Making and transforming art technology and interpretation ; proceedings of the fifth symposiumof of the ICOM-CC Working Group for Art Technological Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22 - 23 November 2012

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Veröffentlicht: London Archetype Publ. [u.a.] 2014
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adam_text CONTENTS FOREWORD V ACKNOWLEDGEMENTS VII DIOSCORIDES AS AN ART TECHNOLOGICAL SOURCE 1 MARK CLARKE ACADEMY AND WORKSHOP: MEDIEVAL TRANSMISSION OF LATE ANTIQUE KNOWLEDGE 10 MARK CLARKE AND ARIE WALLERT AN ELUSIVE COLORANT: AVAILABILITY, PREPARATION AND USE OF ANTHOCYANIN COLORANTS IN EUROPEAN MEDIEVAL 16 ILLUMINATORS WORKSHOPS SYLVIE NEVEN AND )ANA SANYOVA PAINT IT RED: VERMILION MANUFACTURE IN THE MIDDLE AGES 23 STEFANOS KROUSTALLIS AND ROCIO BRUQUETAS MEDIEVAL SCULPTURES RE-POLYCHROMED AND RE-GILDED IN THE 19TH CENTURY BY ADRIEN HUBERT BRESSERS 31 DELPHINE STEYAERT THIS THEY USE IN MADRID : THE GROUND LAYER IN PAINTINGS ON CANVAS IN 17TH-CENTURY MADRID 40 MAITE JOVER DE CELLS AND DOLORES GAYO VAN DYCK AND DE MAYERNE: A CAUTIONARY NOTE REGARDING THE MANUSCRIPT 47 RICA JONES MATERIALS FOR PAINTING AND GILDING USED IN THE BENEDICTINE COMMUNITY OF PORTUGAL 1638 -1822: OTHER 54 TIMES, OTHER WAYS AGNES LE GAC, PAULO OLIVEIRA, ISABEL DIAS COSTA AND MARIA JODO DIAS COSTA EVOLUTIONS AND TRANSFORMATIONS OF HARPSICHORDS IN FRANCE IN THE 17TH AND 18TH CENTURIES 75 CHRISTINE LALOUE AND JEAN-PHILIPPE ECHARD MANUFACTURING TECHNIQUES AND THE ART OF WAX MODELLING: FROM THE SCULPTOR S STUDIO TO THE 86 ANATOMICAL WORKSHOP ALICIA SANCHEZ ORTIZ AND SANDRA MICO BORO COMBINING DIFFERENT TYPES OF SOURCES FOR A BETTER UNDERSTANDING OF TEMPERA PAINTING AROUND 1900 95 PATRICK DIETEMANN AND WIBKE NEUGEBAUER INTERPRETATION OF DOCUMENTARY SOURCES FOR THE INDUSTRIAL PREPARATION OF ZINC WHITE IN THE 19TH CENTURY 102 NICHOLAS EASTAUGH, JILLEEN NADOLNY AND WERONIKA SWIECH HANS HEYSEN S ART MATERIALS: AN INVESTIGATION INTO SUPPLIERS, KNOWLEDGE AND CHOICE 109 ROSEMARY DIANA HEYSEN AND NICOLE ANDREA TSE JEAN TINGUELY S SCRIPT FOR HOMAGE TO NEW YORK (I960) 117 REINHARD BEK AND CHRISTINE FROHNERT CONTENTS SHORTER PAPERS FROM POSTER PRESENTATIONS RECENT PUBLICATIONS ON ART TECHNOLOGICAL SOURCE RESEARCH 123 AD STIJNMAN COLOUR CONTEXT: A DATABASE ON COLOUR PRACTICE AND COLOUR KNOWLEDGE IN PRE-MODERN EUROPE 125 SYLVIE NEVEN, KARLN LEONHARD AND SVEN DUPRE FOUR PAINTINGS FROM ST JEROME S COLLEGE, COIMBRA, PORTUGAL: CONSERVATION, TECHNIQUE AND TREATISES 127 VANESSA ANTUNES, MERCES LORENA, VITOR SERRDO, VIRGINIA GOMES, MARIA JOSE OLIVEIRA, LUIS DIAS, JOSE MIRDO, ANTONIO CANDEIAS, ANA ISABEL SERUYA ANDJODO COROADO GLASS AND PARCHMENT WITH A VIEW: OIL PAINT AND THE IMITATION OF (STAINED) GLASS WINDOWS 1400-1600 129 MARJOLIJN BOL, HENK DE GROOT ANDARIE WALLERT O A-PINACEAE RESIN VARNISH RECIPES IN 15TH-18TH-CENTURY WRITTEN SOURCES 131 JEAN-PHILIPPE ECHARD AND VALERIE MALECKI A SUBSTANCE THAT SERVES ALL PAINTS : INTERPRETING A TECHNICAL RECIPE FROM SLOANE 345 133 INDRA KNEEPKENS, RONALD DE JONGH ANDARIE WALLERT THE TOWN: A SPARKLING 17TH-CENTURY CANVAS PAINTING 135 ANNE APALNES 0RNHOI TRANSFORMED BAROQUE ALTARPIECES IN NORTHERN ITALY 137 ORSO-MARIA PIAVENTO CRAFTSMEN AND GENTLEMEN 139 HERMAN DEN OTTER TECHNICAL EXAMINATION OF DAUBIGNY S CLIFFS AT VILLERVILLE-SUR-MER, OR NEW LIGHT ON THE HISTORY 141 OF IMPRESSIONISM RENE BOITELLE AND ALAN PHENIX THE WORKING PROCESS OF FRANCIS BACON: EVIDENCE FROM HIS STUDIO, ARTWORKS AND SLASHED CANVASES 143 ELKE CWIERTNIA, JUSTIN J. PERRY, BRIAN W. SINGER AND JOYCE H.TOWNSEND SLOW ACTIONS: TRANSFORMATIVE APPROACH TO DOCUMENTING MOVING IMAGE INSTALLATIONS 145 STEPHANIE SARAH LAUKE DYNAMIC ART TECHNOLOGICAL SOURCES FOR CONTEMPORARY WORKS: THE ARTIST INTERVIEW AND THE INSTALLATION PROCESS 147 SANNEKE STIGTER
