Marnie

"A thrilling tale of anxiety and moral extremity, Marnie (1964) cemented Alfred Hitchcock's reputation as a master of suspense and the visual form. Murray Pomerance here ranges through the many tortuous and thrilling passages of Marnie, weaving critical discussion together with production...

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1. Verfasser: Pomerance, Murray 1946- (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: London BFI 2014
Schriftenreihe:BFI film classics
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MARC

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500 |a The story -- Fugue -- Droit du seigneur -- Confederacy -- Face-off -- I remember mama 
520 |a "A thrilling tale of anxiety and moral extremity, Marnie (1964) cemented Alfred Hitchcock's reputation as a master of suspense and the visual form. Murray Pomerance here ranges through the many tortuous and thrilling passages of Marnie, weaving critical discussion together with production history to reveal Marnie as a woman in flight from her self, her past, her love, and the eyes of surveilling others. Challenging many received opinions--including claims of technical sloppiness and the proposal that Marnie's marriage night is a 'rape scene'--Pomerance sheds new light on a film that can often be difficult to understand and accept on its own terms. Original and stimulating, this BFI Film Classic identifies Marnie as one of Hitchcock's masterpieces, highlights the film's philosophical and psychological sensitivity, and reveals its sharp-eyed understanding of American society and its mores."--Page 4 of cover 
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Datensatz im Suchindex

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adam_text Contents Acknowledgments 6 The Story 7 1 Fugue 8 2 Droit du Seigneur 23 3 Confederacy 40 4 Face-off 56 5 I Remember Mama 70 Notes 84 Credits 89 Bibliography 92 A thrilling tale of anxiety and moral extremity, Marnie (1964) cemented Alfred Hitchcock’s reputation as a master of suspense and the visual form. Murray Pomerance here ranges through the many tortuous and thrilling passages of Marnie, weaving critical discussion together with production history to reveal Mamie as a woman in flight from her self, her past, her love, and the eyes of surveilling others. Challenging many received opinions - including claims of technical sloppiness and the proposal that Mamie’s marriage night is a ‘rape scene’ - Pomerance sheds new light on a film that can often be difficult to understand and accept on its own terms. Original and stimulating, this BFI Film Classic identifies Marnie as one of Hitchcock’s masterpieces, highlights the film’s philosophical and psychological sensitivity, and reveals its sharp-eyed understanding of American society and its mores. is Professor of Sociology at Ryerson University, Canada. He is the author of many books, including The Eyes Have It: Cinema and the Reality Effect (2013) and Alfred Hitchcock s America (2013), and is a series editor at both Rutgers and SUNY Press.
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spellingShingle Pomerance, Murray 1946-
Marnie
Hitchcock, Alfred / 1899-1980 / Criticism and interpretation
Hitchcock, Alfred / 1899-1980 fast
Marnie Film (DE-588)4729347-0 gnd
Marnie (Motion picture)
Marnie (Motion picture) fast
Motion pictures / United States / History / 20th century
PERFORMING ARTS / Film & Video / General bisacsh
Motion pictures fast
Film
Geschichte
subject_GND (DE-588)4729347-0
title Marnie
title_auth Marnie
title_exact_search Marnie
title_full Marnie Murray Pomerance
title_fullStr Marnie Murray Pomerance
title_full_unstemmed Marnie Murray Pomerance
title_short Marnie
title_sort marnie
topic Hitchcock, Alfred / 1899-1980 / Criticism and interpretation
Hitchcock, Alfred / 1899-1980 fast
Marnie Film (DE-588)4729347-0 gnd
Marnie (Motion picture)
Marnie (Motion picture) fast
Motion pictures / United States / History / 20th century
PERFORMING ARTS / Film & Video / General bisacsh
Motion pictures fast
Film
Geschichte
topic_facet Hitchcock, Alfred / 1899-1980 / Criticism and interpretation
Hitchcock, Alfred / 1899-1980
Marnie Film
Marnie (Motion picture)
Motion pictures / United States / History / 20th century
PERFORMING ARTS / Film & Video / General
Motion pictures
Film
Geschichte
United States
USA
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