The moving researcher Laban/Bartenieff movement analysis in performing arts education and creative arts therapies
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| Sprache: | English |
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London ; Philadelphia, Pa.
Kingsley
2015
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| LEADER | 00000nam a22000002c 4500 | ||
|---|---|---|---|
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| 003 | DE-604 | ||
| 005 | 20171102 | ||
| 007 | t| | ||
| 008 | 150720s2015 xx ad|| |||| 00||| eng d | ||
| 020 | |a 9781849055871 |9 978-1-84905-587-1 | ||
| 035 | |a (OCoLC)915360985 | ||
| 035 | |a (DE-599)BSZ435208179 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-B170 | ||
| 245 | 1 | 0 | |a The moving researcher |b Laban/Bartenieff movement analysis in performing arts education and creative arts therapies |c Ciane Fernandes. With Jackie Hand, Júlio Mot, Melina Scialo, Rosel Grassmann and Susanne Schlicher. Engl. rev. by Clàudio Lacerda. Forew. by Regina Miranda |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a London ; Philadelphia, Pa. |b Kingsley |c 2015 | |
| 300 | |a 311 S. |b Ill., graph. Darst. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Literaturverz. S. 302 - 311 | ||
| 600 | 1 | 7 | |a Laban, Rudolf von |d 1879-1958 |0 (DE-588)118568434 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Bewegungsanalyse |0 (DE-588)4122917-4 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Laban, Rudolf von |d 1879-1958 |0 (DE-588)118568434 |D p |
| 689 | 0 | 1 | |a Bewegungsanalyse |0 (DE-588)4122917-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Fernandes, Ciane |e Sonstige |0 (DE-588)1056448482 |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-78450-034-4 |
| 856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028134147&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-028134147 | |
Datensatz im Suchindex
| _version_ | 1819714113849262080 |
|---|---|
| adam_text | The Moving
Researcher
LABAN/BARTENIEI F MOVEMENT ANALYSIS IN
PERFORMING ARTS EDUCATION AND
CREATIVE ARTS THERAPIES
Ciane Fernandes
with Jackie Hand, Julio Mota, Melina Scialom,
Rosel Grassmann and Susanne Schlicher
English Revision by Cldudio Lacerda
FOREWORD BY REGINA MIRANDA
Jessica Kingsley Publishers
London and Philadelphia
Contents
Foreword by Regina Miranda 13
PREFACE TO THE ENGLISH EDITION: LABAN WOH(L)DS 17
I The Development of Rudolf von Laban s Movement Theories 21
1 An Expanded Outline of the Application of Laban Theory to Movement 21
Jackie Hand
1 1 Movement and Laban Theories 23
1 2 The Complexity of Movement 24
121 Irmgard BarteniefF 26
1 3 The Application of Laban Theory to Movement 26
f 4 Conclusion 48
2 Voicing the Practice: Laban s Embodied Emigration to Brazil 48
Melina Scialom
2 1 The Repertoire Lineage 50
2 2 Voices of Practice of Laban Knowledge 54
2 3 Conclusion 58
3 Choreology and Choreological Studies 59
Julio Mota
4 How to Move Things and Words: Laban Moving Analysis as
Somatic-Performative Research 62
4 1 Moving Principles of Somatic-Perf ormative Research 67
411 Four Founding Principles 68
412 Twelve Thematic Principles 68
413 Four Contextual Principles 69
4 2 The Moving Research 69
5 Autistic or Artistic? Laban s Theories Applied to Child Disability 70
II Laban/BarteniefF Movement Analysis: Interartistic
Practice and Dynamic Writing 80
1 Dance Theater and Laban/Bartenielf Movement Analysis 80
2 Infinite Dance: Dynamic Bodies and Concepts 81
3 Laban/Bartenieff Movement Analysis and the Categories
of Body-Effort-Shape—Space 84
4 The Dialogue Among the Arts in Total Body Expression 87
III Among Rocks, Reptiles and Connective Wind Currents:
The Body 90
1 Bartenieff Principles 91
1 1 Breath Support and Kinetic Chains 91
1 2 Core Support 92
1 3 Dynamic Alignment 92
1 4 Developmental Movement Patterns 93
141 Cellular Breathing 94
142 Navel Radiation or Core/Distal 94
143 Spinal or Head/Tail 95
144 Homologous or Upper/Lower 95
145 Homolateral or Body Half 96
146 Contralateral or Crossed Si des 97
1 5 Bony Connections 97
1 6 Weight Shift for Locomotion 100
1 7 Initiation and Sequencing 100
1 8 Gradated Rotation 101
19 Effort Life for Body Connectivity 102
1 10 Spatial Intent 102
2 Bartenieff Fundamentals™ 102
2 1 Preparatory Exercises 103
211 Breathing with Sounding 103
212 Homologous Vibration with Sounding (Shake-Out) 105
213 Navel Radiation 106
