAL GREECE - PLATO S CONCEPTION
OF MUSIKE AS GUARDIAN OF THE STATE - GREEK ETHOS DOCTRINE - THE
THREE KINDS OF ETHOS: DIASTALTIC, SYSTALTIC AND HESYCHASTIC - CLAUDIO
MONTEVERDI S DOCTRINE OF THE THREE KINDS OF PASSION AND OF EXCITED,
SOFT AND MODERATE MUSIC - FRIEDRICH NIETZSCHE S PRODUCTIVE RE-
CEPTION OF ANTIQUITY - THE BIRTH OF TRAGEDY AS ESSAY ON THE PHILOSO-
PHY OF CULTURE AND AS PROMOTIONAL TEXT FOR RICHARD WAGNER - APOL-
LONIAN AND DIONYSIAN: THE INTERIORIZED AND ECSTATIC MUSIC IN THE 19
TH
CENTURY - HOFMANNSTHAL/STRAUSS S ELECTRO - ACTUALITY OF THE OR-
PHEUS MYTH IN OUR DAY 17
LOVE AND HATE - THE STRONGEST EMOTIONS CLAUDIO MONTEVERDI S
AND C.P.E. BACH S CREED: MUSIC AS THE LANGUAGE OF THE EMOTIONS -
THE EXPRESSION MARKS AFFETTUOSO, CON OR D QFFETTO - THE DOCTRINE OF
THE AFFECTS IN THE 17
TH
CENTURY: DESCARTES, SPINOZA, A. KIRCHER -
LOVE AND HATE VIEWED IN TERMS OF DEPTH PSYCHOLOGY - FURIOSO: FURY
AND RAGE AS AFFECTS; EXAMPLES FROM THE OPERATIC MUSIC OF HANDEL,
GLUCK AND MOZART - JOHN BROWN S ARIA TYPOLOGY - OSMIN S LAFFEN
BIBLIOGRAFISCHE INFORMATIONEN
HTTP://D-NB.INFO/101693601X
DIGITALISIERT DURCH
ARIA AND MOZART S PLEA FOR MEASURE - LOVE-HATE AS THE SUBJECT OF
BEETHOVEN S ARIA AH! PERFIDO OP. 65 - PIZARRO S REVENGE ARIA IN FI-
DELIO - THE TOMB SCENE IN ROMEO AND JULIET AS SUBJECT OF THE ADAGIO
AFFETTUOSO ED APPASSIONATO IN BEETHOVEN S STRING QUARTET IN F MAJOR
OP. 18, NO. 1 26
MIRTH AND MELANCHOLY THE DIVISION OF MUSIC INTO CHEERFUL (ALLE-
GRO) AND SAD (MESTA) IN THE 16
TH
CENTURY - THE OLD TESTAMENT STORY
OF SAUL AND DAVID AND REMBRANDT S PAINTING - JOHANN KUHNAU S SO-
NATA FROM THE BIBLISCHE HISTORIEN (1700) - THE DOCTRINE OF THE FOUR
TEMPERAMENTS - ALBRECHT DUERER S ENGRAVING MELENCOLIA I IN PANOF-
SKY S INTERPRETATION - MILTON S L ALLEGRO AND // PENSEROSO AND
HANDEL S ORATORIO - HANDEL S CHARACTERIZATION OF THE TWO OPPOSITE
TYPES OF TEMPERAMENT - C. P. E. BACH S PROGRAMMATIC TRIO AS DIS-
COURSE BETWEEN A SANGUINE AND A MELANCHOLIC - A NEW INTERPRETATION
OF BEETHOVEN S LA MALINCONIA (FINALE OF THE STRING QUARTET IN B FLAT
MAJOR OP. 18, NO. 6) 37
MUSICAL PORTRAITS IN WHAT WAYS CAN MUSIC PORTRAY HUMAN BEINGS -
MUSSORGSKY S PIANO PIECE SAMUEL GOLDENBERG UND SCHMUYLE AS
DOUBLE PORTRAIT - THE EARLIEST MUSICAL SELF-PORTRAIT : JOHN BULL S
MY SELF - COUPERIN S CLAVECIN PIECES, ESPECIALLY THE PORTRAITS OF
