Copyright in a global information economy

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Veröffentlicht: New York, NY Wolters Kluwer 2015
Ausgabe:4. ed.
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adam_text Contents Preface PARTI Introduction to Copyright Law Copyright in Context A. The Theoretical Underpinnings of Copyright Law 1. Incentives for Authors and Publishers Trotter Hardy, Property (and Copyright) in Cyberspace 2. Authors’ Rights John Locke, Two Treatises on Government 3. A Robust Public Domain Jessica Litman,The Public Domain 4. An Uncensored Marketplace of Ideas 5. A Theory of Users’ Rights? 6. What Progress, and Whose Welfare? William P. Alford, To Steal a Book Is an Elegant Offense B. The Histoiy of U.S. Copyright Law 1. From Censorship to Markets 2. “Progress,” Incentives, and Access 3. Copyright Law and Technological Change xxiii XXV 3 6 6 8 11 12 14 14 ló 18 21 21 23 23 25 27 xi Contents • ♦ XU a. New Methods of Creating New Works 28 b. New Technologies for Distributing and Copying Works 29 c. Legal Responses to New Technologies 30 4. The Political Economy of Copyright Law 31 a. The Copyright Legislative Process 31 b. The Traditional Copyright Industries 32 c. The Rise and Importance of New Intermediaries 33 C. The Role of International Treaties and Institutions 35 1. From Pirate to Holdout to Enforcer: International Copyright and the United States 35 2. The Berne Convention 37 3. The TRIPS Agreement 38 4. International Copyright Lawmaking and Enforcement Under the Berne Convention and the TRIPS Agreement 41 a. The World Trade Organization 41 b. The World Intellectual Property Organization (WIPO) 42 c. The WTO, WIPO, and Developing Countries 43 5. New Approaches to International Copyright Lawmaking 45 PART II The Subject Matter of Copyright Requirements for Copyright Protection 49 A. The Elements of Copyrightable Subject Matter 49 1. Fixation 52 Williams Electronics, Inc. v. Artie International, Inc. 54 Cartoon Network LP v. CSC Holdings, Inc. 57 2. Originality 61 a. Classic Cases 61 Barrow - Giles Lithographic Co. v. Sarony 61 Bleistein v. Donaldson Lithographing Co. 64 Alfred Bell Co. v. Catalda Fine Arts, Inc. 67 Note on Nonobviousness and Originality 70 b. Establishing the Modern Originality Standard 72 Feist Publications, Inc. v. Rural Telephone Service Co. 7 3 c. Some Contemporary Originality Problems 79 Mannion v. Coors Brewing Company 79 Meshwerks, Inc. v. Toyota Motor Sales U.S.A., Inc. 83 3. The “Idea/Expression Distinction” 90 a. The Classic Case 90 Baker v. Selden 91 Note on the Merger Doctrine and Thin Copyright 96 Contents xm b. Complications 98 A. A. Hoehling v. Universal City Studios, Inc. 98 ATC Distribution Group, Inc. v. Whatever It Takes Transmissions Parts, Inc. 105 B. Two Special Cases: Derivative Works and Compilations 109 1. Derivative Works 110 L. Batlin Son, Inc. v. Snyder 111 Schrock v. Learning Curve International, Inc. 114 Note on Blocking Patents 120 2. Compilations 121 a. Selection, Arrangement, and Coordination of Data 121 CCC Information Services, Inc. v. Maclean Hunter Market Reports, Inc. 122 Matthew Bender Co. v. West Publishing Co. 126 Note on Alternative Modes of Protection for Databases 130 b. Selection, Arrangement, and Coordination of Elements Other Than Data 131 Roth Greeting Cards v. United Card Co. 131 Satava v. Lowry 133 =— Authorship 137 A. Sole Authorship 138 Lindsay v. The Wrecked and Abandoned Vessel R.M.S. Titanic 138 B. Joint Authorship 140 Erickson v. Trinity Theatre, Inc. 140 Aalmuhammed v. Lee 141 Note on the Intent to Merge Requirement and Implications for Collaborative Works 145 C. Works Made for Hire 146 1. Works Created by Employees Within the Scope of Their Employment 147 a. Who Is an “Employee”? 