214 Stretching in the Three Dimensions with Sounding 109
215 Pre Thigh Lift 110
216 Pelvic Lift 111
217 Homologous Heel Rock in I or in X 113
218 Contralateral Heel Rock in X 114
219 Lateral Walking 116
2 2 The Basic Six 117
221 Thigh Lift 117
222 Pelvic Forward Shift 119
223 Pelvic Lateral Shift 121
224 Body Half 124
225 Knee Drop 127
226 Arm Circles 129
3 Posture/Gesture Merger 133
4 Gesture and Posture According to Laban and Lamb 134
Julio Mota
4 1 The Legacy of Rudolf Laban 136
5 Basic Body Concepts and Symbols 139
5 1 Body Parts 139
5 2 Upper and Lower Limbs 140
5 3 Body Actions 141
IV Effort or Eukinetics: Pitches and Colors of a Poetic Body 142
1 The Flow Factor 145
1 1 Free Flow 147
1 2 Bound Flow 147
2 The Space Factor 148
2 1 Indirect Space 151
2 2 Direct Space 152
3 The Weight Factor 153
3 1 Light Weight • 155
3 2 Strong Weight 156
4 The Time Factor 157
4 1 Sustained Time 159
4 2 Quick Time 160
5 The Effort Factors and Quaternary Correspondences 160
6 Pre-Effort 161
6 1 Space Pre-Effort 162
*6 2 Weight Pre-EfFort 163
6 3 Time Pre-Effort 164
7 The Combination of Factors 164
7 1 States (Combinations of Two Factors) 165
711 Weight and Time (Rhythm or Near State) 165
712 Weight and Flow (Dream State) 166
713 Weight and Space (Stable Slate) 167
714 Flow and Space (Remote State) 167
,715 Flow and Time (Mobile Stale) 168
716 Time and Space (Awake Stale) 169
7 2 Effort Drives (Combinations ofThree Factors) 170
721 Transformation Drives (with Flow Variation) 170
7211 Weight, Time, Flow (Passion Drive) 170
7212 Weight, Flow, Space (Spell Drive) 171
7213 Time, Flow, Space (Vision Drive) 172
722 Action Drives (without Flov Variation) 173
8 Effort Phrases and Effort Phrasing 175
8 1 Effort Phrases 175
8 2 Effort Phrasing 176
821 Impulsive or Explosive 177
822 Impactive or Emphatic 178
823 Swing 178
824 Rebound or Resilient 178
825 Accented
826 Even
827 Vibrato
V Shaping Relationships 181
1 Shape Flow 182
1 1 Growing/Opening/Unfolding 185
111 Lengthening in the Vertical 185
112 Spreading in the Horizontal 185
113 Bulging in the Sagittal 185
1 2 Shrinking/Closing/Folding 186
121 Shortening in the Vertical 186
122 Enclosing in the Horizontal 186
123 Hollowing in the Sagittal 187
1 3 Growing and Shrinking Alternately 187
2 Spoke-Like and Arc-Like Directional Movement 187
3 Shaping 189
4 Specific Shapes Created by the Body 191
5 Relationships 191
VI The Architecture of Moving Spaces 195
1 Space Harmony 195
Susanne Scblicher
1 1 Space Harmony and Bartenieff !:undamentals™ 197
2 Kinesphere 199
3 Movement Reach 202
4 Crosses of Axes 203
5 Crystalline Forms 205
5 1 The Tetrahedron 207
5 2 The Octahedron and Its Three Dimensions 208
5 3 The Cube and Its Four Diagonals 214
5 4 The Icosahedron and Its Three Planes 222
541 Planes and Dimensions 225
542 Planes and Diameters 227
543 Transversals of the Icosahc dron Scales 228
5431 Left B, Right B, Left A and Right A Scales 231
5432 Axis and Girdle Scales 234
5433 Primary Scales 236
5434 Rings (Fragments ol Scales) 237
5435 Knots and Lemniscates 238
544 The Icosahedron Scales and Musical Harmony 239
5 5 The Dodecahedron and Its Three Planes 241
6 Spatial Pathway 243
6 1 Central Pathway 244
6 2 Transverse Pathway 245
6 3 Peripheral Pathway 245
7 Spatial Tension 246
8 Other Concepts and Symbols of Space 247
VII Associating Body-Effort-Shape-Space 249
1 Choreutics: Tuning and Turning ( ompositions 249
1 1 Affinities in the Dimensions of the Octahedron 250
111 Dimensional Scale 251
1 2 Affinities in the Cube Diagonals 254
121 The Diagonal Scale 254
1 3 Affinities in the Icosahedron Planes 258
1 4 From Points in Space to Movement Composition: The Personal Scale - 261
1 5 From Shape Flow to Movement C omposition: Authentic Movement 264
2 Body Attitude 267
2 1 Body 267
211 Stance 267
212 Leg Rotation 267
213 Legs Bent or Stretched 268
1214 Postural Configurations 268
215 Use of Trunk 268
2 2 Effort Stress 268
2 3 Shape Stress 268
2 4 Space Stress 268
241 Neutral Erect 269
242 Vertical Stress (Vertical Erect) 269
243 Horizontal Stress 269
244 Sagittal Stress 270
245 Diagonal Stress 270
3 Themes of Continuous Dynamics and Change 270
3 1 Inner/Outer 270
3 2 Exertion/Recuperation 271
3 3 Function/Expression 272
3 4 Mobility/Stability 273
VIII Mapping Bodily Histories: Drawing the Moving Body-Text 274
1 The Observation of Human Movement for Description 275
2 The Description of Human Movement According to LMA 276