WOMEN AND FEMALE TYPES - DE LA BRUYERE S SOCIAL-CRITICAL PORTRAITS OF
1688 - MOZART S CHARACTER PORTRAIT OF ROSE CANNABICH: THE ANDANTE
OF THE PIANO SONATA KV 309 - MUSICAL PORTRAYALS BY MEANS OF TONAL
LETTERS: WORKS OF J. S. BACH, ROBERT SCHUMANN, JOHANNES BRAHMS,
ALBAN BERG AND DMITRI SHOSTAKOVICH 53
A MUSIC THAT CONCERNS ALL HUMANITY - KARL AMADEUS HART-
MANN AND HIS SIXTH SYMPHONY HARTMANN S BELIEF IN THE ETHICAL
MISSION OF MUSICAL ART - HIS COMMITMENT TO HUMANITARIANISM AND
THE PACIFICATION OF HUMANITY - HIS CREATIONS AS CONFESSIONAL MUSIC
- CONCEALED OR SECRET PROGRAMS IN THE FIRST FIVE SYMPHONIES - AFFIN-
ITY WITH BRUCKNER, MAHLER AND ALBAN BERG - RELATION TO WEBERN -
ZOLA S ARTIST NOVEL L OEUVRE AS SUBJECT OF THE ADAGIO OF THE SIXTH
SYMPHONY - SPECIFICS OF HARTMANN S ADAGIO TYPE - HENZE S INTER-
PRETATION OF THE ADAGIO OF THE SIXTH SYMPHONY 65
VI
MUSIC AND ASTROLOGY - GUSTAV HOIST S THE PLANETS THE IDEA OF
THE MUSICA MUNDANA, THE SECRET HARMONY OF THE MACROCOSM -
HOIST S INTEREST IN MYSTICISM AND ASTROLOGY - THE ASTROLOGICAL ATTRIB-
UTES OF THE SEVEN CLASSICAL PLANETS AS SOURCE OF INSPIRATION - MARS,
THE BRINGER OF WAR - VENUS, THE BRINGER OF PEACE - MERCURY, THE
WINGED MESSENGER - JUPITER, THE BRINGER OF MIRTH - SATURN, THE
BRINGER OF OLD AGE - URANUS THE MAGICIAN - NEPTUNE THE MYSTIC -
CHANGES IN THE ESTIMATION OF STARGAZING - KARLHEINZ STOCKHAUSEN S
ZWOELF MELODIEN - ASTROLOGY AND TWELVE-TONE TECHNIQUE 73
MULTICULTURAL PHENOMENA IN THE NEW MUSIC MUSIC AS A WORLD
LANGUAGE? OLIVIER MESSIAEN AND THE NON-EUROPEAN MUSIC - A MU-
SIC OF THE WHOLE EARTH, ALL COUNTRIES AND RACES. KARLHEINZ STOCK-
HAUSEN S UTOPIA OF WORLD MUSIC - THE MUSIC OF ISANG YUN AS A MUL-
TICULTURAL PHENOMENON - GYOERGY KURTAEG AND THE TRADITION OF HUNGAR-
IAN MUSIC 82
II. AND THE MYSTERY OF LOVE IS GREATER THAN THE MYSTERY OF
DEATH : MUSIC AS TONE LANGUAGE OF LOVE
SENSUALITY AND MUSIC - THE SPIRIT OF MUSIC KIERKEGAARD S THE-
ORY OF THE MUSICAL-EROTIC - WAGNER S CONCEPTION OF MUSIC AS TONE
LANGUAGE OF LOVE - SIGMUND FREUD AND THE AMERICAN THEORIES OF
LOVE - STENDHAL S DE L AMOUR - EMIL LUCKA AND THE THREE DEGREES
OF EROTICISM - HOW CAN THE EROTIC IN INSTRUMENTAL MUSIC BE DECI-
PHERED? 93
FACETS OF MUSIC IN MOZART S MUSICAL THEATER - WHY MOZART S
MASTER OPERAS ARE RELEVANT - ERNST LERT ON MOZART S DEMONIC SEXU-
