Tennessee Williams and the theatre of excess the strange, the crazed, the queer
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge Univ. Press
2015
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| Ausgabe: | 1. publ. |
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| 245 | 1 | 0 | |a Tennessee Williams and the theatre of excess |b the strange, the crazed, the queer |c Annette J. Saddik |
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| 300 | |a XI, 180 S. |b Ill. | ||
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| 500 | |a Includes bibliographical references and index | ||
| 600 | 1 | 4 | |a Williams, Tennessee, |d 1911-1983 |x Criticism and interpretation |
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Datensatz im Suchindex
| DE-19_call_number | 0001/8 15-996 |
|---|---|
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| DE-BY-UBM_katkey | 5086172 |
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| adam_text | Titel: Tennessee Williams and the theatre of excess
Autor: Saddik, Annette J
Jahr: 2015
Contents
List offigures page viii
Acknowledgments ix
Introduction: sicker than necessary : Tennessee Williams
theatre of excess i
1 Drowned in Rabelaisian laughter : Germans as grotesque
comic figures in Williams plays of the 1960s and 1970s 22
2 Benevolent anarchy : Williams late plays and the theatre of
cruelty 42
3 Writing calls for discipline! : chaos, creativity, and madness
in Clothes for a Summer Hotel 64
4 Act naturally : embracing the monstrous woman in The
Milk Train Doesn t Stop Here Anymore, Ihe Mutilated, and
The Pronoun I 86
5 Theres something not natural here : grotesque ambiguities
in Kingdom ofEarth, A Cavalierfor Milady, and A House Not
Meant to Stand n 7
6 All drama is about being extreme : in-yer-face sex, war,
and violence 138
Conclusion: the only thing to do is laugh 161
Select bibliography 164
Index 173
The piays of Tennessee Williams’ post-1961 period
have often been misunderstood and dismissed.
In light of Williams’ centennial in 2011, which was
marked internationally by productions and world
premieres of his late plays, Annette I. Saddik’s new
reading of these works illuminates them in the
context of what she terms a “theatre of excess,”
ft
which seeks liberation through exaggeration, chaos,
ambiguity, and laughter. Saddik explains why
these plays are now gaining increasing acclaim,
and analyzes recent productions that successfully
captured elements central to Williams’ late aesthetic,
of what he called “the strange, the crazed, the queer.”
|
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| edition | 1. publ. |
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| id | DE-604.BV042257936 |
| illustrated | Illustrated |
| indexdate | 2025-02-03T17:41:49Z |
| institution | BVB |
| isbn | 9781107076686 |
| language | English |
| lccn | 014043068 |
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| oclc_num | 903595764 |
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| publishDate | 2015 |
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| spellingShingle | Saddik, Annette J. 1966- Tennessee Williams and the theatre of excess the strange, the crazed, the queer Williams, Tennessee, 1911-1983 Criticism and interpretation Williams, Tennessee 1911-1983 (DE-588)118633333 gnd DRAMA / American bisacsh DRAMA / American Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118633333 (DE-588)4012899-4 |
| title | Tennessee Williams and the theatre of excess the strange, the crazed, the queer |
| title_auth | Tennessee Williams and the theatre of excess the strange, the crazed, the queer |
| title_exact_search | Tennessee Williams and the theatre of excess the strange, the crazed, the queer |
| title_full | Tennessee Williams and the theatre of excess the strange, the crazed, the queer Annette J. Saddik |
| title_fullStr | Tennessee Williams and the theatre of excess the strange, the crazed, the queer Annette J. Saddik |
| title_full_unstemmed | Tennessee Williams and the theatre of excess the strange, the crazed, the queer Annette J. Saddik |
| title_short | Tennessee Williams and the theatre of excess |
| title_sort | tennessee williams and the theatre of excess the strange the crazed the queer |
| title_sub | the strange, the crazed, the queer |
| topic | Williams, Tennessee, 1911-1983 Criticism and interpretation Williams, Tennessee 1911-1983 (DE-588)118633333 gnd DRAMA / American bisacsh DRAMA / American Drama (DE-588)4012899-4 gnd |
| topic_facet | Williams, Tennessee, 1911-1983 Criticism and interpretation Williams, Tennessee 1911-1983 DRAMA / American Drama |
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