The history of the book

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Format: Buch
Sprache:English
Veröffentlicht: London Modern Humanities Research Assoc. 2015
Schriftenreihe:The yearbook of English studies 45
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Datensatz im Suchindex

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adam_text Edited bv Sandro Jung and Stephen Colclough, the dOIS number of the MHRA Yearbook of English Studies features contributions that investigate the materiality of texts, their advertising and marketing, as well as readerlv engagements with different works that are, as part of their attempts at classification, conceived of as acts of canon formation. Extending from the late seventeenth to the rwentv-Hrsr centuries, the contributions revolve around questions related to the reading and interpretation of texts, the shaping of authorial reputations, and the role that booksellers and/or publishers played in introducing new print objects into a highly competitive marketplace for print commodities. Devoted to the subject of The History of the Book , the essays in this volume examine texts that range from the cheaply produced ego documents for daily use (stick as almanacs and pocket diaries) to the conceptual artist Brian Dettmers extremely limited edition sculpted volumes. Essays investigate the functions of printed visual culture, the significance of illustrations for cultural literacy, and the interrelationship between engraved image a ilei typographical text. Booksellers decisions to promote paratextual interpretations of literary texts are discussed in contributions on eighteenth-century anthologies, the illustrations * c - v to l bonus Baker s Royal t ruuuuuit m Rocket Atlas, and early rwentieth-centurv illustratesi editions of Shakespeare. W hile paratextual readings furnished bv editors and designers are central to a number of the essavs, the uses of print forms, as well as the collecting of books, are investigated b others. C .ontributors consider seventeenth-centurv illustrated media such as commemorative broadsheets jnel offer considerations of the significance of jobbing printinu and paper-based ephemera in the eighteenth-century marketplace. Essavs on Charles Dickens and Catharine Sedgwick study the transatlantic travels of books — often through the medium of pirate editions — and the wavs in which publishers sought to make a profit bv reprinting works, both vv ith and without the authors permission. The volumes concern with the production, history and different wavs of reading literature is illustrated bv detailed examinations of both canonical ». w o rhs in codex format and alternative print objects not usually considered bv literary historians. Contents PAGE Abstracts..............................................................viii Notes on contributors..................................................xiii Introduction Sandro Jung and Stephen Colclough...................................... 1 The Times Displayed: Late Seventeenth-Century English Commemorative Broadsheets and Media Hybridity Margaret J. M. Ezell...................................................12 Choice Reading: Anthologies, Reading Practices and the Canon, 1680-1800 Barbara M. Benedict.....................................................35 Why Ephemera Were Not Ephemeral: The Effectiveness of Innovative Print in the Eighteenth Century James Raven............................................................56 Book-Collecting and Literature in Eighteenth-Century Britain David Allan............................................................74 Generous Liberal-Minded Men: Booksellers and Poetic Careers in Johnson’s Lives of the Poets Jack Lynch.............................................................93 Furnishings: English and Scottish Poetry Series in the Late Eighteenth Century Thomas F. Bonnell......................................................109 Thomas Stothard, Milton and the Illustrative Vignette: The Houghton Library Designs for The Royal Engagement Pocket Atlas Sandro Jung.............................................................137 Pocket Books and Portable Writing: The Pocket Memorandum Book in Eighteenth-Century England and Wales Stephen Colclough.....................................................159 Tracking Piracy through the Digital Archive: The Case of Dickens Mary Hammond..........................................................178 American Novelist Catharine Sedgwick Negotiates British Copyright, 1822-57 Melissa J. Homestead..................................................196 Shakespeare in Colour: Illustrated Editions, 1908-14 Stuart Sillars.........................................................216 Readers and Reading in the First World War Shafquat Towheed, Francesca Benatti and Edmund G. C. King . . 239 Visualizing the Book, Virtualizing the Reader Garrett Stewart.......................................................262
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title The history of the book
title_auth The history of the book
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title_full The history of the book guest eds.: Sandro Jung ...
title_fullStr The history of the book guest eds.: Sandro Jung ...
title_full_unstemmed The history of the book guest eds.: Sandro Jung ...
title_short The history of the book
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