ALITY AND THE EROTIC IN HIS MUSIC - CONCEPTIONS OF LOVE IN THE 18
TH
CENTURY - BASIC DIFFERENCES BETWEEN THE THREE DA PONTE OPERAS AND
THE TWO SINGSPIELS - THE NATURE OF ENIGMATIC LOVE IN MOZART - EROTIC
EMBROILMENTS IN LE NOZZE DI FIGARO - KIERKEGAARD S THEORY OF THE
THREE STAGES OF DESIRE - THE DON JUAN MATTER - THE SEMANTICS OF THE
WORD AMORE - DON JUAN AS THE PERSONIFICATION OF THE DEMONIC PRIN-
CIPLE OF LIFE - FAUST AND DON JUAN IN KIERKEGAARD S INTERPRETATION -
DON JUAN S ATHEISM AND MATERIALISM - LOVE AND HATE, MODES OF LOVE
AND LEVELS OF CONSCIOUSNESS IN THE MAGIC FLUTE - HUMANITARIAN IDE-
VII
ALS - THE WAR OF THE SEXES AND THEIR RECONCILIATION AND UNION -
KIERKEGAARD S SKEWED ASSESSMENT - EARMARKS OF THE TONAL LANGUAGE
OF LOVE IN MOZART - HIS LOVE OF THE WARM TONE COLOR OF THE CLARINET -
USE OF THE INSTRUMENT IN HIS OPERATIC MUSIC - THE ARIAS OF DON GIO-
VANNI, DONNA ANNA, DONNA ELVIRA AND ZERLINA - THE USE OF THE
CLARINET IN THE MAGIC FLUTE 98
TENDER INSTRUMENTAL MUSIC OF MOZART AND BEETHOVEN * CON-
CERTO AND SYMPHONIC MOVEMENTS AS IMAGINARY LOVE SCENES THE
CONCEPTS TENDER (TENDREMENT) AND TENDERNESS (TENDRESSE) IN 18
TH
-
CENTURY MUSIC-THEORETICAL LITERATURE (MATTHESON, C.P.E. BACH,
JJ.ROUSSEAU) - MOZART S TENDER INSTRUMENTAL MUSIC MODELED ON
THE TYPE OF THE ARIA CANTABILE - TEN EXAMPLES FROM MOZART S CONCER-
TOS AND SYMPHONIES - COMMON CHARACTERISTICS OF THESE COMPOSITIONS
- SEMANTICS OF THE MUTED STRING MUSIC OF THE 17
TH
AND 18
TH
CENTURY:
THE SEMANTIC CONSTANTS SLEEP, NIGHT, DARKNESS, BLACKNESS AND INTI-
MACY - MOZART S APPLICATION OF HIS VOCAL SOUND LANGUAGE OF LOVE TO
HIS INSTRUMENTAL MUSIC - SIGHS AND LOVE SIGHS IN MOZART - THE LARGO
OF BEETHOVEN S THIRD PIANO CONCERTO IN C MINOR OP. 37 AS NOTTURNO
- CZERNY S AND SCHINDLER S REPORTS ABOUT BEETHOVEN S MODE OF CREA-
TION AND THE HERMENEUTIC INTERPRETATION OF HIS WORKS - COUNT LICH-
NOWSKY AND THE POETIC IDEA IN THE PIANO SONATA IN E MINOR OP. 90
- THE PIANO SONATA IN A MAJOR OP. 101 AND THE DEDICATION TO BARON-
ESS DOROTHEA VON ERTMANN - A TURN FIGURE AS LEITMOTIF AND AFFECTIVE
WORD IN BEETHOVEN 113
A DEEP LAMENT FOR YOU - SECRET MESSAGES IN ROBERT SCHU-
MANN S PIANO MUSIC SCHUMANN AS REPRESENTATIVE OF POETIC MU-
SIC - AUTOBIOGRAPHIC CHARACTER OF HIS EARLY PIANO MUSIC - SCHU-
MANN S PASSIONATE LOVE OF CLARA WIECK: THE LONG SEPARATION OF OCTO-
