Geschichte der venezianischen Malerei
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | German |
| Veröffentlicht: |
[s.l.]
Böhlau
2013
|
| Schlagworte: | |
| Online-Zugang: | kostenfrei |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV042565883 | ||
| 003 | DE-604 | ||
| 005 | 20170406 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 150519s2013 xx o|||| 00||| ger d | ||
| 020 | |a 9783205788898 |9 978-3-205-78889-8 | ||
| 035 | |a (OCoLC)910982009 | ||
| 035 | |a (DE-599)BVBBV042565883 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a ger | |
| 049 | |a DE-12 |a DE-210 |a DE-521 |a DE-1102 |a DE-1046 |a DE-1028 |a DE-1050 |a DE-573 |a DE-M347 |a DE-92 |a DE-1051 |a DE-898 |a DE-859 |a DE-860 |a DE-1049 |a DE-861 |a DE-863 |a DE-862 |a DE-Re13 |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 |a DE-70 |a DE-2174 |a DE-127 |a DE-22 |a DE-155 |a DE-91 |a DE-384 |a DE-473 |a DE-19 |a DE-355 |a DE-703 |a DE-20 |a DE-706 |a DE-824 |a DE-29 |a DE-739 | ||
| 050 | 0 | |a ND621.V5 | |
| 082 | 0 | |a 759.531 |2 22/ger | |
| 084 | |a LN 75810 |0 (DE-625)102166:13311 |2 rvk | ||
| 084 | |a LN 84550 |0 (DE-625)102416:2 |2 rvk | ||
| 084 | |a AHF II4/11/_8 |2 sdnb | ||
| 100 | 1 | |a Brucher, Günter |d 1941- |e Verfasser |0 (DE-588)122030672 |4 aut | |
| 245 | 1 | 0 | |a Geschichte der venezianischen Malerei |
| 264 | 1 | |a [s.l.] |b Böhlau |c 2013 | |
| 300 | |a 1 Online-Ressource (402 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Giorgione remains the central figure in the scientific discussion dealing with Venetian painting of the age, and accordingly the amount of literature on him is exuberant. The state of scientific discussion which harks back well into the 19th century, proves to be very heterogeneous, a selection of statements proves to be inapt as to serve as a basis for a further critical discussion. The outcome of all this is a general dissent, caused by the poor state of sources and the comparatively small number of secured works. In consequence, we are confronted with a constant struggle of attributions, increasing and decreasing in number, and a host of dates, often contradictory.<p>Es gibt kaum einen anderen italienischen Maler, der die kunstgeschichtliche Forschung so entzweit hat wie Giorgione. Die Ursachen dieser Uneinigkeit beruhen auf einer dürftigen Quellenlage sowie auf dem Umstand, dass nur wenige Werke des Künstlers als gesichert gelten | ||
| 546 | |a de | ||
| 600 | 0 | 7 | |a Tintoretto |d 1518-1594 |0 (DE-588)118622854 |2 gnd |9 rswk-swf |
| 610 | 2 | 4 | |a Basilica di San Marco (Venice, Italy) |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Giorgione, Sebastiano del Piombo, Titian, Palma il Vecchio, Catena, Venice, Renaissance-Painting, Gestalt theory, analysis of the works, criticism of style, iconography, Giorgionismo, colour research | |
| 650 | 4 | |a Giorgione, Sebastiano del Piombo, Tizian, Palma il Vecchio, Catena, Venedig, Renaissance-Malerei, Gestalttheorie, Werkanalysen, Stilkritik, Ikonographie, Giorgionismo, Koloritforschung | |
| 650 | 4 | |a Visual arts | |
| 650 | 4 | |a History of the arts | |
| 650 | 4 | |a Mosaics, Italian |z Italy |z Venice | |
| 650 | 4 | |a Painting, Italian |z Italy |z Venice | |
| 650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Italien | |
| 651 | 7 | |a Venedig |0 (DE-588)4062501-1 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Venedig |0 (DE-588)4062501-1 |D g |
| 689 | 0 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 0 | 2 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Tintoretto |d 1518-1594 |0 (DE-588)118622854 |D p |
| 689 | 1 | |8 1\p |5 DE-604 | |
| 856 | 4 | 0 | |u http://www.doabooks.org/doab?func=fulltext&rid=15507 |x Verlag |z kostenfrei |3 Volltext |
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 912 | |a ZDB-94-OAB | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-027999509 | |
Datensatz im Suchindex
| DE-BY-TUM_katkey | 2309987 |
|---|---|
| _version_ | 1822472722971623425 |
| adam_text | |
| any_adam_object | |
| author | Brucher, Günter 1941- |
| author_GND | (DE-588)122030672 |
| author_facet | Brucher, Günter 1941- |
| author_role | aut |
| author_sort | Brucher, Günter 1941- |
| author_variant | g b gb |
| building | Verbundindex |
| bvnumber | BV042565883 |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND621 |
| callnumber-raw | ND621.V5 |
| callnumber-search | ND621.V5 |
| callnumber-sort | ND 3621 V5 |
| callnumber-subject | ND - Painting |
| classification_rvk | LN 75810 LN 84550 |
| collection | ZDB-94-OAB |
| ctrlnum | (OCoLC)910982009 (DE-599)BVBBV042565883 |
| dewey-full | 759.531 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.531 |
| dewey-search | 759.531 |
