Musical intimacies and indigenous imaginaries aboriginal music and dance in public performance
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
2013
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Inhaltsangabe:
- Introduction : publicity, counterpublicity, antipublicity
- Public and intimate sociability in first nations and Métis fiddling
- "#1 on NCI" : country music and the aboriginal public
- "Your own heart will make its own music" : gospel singing, individuation, and the comforting community
- "We don't want to say no to anybody who wants to sing" : gospel music in coffee-house performance
- Antipublicity : family tradition and the aboriginal public
- Circulation controversies
- Dueck considers several genres of music and dance currently performed in First Nations and Métis communities in Manitoba, including fiddling, step dancing, country music, and gospel song. He also explores some of the contexts in which these genres are performed, including concerts, coffeehouses, dance competitions, and funerary wakes. He looks at how Manitoban aboriginal musicians engage with musical intimates and mass-mediated audiences; how they negotiate the possibilities mass mediation affords; and how, in doing so, they extend and elaborate indigenous sociability