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spelling Making and transforming art technology and interpretation ; proceedings of the fifth symposiumof of the ICOM-CC Working Group for Art Technological Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22 - 23 November 2012 ed. by Hélène Dubois ...
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spellingShingle Making and transforming art technology and interpretation ; proceedings of the fifth symposiumof of the ICOM-CC Working Group for Art Technological Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22 - 23 November 2012
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title Making and transforming art technology and interpretation ; proceedings of the fifth symposiumof of the ICOM-CC Working Group for Art Technological Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22 - 23 November 2012
title_auth Making and transforming art technology and interpretation ; proceedings of the fifth symposiumof of the ICOM-CC Working Group for Art Technological Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22 - 23 November 2012
title_exact_search Making and transforming art technology and interpretation ; proceedings of the fifth symposiumof of the ICOM-CC Working Group for Art Technological Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22 - 23 November 2012
title_full Making and transforming art technology and interpretation ; proceedings of the fifth symposiumof of the ICOM-CC Working Group for Art Technological Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22 - 23 November 2012 ed. by Hélène Dubois ...
title_fullStr Making and transforming art technology and interpretation ; proceedings of the fifth symposiumof of the ICOM-CC Working Group for Art Technological Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22 - 23 November 2012 ed. by Hélène Dubois ...
title_full_unstemmed Making and transforming art technology and interpretation ; proceedings of the fifth symposiumof of the ICOM-CC Working Group for Art Technological Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22 - 23 November 2012 ed. by Hélène Dubois ...
title_short Making and transforming art
title_sort making and transforming art technology and interpretation proceedings of the fifth symposiumof of the icom cc working group for art technological source research held at the royal institute of cultural heritage kik irpa brussels 22 23 november 2012
title_sub technology and interpretation ; proceedings of the fifth symposiumof of the ICOM-CC Working Group for Art Technological Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22 - 23 November 2012
topic Restaurierung (DE-588)4049600-4 gnd
Dokumentation (DE-588)4012656-0 gnd
Änderung (DE-588)4128256-5 gnd
Kunstwerk (DE-588)4123592-7 gnd
topic_facet Restaurierung
Dokumentation
Änderung
Kunstwerk
Konferenzschrift 2012 Brüssel
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