BER 1837 TO MAY 1838 - SCHUMANN S TWO-FOLD NATURE AND THE
DAVIDSBUENDLERTAENZE OP. 6 - COMPOSITION AS COMMUNICATION - THE
NARRATIVE ELEMENT - THE BEETHOVEN QUOTATION IN THE PHANTASIE OP. 17
-AT NIGHT AND THE ASSOCIATION OF HERO AND LEANDER - WEDDING AND
TOLLING BELLS IN ENDE VOM LIED - THE CONCLUSION OF THE SEVENTH
PIECE OF THE KREISLERIANA - AUTOBIOGRAPHIC ELEMENTS IN THE NOVELLET-
TEN: EGMONTGESCHICHTEN, SARAZENE AND SULEIKA, STIMME AUS DER
FERNE - THE CHIARA ANAGRAM IN THE FIRST MOVEMENT OF THE PIANO CON-
CERTO 129
VIII
WORLD-REDEEMING LOVE - RICHARD WAGNER S GREAT UTOPIAN
IDEA HUMANITY, LOVE, ART (MUSIC): THE CENTRAL CONCEPTS IN WAGNER S
WORK - THE CONCEPT OF THE PURELY HUMAN - BECOMING HUMAN
THROUGH LOVE - WAGNER S CONCEPTION OF LOVE, EXEMPLIFIED BY SENTA,
THE VOLSUNGS AND TRISTAN AND ISOLDE - CRITIQUE OF MATRIMONY - SACRI-
FICIAL READINESS, ESPECIALLY ON THE PART OF WOMAN - THE CONTRAST BE-
TWEEN ERAS AND AGAPE IN SCHOPENHAUER - WAGNER S RECEPTION OF
SCHOPENHAUER S PHILOSOPHY - LOVE AND FREEDOM - SENSUALITY AND
HUMAN LOVE IN TANNHAEUSER - DER RING DES NIBELUNGEN IN WAG-
NER S OWN INTERPRETATION: THE ANTAGONISM OF POWER AND LOVE, THE RATIO
OF LOVE AND LOVELESSNESS AND THE NECESSITY OF THE END - THE CON-
CEPTION OF TRISTAN UND ISOLDE UNDER THE SPELL OF SCHOPENHAUER -
TANNHAEUSER AND PARSIFAL: WAGNER S COMMITMENT TO SCHOPENHAUER S
ETHICS - THE CONCEPT OF REDEMPTION - WAGNER S ROMANTIC OPERAS
AND MUSIC DRAMAS AS VARIATIONS ON THE THEME OF LOVE 138
WAGNERIAN WOMEN FIGURES WAGNER S THOUGHTS ABOUT THE RELATIONS
BETWEEN THE SEXES - VENUS AND ELISABETH - ELSA AND ORTRUD - STRONG
AND WISE WOMEN 148
AFFINITY OF LOVE AND DEATH - TRISTAN UND ISOLDE THE VERY OPUS
METAPHYSICUM OF ALL ART (NIETZSCHE) - SUBTLETY AND HERMETICISM OF
THE LIBRETTO - ACT II, SCENE II - AUTOBIOGRAPHIC CONCEPTION - LOVE
YEARNING AND NON-EXISTENCE - SYMBOLISM OF DAY AND NIGHT - THE
SWEET LITTLE WORD AND - THE TRIANGULAR CONSTELLATION WAGNER /
MATHILDE / OTTO WESENDONCK - POETIC INTENTION AND MUSIC - THE
TRISTAN CHORD AND ENHARMONIC CHANGE - THE PRELUDE TO TRISTAN AND
WAGNER S ELUCIDATION - LOVE POTION AND DEATH POTION - THE SYMBOL-
ISM OF ENHARMONIC CHANGE - INFLUENCE HISTORY: EMIL LUCKA,
MAHLERS ADAGIETTO AND TENTH SYMPHONY - WAGNER S LOVE PHILOSO-
PHY AND ALBAN BERG S STRING QUARTETS 156