147 Community for Creative Non-Violence v. Reid 147 JustMed, Inc. v. Byce 153 b. Determining “Scope of Employment” 160 Rouse v.Walter Associates, L.L.C. 160 Note on Employer Ownership of Trade Secrets 168 2. Section 101(2) and “Specially Ordered or Commissioned” Works 169 a. The Requirement of a Signed Written Instrument 170 b. The Categories of Eligible Works 170 D. Government Works 172 XIV Contents Form Versus Function: Useful Articles, Architectural Works, and Software A. Useful Articles with Pictorial, Graphic, and Sculptural Dimensions 1. The Classic Case Mazer v. Stein 2. Defining Useful Articles and Determining Separability Pivot Point International, Inc. Charlene Products, Inc. Note on Alternative Modes of Protection B. Architectural Works 1. What Is a “Building”? 2. Are Buildings “Compilations”? Nelson-Salabes, Inc. v. M Holdings Intervest Construction, Inc. v. Canterbury Estate Homes, Inc. C. Computer Software 1. Source Code Versus Object Code Apple Computer, Inc. v. Franklin Computer Corp. 2. Program Structure Computer Associates International, Inc. v. Altai, Inc. 3. User Interfaces Lotus Development Corp. v. Borland International, Inc. 4. Application Programming Interfaces Oracle America, Inc. v. Google, Inc. Note on Alternative Modes of Protection for Computer Software PART III The Statutory Rights of Copyright Owners The Reproduction Right and the Right to Prepare Derivative Works A. Reproduction 1. The Exact Copy a. The Basics b. “Innocent” Infringement c. Diving Deeper: Ephemeral Copies Under Sections 112 and 118 2. The “Dc Minimis ’ Copy Gottlieb Development LLC v. Paramount Pictures Corp. 3. The Substantially Similar Copy a. Copying in Fact Three Boys Music Corp. v. Michael Bolton Selle v. Gibb 177 177 178 178 180 181 193 196 197 198 198 201 206 208 208 211 212 221 221 229 229 240 247 248 248 248 251 251 253 253 257 258 259 262 Contents XV Ty, Inc. v. GMA Accessories, Inc. 264 Note on Access and Independent Creation in the Corporate Context 269 b. Substantial Similarity 270 i. Two Classic Cases 271 Nichols v. Universal Pictures Corp. 271 Arnstein v. Porter 275 ii. One Contemporary Approach: The Second Circuit 277 Steinberg v. Columbia Pictures Industries, Inc. 277 Poisson v. Banian, Ltd. 283 Mannion v.Coors Brewing Company 286 iii. Another Contemporary Approach: The Ninth Circuit 292 Cavalier v. Random House, Inc. 293 Swirsky v. Carey 298 iv. Technology Cases 304 Computer Associates International, Inc. v. Altai, Inc. 304 B. Derivative Works 308 1. Reproduction or Derivative Work? 309 Warner Bros. Entertainment, Inc. v. RDR Books 309 2. Copyright, Markets, and Derivative Works 320 Paul Goldstein, Derivative Rights and Derivative Works in Copyright 320 Pamela Samuelson, The Quest for a Sound Conception of Copyright’s Derivative Work Right 321 3. Derivative Works That Do Not Involve “Copying” 324 Mirage Editions, Inc. v. Albuquerq Company 324 Lee v. A.R.T. Company 326 Micro Star v. FormGen, Inc. 329 C. Fictional Characters and the Reproduction and Derivative Work Rights 334 Warner Brothers Entertainment v. X One X Productions 335 The Rights of DistributionPublic Performance, and Public Display 345 A. Distribution of Copies 345 1. What Constitutes a “Distribution”? 346 Capitol Records, Inc. v. Thomas 346 2. The First Sale Doctrine and the Rental Rights Problem 353 a. The First Sale Doctrine 354 Bobbs-Merrill Co. v. Straus 354 Capitol Records, LLC v. ReDigi, Inc. 356 b. Rental Restrictions 360 c. Libraries and §108 362 XVI Contents 3. Importation and Exhaustion 364 Kirtsaeng v. John Wiley So, Inc. 365 B. Communication to the Public by Performance or Display 377 1. Scope of the Exclusive Rights 379 a. Once Publicly, Always Publicly? 