The paradigm case the cinema of Hitchcock and the contemporary visual arts
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| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; Bern ; Berlin ; Bruxelles ; Frankfurt am Main ; New York ; Wien
Peter Lang
[2015]
|
| Schriftenreihe: | Cultural Interactions
Volume 36 |
| Schlagworte: | |
| Online-Zugang: | http://www.peterlang.com/?431780 Inhaltstext Inhaltsverzeichnis Inhaltsverzeichnis |
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| 264 | 4 | |c © 2015 | |
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| 653 | |a Matthias Müller and Christoph Girardet | ||
| 653 | |a Pierre Huyghe | ||
| 653 | |a classical cinema | ||
| 653 | |a mystery | ||
| 653 | |a Johan Grimonprez | ||
| 653 | |a suspense | ||
| 653 | |a Alfred Hitchcock | ||
| 653 | |a artist-filmmakers | ||
| 653 | |a art gallery | ||
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Datensatz im Suchindex
| DE-19_call_number | 0910/AP 51170 M478 |
|---|---|
| DE-19_location | 19 |
| DE-BY-UBM_katkey | 5339046 |
| DE-BY-UBM_media_number | 41627615290017 |
| _version_ | 1823056026448953344 |
| adam_text | CONTENTS
LIST OF FIGURES
ACKNOWLEDGEMENTS
INTRODUCTION: PARADIGM CASES
CHAPTER I
MAPPING THE FIELD OF HITCHCOCKIAN APPROPRIATION
CHAPTER 2
FOUND FOOTAGE IN FLAMES: MATTHIAS MIILLER AND CHRISTOPH
GIRARDET S PHOENIX TAPES
CHAPTER 3
THE ESSAY-FILM (EXPANDED): JOHAN GRIMONPREZ S DOUBLE TAKE
CHAPTER 4
HORROR IN REAL-TIME: DOUGLAS GORDONS 24 HOUR PSYCHO
CHAPTER 5
PARTICIPATORY REMAKING: PIERRE HUYGHE S REMAKE
CHAPTER 6
SCREENING MEMORY: ATOM EGOYAN S EVIDENCE / FELICIA S
JOURNEY
CONCLUSION
HTTP://D-NB.INFO/107792450X
VI
APPENDIX: VISUAL ART AND FILMIC REVIEW OF APPROPRIATIONS 257
BIBLIOGRAPHY
1?3
FILMOGRAPHY
2
8
9
EXHIBITIONS
INDEX ^
0
^
|
| any_adam_object | 1 |
| author | McCarron, Bernard |
| author_facet | McCarron, Bernard |
| author_role | aut |
| author_sort | McCarron, Bernard |
| author_variant | b m bm |
| building | Verbundindex |
| bvnumber | BV043005470 |
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| ctrlnum | (OCoLC)951033110 (DE-599)DNB107792450X |
| dewey-full | 792 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792 |
| dewey-search | 792 |
| dewey-sort | 3792 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
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| id | DE-604.BV043005470 |
| illustrated | Illustrated |
| indexdate | 2025-02-03T17:41:49Z |
| institution | BVB |
| institution_GND | (DE-588)1065221940 |
| isbn | 9783034317801 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028430572 |
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| physical | X, 312 Seiten Illustrationen |
| publishDate | 2015 |
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| publisher | Peter Lang |
| record_format | marc |
| series | Cultural Interactions |
| series2 | Cultural Interactions |
| spellingShingle | McCarron, Bernard The paradigm case the cinema of Hitchcock and the contemporary visual arts Cultural Interactions Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Experimentalfilm (DE-588)4153359-8 gnd Film (DE-588)4017102-4 gnd Rezeption (DE-588)4049716-1 gnd Videokunst (DE-588)4188229-5 gnd |
| subject_GND | (DE-588)118551647 (DE-588)4153359-8 (DE-588)4017102-4 (DE-588)4049716-1 (DE-588)4188229-5 |
| title | The paradigm case the cinema of Hitchcock and the contemporary visual arts |
| title_auth | The paradigm case the cinema of Hitchcock and the contemporary visual arts |
| title_exact_search | The paradigm case the cinema of Hitchcock and the contemporary visual arts |
| title_full | The paradigm case the cinema of Hitchcock and the contemporary visual arts Bernard McCarron |
| title_fullStr | The paradigm case the cinema of Hitchcock and the contemporary visual arts Bernard McCarron |
| title_full_unstemmed | The paradigm case the cinema of Hitchcock and the contemporary visual arts Bernard McCarron |
| title_short | The paradigm case |
| title_sort | the paradigm case the cinema of hitchcock and the contemporary visual arts |
| title_sub | the cinema of Hitchcock and the contemporary visual arts |
| topic | Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Experimentalfilm (DE-588)4153359-8 gnd Film (DE-588)4017102-4 gnd Rezeption (DE-588)4049716-1 gnd Videokunst (DE-588)4188229-5 gnd |
| topic_facet | Hitchcock, Alfred 1899-1980 Experimentalfilm Film Rezeption Videokunst |
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