PSYCHOPATHOLOGY OF LOVE - SALOME SEXUALITY AND CRUELTY - THE
SALOME LEGEND IN THE GOSPELS AND IN MEDIEVAL ART - SALOME AS FEMME
FATALE IN 19
TH
-CENTURY LITERATURE - WILDE S 1891 DRAMA SALOME: DESIRE
AND EROTIC FIXATION, END-TIME MOOD AND MOON SYMBOLISM - ON THE
GENESIS OF RICHARD STRAUSS S OPERA: THE POCKET COPY OF THE INSEL VER-
LAG EDITION - PSYCHOLOGIZING FUNCTION OF THE MUSIC AND LEITMOTIF
TECHNIQUE - THE HEROD MOTIFS - SALOME S THREE PRAISES OF THE
IX
PROPHET - CONSONANCE AND DISSONANCE IN THE SERVICE OF AN AESTHETIC
OF THE BEAUTIFUL AND THE UGLY - THE MUSIC REVEALS AT WHAT POINT SA-
LOME CONCEIVES THOUGHTS OF REVENGE - SALOME S FINAL MONOLOGUE: A
COUNTERPART TO ISOLDE S LIEBESTOD? - THE SETTING OF THE LINE UND DAS
GEHEIMNIS DER LIEBE IST GROESSER ALS DAS GEHEIMNIS DES TODES - THE
SYMBOLISM OF C SHARP MINOR AND E FLAT MINOR - ON THE HISTORY OF
THE OPERA S IMPACT: MAHLER S ENTHUSIASM - INFLUENCE ON WOZZECK. 170
DISILLUSIONMENT OF LOVE THE DECLINE OF THE ROMANTIC IDEAL OF PAS-
SIONATE LOVE AND THE LIBERATION OF SEXUAL RELATIONS - CONTRARY CONCEP-
TION OF LOVE IN THE MUSIC THEATER OF THE 20
TH
CENTURY - REJUVENATION
AND TRANSFORMATION THROUGH THE MAGIC POWER OF LOVE AS CENTRAL IDEA
OF ARIADNE AUFNAXOS - RICHARD STRAUSS ON DAPHNE - LOVE IS MORE
IMPORTANT THAN GOLD: THE MESSAGE OF DIE LIEBE DER DANAE - TRISTAN
PARODIES: THE TRISTAN QUOTATION IN DEBUSSY S GOLLIWOGG S CAKE-WALK
AS IRONIZATION OF THE GRAND EROTIC EMOTIONS - THE SEXUAL PROBLEMATIC
IN HINDEMITH S TRIPTYCH MOERDER, HOFFNUNG DER FRAUEN, DAS NUSCH-
NUSCHI AND SANCTA SUSANNA - THE MARKE QUOTATION AS TRAVESTY IN
DAS NUSCH-NUSCHI - BELA BARTOEK S PANTOMIME THE MIRACULOUS
MANDARIN - INTERPRETATION OF THE ACTION - THE DRAMATURGIC CONCEP-
TION - EROTIC AND YEARNING ELEMENTS IN THE MUSIC - BERG S WOZZECK
AS PROTEST AGAINST INHUMANITY - ALLUSIONS TO THE SEXUAL DRIVE IN
BIICHNER S WOYZECK FRAGMENT - MARIE CHALLENGES THE DRUM MAJOR -
A REMNANT OF ROMANTIC LOVE IN LULU 188
EPILOGUE. DEHUMANIZATION OF MUSIC? ISOLATED ENDEAVOURS TO DE-
HUMANIZE ART SINCE THE LATE 18
TH
CENTURY - MUSIC AS EXPRESSION OR
ABSOLUTE MUSIC ? - THE TRAUMATIC EFFECTS OF WORLD WAR II - THE
IDEA OF A SCIENTIZATION OF MUSIC SINCE THE FIFTIES - CRITIQUE OF
SERIAL-
ISM - AVANT-GARDE AND POSTMODERNISM - CRISIS AND STRATEGIES OF THE
RECORD INDUSTRY: COMPOSING UNDER THE DICTATE OF THE MUSIC INDUSTRY?