| dewey-sort | 3759.531 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV042565883</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20170406</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">150519s2013 xx o|||| 00||| ger d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783205788898</subfield><subfield code="9">978-3-205-78889-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)910982009</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042565883</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">ger</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-210</subfield><subfield code="a">DE-521</subfield><subfield code="a">DE-1102</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1028</subfield><subfield code="a">DE-1050</subfield><subfield code="a">DE-573</subfield><subfield code="a">DE-M347</subfield><subfield code="a">DE-92</subfield><subfield code="a">DE-1051</subfield><subfield code="a">DE-898</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-1049</subfield><subfield code="a">DE-861</subfield><subfield code="a">DE-863</subfield><subfield code="a">DE-862</subfield><subfield code="a">DE-Re13</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-70</subfield><subfield code="a">DE-2174</subfield><subfield code="a">DE-127</subfield><subfield code="a">DE-22</subfield><subfield code="a">DE-155</subfield><subfield code="a">DE-91</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-706</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ND621.V5</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">759.531</subfield><subfield code="2">22/ger</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LN 75810</subfield><subfield code="0">(DE-625)102166:13311</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LN 84550</subfield><subfield code="0">(DE-625)102416:2</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AHF II4/11/_8</subfield><subfield code="2">sdnb</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Brucher, Günter</subfield><subfield code="d">1941-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)122030672</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Geschichte der venezianischen Malerei</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[s.l.]</subfield><subfield code="b">Böhlau</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (402 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Giorgione remains the central figure in the scientific discussion dealing with Venetian painting of the age, and accordingly the amount of literature on him is exuberant. The state of scientific discussion which harks back well into the 19th century, proves to be very heterogeneous, a selection of statements proves to be inapt as to serve as a basis for a further critical discussion. The outcome of all this is a general dissent, caused by the poor state of sources and the comparatively small number of secured works. In consequence, we are confronted with a constant struggle of attributions, increasing and decreasing in number, and a host of dates, often contradictory.<p>Es gibt kaum einen anderen italienischen Maler, der die kunstgeschichtliche Forschung so entzweit hat wie Giorgione. Die Ursachen dieser Uneinigkeit beruhen auf einer dürftigen Quellenlage sowie auf dem Umstand, dass nur wenige Werke des Künstlers als gesichert gelten</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">de</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Tintoretto</subfield><subfield code="d">1518-1594</subfield><subfield code="0">(DE-588)118622854</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="610" ind1="2" ind2="4"><subfield code="a">Basilica di San Marco (Venice, Italy)</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Giorgione, Sebastiano del Piombo, Titian, Palma il Vecchio, Catena, Venice, Renaissance-Painting, Gestalt theory, analysis of the works, criticism of style, iconography, Giorgionismo, colour research</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Giorgione, Sebastiano del Piombo, Tizian, Palma il Vecchio, Catena, Venedig, Renaissance-Malerei, Gestalttheorie, Werkanalysen, Stilkritik, Ikonographie, Giorgionismo, Koloritforschung</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Visual arts</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">History of the arts</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mosaics, Italian</subfield><subfield code="z">Italy</subfield><subfield code="z">Venice</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting, Italian</subfield><subfield code="z">Italy</subfield><subfield code="z">Venice</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Italien</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Venedig</subfield><subfield code="0">(DE-588)4062501-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Venedig</subfield><subfield code="0">(DE-588)4062501-1</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Tintoretto</subfield><subfield code="d">1518-1594</subfield><subfield code="0">(DE-588)118622854</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.doabooks.org/doab?func=fulltext&rid=15507</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-94-OAB</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027999509</subfield></datafield></record></collection> |
| geographic | Italien Venedig (DE-588)4062501-1 gnd |
| geographic_facet | Italien Venedig |
| id | DE-604.BV042565883 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-28T06:23:47Z |
| institution | BVB |
| isbn | 9783205788898 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027999509 |
| oclc_num | 910982009 |
| open_access_boolean | 1 |