379 Cartoon Network LP v. CSC Holdings, Inc. 379 American Broadcasting Companies, Inc. v. Aereo, Inc. 385 b. Diving Deeper: Cable and Satellite Retransmission 394 c. The Public Display Right and De Minimis Use 396 d. Where Does a Display Occur? 398 Perfect 10, Inc. v. Amazon.com, Inc. 398 2. Limitations: Section 110 404 a. Section 110 404 b. Diving Deeper: Education and Distance Learning 407 Copyright in Musical Works and Sound Recordings 409 A. Introduction to the “Players ” in the Music Industry 409 B. Reproduction, Public Distribution, and Derivative Works 412 1. Musical Works and Section 115 413 2. Sound Recordings and Section 114 415 3. Synchronization Licenses 416 4. Diving Deeper: The Audio Home Recording Act and Personal Copying 417 C. Sampling 419 Newton v. Diamond 419 Bridgeport Music, Inc. v. Dimension Films 425 D. Public Performance 429 1. Musical Works and Performing Rights Organizations 429 2. Public Performance of Sound Recordings by Digital Audio Transmission 432 3. Technological Disruption and tire Future of Music 436 In Re Pandora Media, Inc. 437 4. Diving Deeper: Section 110 Limitations, Revisited 446 Moral Rights and JRights 449 A. Moral Rights in the United States 449 1. An Early Approach to Moral Rights 450 Gilliam v. American Broadcasting Companies, Inc. 450 Contents XVII 2. The Lanham Act and Attribution 455 Da-star Corp. v. Twentieth Century Fox Film Corp. 455 3. The Visual Artists Rights Act 458 a. Covered Works 459 b. Distortions and Modifications Harmful to Honor or Reputation 460 Massachusetts Museum of Contemporary Art Foundation, Inc. v. Büchel 460 c. Destruction of Works of Recognized Stature 468 Martin v. City of Indianapolis 468 B. Performers’Rights and Related Treaty Obligations 473 1. Anti-Bootlegging Protection in U.S. Law 474 United States v. Martignon 474 2. Diving Deeper: Treaty Obligations Regarding Sound Recordings and Broadcasting Organizations 479 PART IV Indirect Infringement and Lawful Use — The Different Faces of Infringement 483 A. Direct Infringement 484 1. Volition 484 Religious Technology Center v. Netcom On-Line Communications Services, Inc. 484 Cartoon Network LP v. CSC Holdings, Inc. 487 2. Diving Deeper: Infringement by Authorization 490 B. Vicarious Liability and Contributory Infringement 492 1. The History of Secondary Liability 492 2. Contemporary Approaches to Secondary Liability 494 Fonovisa, Inc. v. Cherry Auction, Inc. 494 Perfect 10, Inc. v. Amazon.com, Inc. 497 3. Diving Deeper: Secondary Liability for Those Assisting Secondary Infringers? 502 Perfect 10, Inc. v. Visa International Service Association 503 C. Online Service Provider Liability 509 1. Section 512 Overview 510 2. Safe Harbor Versus Secondary Liability ՜ 512 Viacom International, Inc. v. TouTube, Inc. 513 3. Section 512 and Internet Users 526 a. Suits by Users: Knowing Material Misrepresentation 526 Lenz v. Universal Music Corp. 527 b. Suits Against Users: Identifying the Defendant 530 xviii Contents 4. Diving Deeper: New Enforcement Procedures 533 a. Automated Enforcement 534 b. Graduated Sanctions 536 c. Interdiction Orders 537 D. Device Manufacturers and Liability for Inducing Infringement 538 1. Sony and the Staple Article of Commerce Doctrine 538 2. Groksterand Inducement Liability 542 Metro-Goldwyn-Mayer Studios, Inc. v. Grokster, Ltd. 542 3. Diving Deeper: Inducement Liability for OSPs? 554 Columbia. Pictures Industries v. Fung 554 Pair Use 563 A. Cultural Interchange 564 1. The Classic Cases 565 Harper Row, Publishers, Inc. v. Nation Enterprises 565 Campbell v. Acuff-Rose Music, Inc. 573 2. Transformative Use Beyond Parody 582 Castle Rock Entertainment, Inc. v. Carol Publishing Group, Inc. 582 Bill Graham Archives v. Dorling Kindersley, Ltd. 586 Cariou v. Prince 591 Note on “Best Practices” Guidelines 599 3. Fair Use and the First Amendment 601 B. Transformative Use Revisited 