2 1 Effort-Shape Movement Description 276
211 The Detailed Horizontal Motif and the Discursive Description:
A Scene by Pina Bausch 279
2 2 Discursive Description and Vertical Motif Description 280
221 Movement Description of Sitting on a Chair 282
222 Movement Description of Raising the Arms 282
2 3 Detailed Description 283
3 Simplified Movement Analysis 284
3 1 Coding Sheet for Simplified Laban/Bartenieff Movement Analysis 285
3 2 Example Coding Sheet for Simplified Laban/Bartenieff Movement Analysis 286
3 3 Application of the Simplified Coding Sheet to Dance Movement Analysis:
Bahian Urban Life in a piece by Iran Chan Dance Company 287
4 Detailed Movement Analysis 289
4 1 Coding Sheet for Detailed Laban/Bartenieff Movement Analysis 290
4 2 Example Coding Sheet for Detailed Laban/Bartenieff Movement Analysis 293
4 3 Application of the Detailed Coding Sheet to Character Analysis: Carmen Maura
in Women on the Verge of a Nervous Breakdown 296
Cidne Fernandes, Susanne Schlichzr, and Rosel Grassmann
NOTES 299
REFERENCES 302
List of Figures
Rigure III 1 Bony Connections 98
Figure III 2 Navel Radiation 108
Figure III 3 Contralateral Stretching 116
Figure III 4 Thigh Lift 119
Figure III 5 Pelvic Forward Shift 121
Figure III 6 Pelvic Lateral Shift 124
Figure III 7 Body Half 127
Figure III 8 Knee Drop 129
Figure III 9 Arm Circle and Diagonal Sit Up 133
Figure VI 1 Dimensional Scale 212
Figure VI 2 Cube: Diagonal Scale with the Right Arm 218
Figure VI 3 Icosahedron 226
Figure VII 1 Affinities in the Octahedron Dimensions 253
Figure VII 2 Affinities in the Cube Diagonals 257
Figure VII 3 Affinities in the Icosaedron Planes—Right Arm Initiating
the Movements 259
Figure VII 4 Affinities in the Icosaedmn Planes—Left Arm Initiating
the Movements 260
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| id | DE-604.BV042702662 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T04:31:29Z |
| institution | BVB |
| isbn | 9781849055871 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028134147 |
| oclc_num | 915360985 |
| open_access_boolean | |
| owner | DE-B170 |
| owner_facet | DE-B170 |
| physical | 311 S. Ill., graph. Darst. |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Kingsley |
| record_format | marc |
| spellingShingle | The moving researcher Laban/Bartenieff movement analysis in performing arts education and creative arts therapies Laban, Rudolf von 1879-1958 (DE-588)118568434 gnd Bewegungsanalyse (DE-588)4122917-4 gnd |
| subject_GND | (DE-588)118568434 (DE-588)4122917-4 |
| title | The moving researcher Laban/Bartenieff movement analysis in performing arts education and creative arts therapies |
| title_auth | The moving researcher Laban/Bartenieff movement analysis in performing arts education and creative arts therapies |
| title_exact_search | The moving researcher Laban/Bartenieff movement analysis in performing arts education and creative arts therapies |
| title_full | The moving researcher Laban/Bartenieff movement analysis in performing arts education and creative arts therapies Ciane Fernandes. With Jackie Hand, Júlio Mot, Melina Scialo, Rosel Grassmann and Susanne Schlicher. Engl. rev. by Clàudio Lacerda. Forew. by Regina Miranda |
| title_fullStr | The moving researcher Laban/Bartenieff movement analysis in performing arts education and creative arts therapies Ciane Fernandes. With Jackie Hand, Júlio Mot, Melina Scialo, Rosel Grassmann and Susanne Schlicher. Engl. rev. by Clàudio Lacerda. Forew. by Regina Miranda |
| title_full_unstemmed | The moving researcher Laban/Bartenieff movement analysis in performing arts education and creative arts therapies Ciane Fernandes. With Jackie Hand, Júlio Mot, Melina Scialo, Rosel Grassmann and Susanne Schlicher. Engl. rev. by Clàudio Lacerda. Forew. by Regina Miranda |
| title_short | The moving researcher |
| title_sort | the moving researcher laban bartenieff movement analysis in performing arts education and creative arts therapies |
| title_sub | Laban/Bartenieff movement analysis in performing arts education and creative arts therapies |
| topic | Laban, Rudolf von 1879-1958 (DE-588)118568434 gnd Bewegungsanalyse (DE-588)4122917-4 gnd |
| topic_facet | Laban, Rudolf von 1879-1958 Bewegungsanalyse |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028134147&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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