| owner | DE-12 DE-210 DE-521 DE-1102 DE-1046 DE-1028 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-861 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-Re13 DE-BY-UBR DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| owner_facet | DE-12 DE-210 DE-521 DE-1102 DE-1046 DE-1028 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-861 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-Re13 DE-BY-UBR DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| physical | 1 Online-Ressource (402 Seiten) |
| psigel | ZDB-94-OAB |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Böhlau |
| record_format | marc |
| spelling | Brucher, Günter 1941- Verfasser (DE-588)122030672 aut Geschichte der venezianischen Malerei [s.l.] Böhlau 2013 1 Online-Ressource (402 Seiten) txt rdacontent c rdamedia cr rdacarrier Giorgione remains the central figure in the scientific discussion dealing with Venetian painting of the age, and accordingly the amount of literature on him is exuberant. The state of scientific discussion which harks back well into the 19th century, proves to be very heterogeneous, a selection of statements proves to be inapt as to serve as a basis for a further critical discussion. The outcome of all this is a general dissent, caused by the poor state of sources and the comparatively small number of secured works. In consequence, we are confronted with a constant struggle of attributions, increasing and decreasing in number, and a host of dates, often contradictory.<p>Es gibt kaum einen anderen italienischen Maler, der die kunstgeschichtliche Forschung so entzweit hat wie Giorgione. Die Ursachen dieser Uneinigkeit beruhen auf einer dürftigen Quellenlage sowie auf dem Umstand, dass nur wenige Werke des Künstlers als gesichert gelten de Tintoretto 1518-1594 (DE-588)118622854 gnd rswk-swf Basilica di San Marco (Venice, Italy) Geschichte gnd rswk-swf Giorgione, Sebastiano del Piombo, Titian, Palma il Vecchio, Catena, Venice, Renaissance-Painting, Gestalt theory, analysis of the works, criticism of style, iconography, Giorgionismo, colour research Giorgione, Sebastiano del Piombo, Tizian, Palma il Vecchio, Catena, Venedig, Renaissance-Malerei, Gestalttheorie, Werkanalysen, Stilkritik, Ikonographie, Giorgionismo, Koloritforschung Visual arts History of the arts Mosaics, Italian Italy Venice Painting, Italian Italy Venice Malerei (DE-588)4037220-0 gnd rswk-swf Italien Venedig (DE-588)4062501-1 gnd rswk-swf Venedig (DE-588)4062501-1 g Malerei (DE-588)4037220-0 s Geschichte z DE-604 Tintoretto 1518-1594 (DE-588)118622854 p 1\p DE-604 http://www.doabooks.org/doab?func=fulltext&rid=15507 Verlag kostenfrei Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Brucher, Günter 1941- Geschichte der venezianischen Malerei Tintoretto 1518-1594 (DE-588)118622854 gnd Basilica di San Marco (Venice, Italy) Giorgione, Sebastiano del Piombo, Titian, Palma il Vecchio, Catena, Venice, Renaissance-Painting, Gestalt theory, analysis of the works, criticism of style, iconography, Giorgionismo, colour research Giorgione, Sebastiano del Piombo, Tizian, Palma il Vecchio, Catena, Venedig, Renaissance-Malerei, Gestalttheorie, Werkanalysen, Stilkritik, Ikonographie, Giorgionismo, Koloritforschung Visual arts History of the arts Mosaics, Italian Italy Venice Painting, Italian Italy Venice Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)118622854 (DE-588)4037220-0 (DE-588)4062501-1 |
| title | Geschichte der venezianischen Malerei |
| title_auth | Geschichte der venezianischen Malerei |
| title_exact_search | Geschichte der venezianischen Malerei |
| title_full | Geschichte der venezianischen Malerei |
| title_fullStr | Geschichte der venezianischen Malerei |
| title_full_unstemmed | Geschichte der venezianischen Malerei |
| title_short | Geschichte der venezianischen Malerei |
| title_sort | geschichte der venezianischen malerei |
| topic | Tintoretto 1518-1594 (DE-588)118622854 gnd Basilica di San Marco (Venice, Italy) Giorgione, Sebastiano del Piombo, Titian, Palma il Vecchio, Catena, Venice, Renaissance-Painting, Gestalt theory, analysis of the works, criticism of style, iconography, Giorgionismo, colour research Giorgione, Sebastiano del Piombo, Tizian, Palma il Vecchio, Catena, Venedig, Renaissance-Malerei, Gestalttheorie, Werkanalysen, Stilkritik, Ikonographie, Giorgionismo, Koloritforschung Visual arts History of the arts Mosaics, Italian Italy Venice Painting, Italian Italy Venice Malerei (DE-588)4037220-0 gnd |
| topic_facet | Tintoretto 1518-1594 Basilica di San Marco (Venice, Italy) Giorgione, Sebastiano del Piombo, Titian, Palma il Vecchio, Catena, Venice, Renaissance-Painting, Gestalt theory, analysis of the works, criticism of style, iconography, Giorgionismo, colour research Giorgione, Sebastiano del Piombo, Tizian, Palma il Vecchio, Catena, Venedig, Renaissance-Malerei, Gestalttheorie, Werkanalysen, Stilkritik, Ikonographie, Giorgionismo, Koloritforschung Visual arts History of the arts Mosaics, Italian Italy Venice Painting, Italian Italy Venice Malerei Italien Venedig |
| url | http://www.doabooks.org/doab?func=fulltext&rid=15507 |
| work_keys_str_mv | AT bruchergunter geschichtedervenezianischenmalerei |