602 1. Technical Interchange 602 Sega Enterprises, Ltd. v. Accolade, Inc. 602 2. Online Search 609 Perfect 10, Inc. v. Amazon, Inc. 609 3. Access to Knowledge 612 The Authors Guild, Inc. v. HathiTrust 613 C. Other Productive Uses 622 1. The Classic Case 623 Sony Corporation of America v. Universal City Studios, Inc. 623 Note on Fair Use as Market Failure 629 2. Copying by Institutional Users 631 Cambridge University Press v. Patton 631 3. Personal Use Revisited 643 D. Fair Use in Comparative Perspective 645 Contents XIX PART V Practical Considerations in Licensing and Enforcing Copyrights Copyright Due Diligence 651 A. Formalities 651 1. An Overview 652 2. What Is Publication? 656 Estate of Martin Luther King, Jr., Inc. v. CBS, Inc. 656 3. Notice of Copyright 660 4. Deposit Requirements 661 5. Registration 662 6. Diving Deeper: Restoration of Copyright Protection for Certain Works of Foreign Authors 664 B. Duration 666 1. The Basics of Duration 666 a. Works Created on or After January 1, 1978 666 b. Works First Published Before January 1, 1978 666 c. Works Created but Unpublished Before January 1, 1978 668 d. Diving Deeper: Duration of Copyright in Foreign Works 670 2. The Policies Behind Copyright Duration 671 a. Extension of Subsisting Copyrights 672 Eldred v. Ashcroft 672 b. Restoration of Lapsed Copyrights 682 C. Renewals and Terminations of Transfers 686 1. Renewals 686 Stewart v. Abend 686 2. Diving Deeper: Inheritance and Vesting of Renewal Rights 693 3. Terminations of Transfers 694 a. Terminations of Transfers Made After January 1, 1978: Section 203 695 b. Terminations of Transfers Made Before January 1, 1978: Section 304(c)-(d) 696 c. Diving Deeper: “Agreements to the Contrary” 699 D. The Orphan Works Problem 700 1. Private Solutions 700 2. Legislative Solutions 702 Copyright and Contract 705 A. Modes of Transfer 1. Writing and Recording “Transfers” of Copyright 705 705 XX Contents 2. Implied Licenses 708 Asset Marketing Systems, Inc. Gagnon 708 3. The Revision Privilege for Collective Works 714 New York Times Company v. Tasini 714 B. New Uses and Old Language 721 Boosey Hawkes Music Publishers, Ltd. The Walt Disney Company 721 Random House v. Rosetta Books, LLC 725 C. New Licensing Models and the Contract/License Distinction 731 1. End User Licenses 731 Vernor v. Autodesk, Inc. 732 2. Open Licensing Models 741 Jacobsen v. Katzer 742 Note on Creative Commons 747 D. Misuse 748 Video Pipeline, Inc. v. Buena Vista Home Entertainment, Inc. 748 In re Napster, Inc. Copyright Litigation 752 — Copyright Litigation 761 A. Proper Court 761 Bassett v. Mashantucket Pequot Tribe 762 B. Standing to Sue Immunity from Suit 767 1. Standing to Sue for Copyright Infringement 767 Eden Toys, Inc. v. Florelee Undergarment Co. 768 2. Standing to Seek Declaratory Judgment 771 Shloss v. Sweeney 771 3. Sovereign Immunity 775 Chavez v. Arte Publico Press 777 C. Proper Timing 781 1. Filing Too Early 781 Reed Elsevier, Inc. v. Muchnick 781 2. Filing Too Late 786 Petrella v. Metro-Goldwyn-Mayer, Inc. 786 D. Jury Trial 792 Feltner v. Columbia Pictures Television, Inc. 792 E. Foreign Copyright Law in U.S. Courts 795 1. Choice of Law 795 Itar-Tass Russian News Agency v. Russian Kurier, Inc. 796 Bridgeman Art Library, Ltd. v. Cord Corp. 799 2. Enforcement of Judgments 801 F. Civil Remedies 802 1. Injunctive Relief 803 Contents xxi a. Permanent Injunctions 803 Christopher Phelps Associates, LLC v. Galloway 804 Metw-Goldwyn-Mayer Studios, Inc. v. Grokster, Ltd. 806 b. Preliminary Injunctions 811 Perfect 10, Inc. v. Google, Inc. 811 2. Seizure and Impoundment 815 3. Actual Damages and Profits 815 a. Attribution of Profits 816 Bouchat v. Baltimore Ravens Football Club, Inc. 816 b. Apportionment of Profits 823 Frank Music Corp. v. Metro-GoldwInc. 