- THE NEW MUSIC REQUIRES NEW LISTENING EXPERIENCES - POLITICIZATION
OF MUSIC - RESPONSIBILITY OF MUSIC - POLITICALLY ENGAGED MUSIC AS
PUBLIC AFFAIR - AUSCHWITZ AND HIROSHIMA AND THE AESTHETICIZING OF
TERROR - VIOLENCE AND COLDNESS AS BASIC PROBLEMS OF OUR TIME - THE
INHIBITIONS OF THE AVANT-GARDE VIS-A-VIS HUMANE CONTENTS - THE
LOVE OF MAN AS SUBJECT OF THE NEW MUSIC - THE DANGER OF A DEHU-
MANIZATION OF THE WORLD 199
APPENDIX 205
NOTES 207
BIBLIOGRAPHY 251
INDEX 260
XI
|
| any_adam_object | 1 |
| author | Floros, Constantin 1930- |
| author_GND | (DE-588)118994425 (DE-588)1032229160 |
| author_facet | Floros, Constantin 1930- |
| author_role | aut |
| author_sort | Floros, Constantin 1930- |
| author_variant | c f cf |
| building | Verbundindex |
| bvnumber | BV043032889 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)876043274 (DE-599)BVBBV043032889 |
| dewey-full | 781.1/7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1/7 |
| dewey-search | 781.1/7 |
| dewey-sort | 3781.1 17 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043032889 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T04:39:36Z |
| institution | BVB |
| isbn | 9783653042191 3653042194 9783631630440 3631630441 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028457539 |
| oclc_num | 876043274 |
| open_access_boolean | |
| physical | 1 online resource (277 pages) illustrations |
| psigel | ZDB-4-EBA DHB_BSB_GNDPERS_I |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Peter Lang AG |
| record_format | marc |
| spellingShingle | Floros, Constantin 1930- Humanism, love and music MUSIC / Instruction & Study / Theory bisacsh Humanism in music fast Love in music fast Music / Philosophy and aesthetics fast Musik Music Philosophy and aesthetics Humanism in music Love in music Liebe Motiv (DE-588)4123655-5 gnd Musikphilosophie (DE-588)4123809-6 gnd Musikpsychologie (DE-588)4127817-3 gnd Musikästhetik (DE-588)4040808-5 gnd Musik (DE-588)4040802-4 gnd Humanität (DE-588)4026147-5 gnd |
| subject_GND | (DE-588)4123655-5 (DE-588)4123809-6 (DE-588)4127817-3 (DE-588)4040808-5 (DE-588)4040802-4 (DE-588)4026147-5 |
| title | Humanism, love and music |
| title_auth | Humanism, love and music |
| title_exact_search | Humanism, love and music |
| title_full | Humanism, love and music Constantin Floros ; translated by Ernest Bernhardt-Kabisch |
| title_fullStr | Humanism, love and music Constantin Floros ; translated by Ernest Bernhardt-Kabisch |
| title_full_unstemmed | Humanism, love and music Constantin Floros ; translated by Ernest Bernhardt-Kabisch |
| title_short | Humanism, love and music |
| title_sort | humanism love and music |
| topic | MUSIC / Instruction & Study / Theory bisacsh Humanism in music fast Love in music fast Music / Philosophy and aesthetics fast Musik Music Philosophy and aesthetics Humanism in music Love in music Liebe Motiv (DE-588)4123655-5 gnd Musikphilosophie (DE-588)4123809-6 gnd Musikpsychologie (DE-588)4127817-3 gnd Musikästhetik (DE-588)4040808-5 gnd Musik (DE-588)4040802-4 gnd Humanität (DE-588)4026147-5 gnd |
| topic_facet | MUSIC / Instruction & Study / Theory Humanism in music Love in music Music / Philosophy and aesthetics Musik Music Philosophy and aesthetics Liebe Motiv Musikphilosophie Musikpsychologie Musikästhetik Humanität |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=704742 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028457539&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT florosconstantin humanismloveandmusic AT bernhardtkabischernest humanismloveandmusic |