823 c. Attribution Across National Borders 828 Los Angeles News Service v. Reuters Television International, Ltd. 828 4. Statutory Damages 831 a. The Basics of Statutory Damages 832 Zomba Enterprises, Inc. v. Panorama Records, Inc. 832 b. Policies Underlying Statutory Damages 835 Capitol Records, Inc. v. Thomas-Rasset 835 5. Attorneys’ Fees 840 Fantasy, Inc. v. Fogerty 840 Positive Black Talk, Inc. v. Cash Money Records, Inc. 844 G. Criminal Infringement 848 1. Willfulness 848 United States v. Liu 848 2. Economic Motivation or Significance 854 PART VI New Enforcement Strategies and Public Policy Limits Technological Protections 861 A. Early Examples of Technological Protection B. The Digital Millennium Copyright Act and Circumvention of Technological Protections 1. Section 1201 Overview 2. Access Protection Versus Copy Protection Universal City Studios, Inc. v. Note on Section 1201 and Computer Science Research 3. Section 1201 and the First Amendment 4. Library of Congress Rulemakings Under §1201 Note on International Approaches to WCT Implementation 862 864 866 867 867 877 878 881 883 xxii Contents C. Authorized Versus Unauthorized Access and Interoperable Products 885 Chamberlain Group, Inc. v. Skylink Tech., Inc. 885 Lexmark International, Inc. v. Static Control Components, Inc. 893 D. Protection for Copyright Management Information 899 Murphy v. Millennium Radio Group, LLC 900 Kelly v. Arriba Soft Corp. 904 E. The Debate Over Digital Television 907 State Law Theories of Protection and Their Limits 911 A. Federal Intellectual Property Preemption: An Overview 911 1. Introduction to Preemption 911 2. Intellectual Property and Implied Preemption 913 Goldstein v. California 914 KewaneeOil Co. v. Bicron Corp. 919 Bonito Boats, Inc. v. Thunder Craft Boats, Inc. 922 B. Express Preemption Under the 1976 Act: An Overview 924 1. Basic Cases 925 Harper Row, Publishers, Inc. v. Nation Enterprises 925 Video Pipeline, Inc. v. Buena Vista Home Entertainment, Inc. 926 2. Diving Deeper: State Laws Expressly Permitted by Section 301 930 C. More Difficult Preemption Problems 931 1. The Right of Publicity 932 Brown v. Ames 933 Toney v. L’Oreal USA, Inc. 936 Laws v. Sony Music Entertainment 938 2. Misappropriation 941 International News Service v. Associated Press 941 National Basketball Ass’n v. Motorola, Inc. 944 3. Contract 949 a. Negotiated Agreements 949 b. Standard Form Agreements 951 Bowers v. Baystate Technologies, Inc. 953 Table of Cases 959 Table of Statutes and Other Laws 967 Table of Authorities 973 Index 979
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spellingShingle Copyright in a global information economy
Copyright / United States
Copyright, International
International and municipal law / United States
Copyright fast
Copyright, International fast
International and municipal law fast
title Copyright in a global information economy
title_auth Copyright in a global information economy
title_exact_search Copyright in a global information economy
title_full Copyright in a global information economy Julie E. Cohen ...
title_fullStr Copyright in a global information economy Julie E. Cohen ...
title_full_unstemmed Copyright in a global information economy Julie E. Cohen ...
title_short Copyright in a global information economy
title_sort copyright in a global information economy
topic Copyright / United States
Copyright, International
International and municipal law / United States
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topic_facet Copyright / United States
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International and municipal law / United States
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International and municipal law
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