The glass armonica the music and the madness
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Musica Arcana
2013
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| 008 | 140930s2013 xx a||| |||| 00||| eng d | ||
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| 020 | |z 1940630002 |c paperback |9 1-940630-00-2 | ||
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| 100 | 1 | |a Zeitler, William |e Verfasser |0 (DE-588)137658788 |4 aut | |
| 245 | 1 | 0 | |a The glass armonica |b the music and the madness |c William Zeitler |
| 264 | 1 | |a San Bernardino, CA |b Musica Arcana |c 2013 | |
| 300 | |a VII, 342 S. |b Ill. |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a "A history of glass music from the Kama Sutra to modern times, including the glass armonica (also known as the glass harmonica), the musical glasses and the glass harp." | ||
| 500 | |a Includes bibliographical references (p. [285]-311) and index | ||
| 500 | |a The magic of glass -- A brief history of glass -- Before the musical glasses -- The musical glasses -- Franklin and the glass armonica -- Armonica virtuosi -- Composers and the armonica -- Creative uses of the armonica -- The armonica waxes -- The armonica wanes -- Appendix. Franklin's armonica correspondence | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Glass harmonica | |
| 650 | 4 | |a Glass as a musical instrument | |
| 650 | 4 | |a Musical instruments | |
| 650 | 7 | |a Glass as a musical instrument |2 fast | |
| 650 | 7 | |a Glass harmonica |2 fast | |
| 650 | 7 | |a Musical instruments |2 fast | |
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Datensatz im Suchindex
| _version_ | 1819654354807816192 |
|---|---|
| adam_text | Contents
Figures
........................................................................................
v
Prolog
..........................................................................................1
1.
The Magic of Glass.................................................................
7
2.
A Brief History of Glass
.........................................................9
Beginnings
.............................................................................................9
Egypt
....................................................................................................10
Rome
....................................................................................................12
Venice
...................................................................................................13
Northern Europe
...............................................................................17
Alchemy
...............................................................................................18
England
................................................................................................21
The Rise of the British Empire
................................................22
Fuel: From Wood to Coal
..........................................................23
Patents
...........................................................................................24
Innovation in General
.................................................................25
The Commercialization of Lead Glass
....................................26
The Excise Tax on Glass
............................................................29
America
................................................................................................29
3.
Before the Musical Glasses
...................................................33
Porcelain Instruments
........................................................................33
Indian
Jal Tarang
and the Kama Sutra
.................................33
The Japanese Hi
.......................................................................33
The Chinese Shui Chan
..........................................................34
The Arabian Tusut
..................................................................34
A Persian Porcelain Instrument
................................................34
Early Glass Instruments
....................................................................34
Franchinus Gaffurius
..................................................................34
The
Ambras
Collection
..............................................................38
Buy My Fine Singing Glasses
................................................38
The (Single) Musical Glass
................................................................39
The Singing Wine Glass for Dummies®
..................................39
Varieties of Glass
........................................................................42
Shattering a Glass with Sound
...................................................42
СГЧЭ
Contents
G/Đ
ii
Francis
Bacon
...............................................................................44
Galileo Galilei
..............................................................................44
Athanasius Kircher
......................................................................46
4.
The Musical
Glasses
.............................................................53
Georg
P. Harsdorffer
.........................................................................53
The Verrillon in
Early 18th Century Germany............................
55
Christoph W Gluck...........................................................................56
Richard Poekrich................................................................................57
Anne Ford...........................................................................................73
Schumann, Frederic Theodor...........................................................95
E.
Delaval
............................................................................................96
The Musical
Glasses
After Franklin................................................97
James Smith
and his
Musical
Glasses
.......................................97
Captain
Mendies
and his Glass Harp
.......................................97
Francis Hopkinson Smith
..........................................................98
The Great Belzoni
.....................................................................100
Various Musical Glasses Players
..............................................102
5.
Franklin and the Glass
Armonica
........................................107
Franklin and Electricity
...................................................................107
Franklin Invents the Glass
Armonica
...........................................
Ill
The
Armonica:
Franklin s Lifelong Companion
.........................119
Glass
Armonica or
Harmonica ?
.................................................122
Attempts at Improving Franklin s Invention
...............................123
Water Trough
.............................................................................123
Adding a Keyboard
...................................................................125
6.
Armonica
Virtuosi
................................................................131
Marianne Davies: From Riches to Rags
........................................131
PJ. Frick: Renounced Music for The Second Coming
.............142
K.L. Rollig: Eccentric Showman
....................................................148
J. F. Reichardt: Freedom Fighter
....................................................158
Angelica Kauffman: Renounced Music for Art
..........................160
Marianne Kirchgessner: Blind
Virtuosa
Who Inspired Mozart
161
7.
Composers and the
Armonica
.............................................177
Joseph A.
Schmittbauer...................................................................177
Johann
Α.
Hasse...............................................................................178
The Glass
Armonica:
the Music and the Madness
Ill
Johann
G.
Naumann........................................................................179
Wolfgang A. Mozart
........................................................................180
Ludwig
van Beethoven
....................................................................184
Felix Mendelssohn
...........................................................................185
Gaetano Donizetti
............................................................................186
8.
Creative Uses of the
Armonica
............................................189
Franz
Mesmer
...................................................................................189
Early Years
..................................................................................189
Mesmer
and the
Mozarts.........................................................189
Animal Magnetism
....................................................................191
Maria Theresa
von
Paradis.......................................................
191
Paris
.............................................................................................194
Twilight
.......................................................................................203
Phantasmagoria
................................................................................204
The Magic Lantern
....................................................................204
E.G. Robertson
.........................................................................204
9.
The
Armonica
Waxes
...........................................................211
The
Armonica in
England
..............................................................211
The
Armonica in
Italy
.....................................................................212
The
Armonica in
France
.................................................................217
The
Armonica in
Germany
............................................................220
The
Armonica In
America
..............................................................228
Robert Carter
&
Peter Pelham
................................................228
Nathanial Evans
.........................................................................229
Other American Glass Players
................................................231
Glass Performances
..................................................................232
10.
The
Armonica
Wanes
........................................................239
Nervous Disorders
...........................................................................240
The Health Risks of Music in the 18th Century
.......................247
The Music of the
(Herni)
-Spheres
..........................................248
Music in the Enlightenment
....................................................252
The
Armonica:
Weapon of Glass Destruction
................256
Lead Poisoning
.................................................................................257
What We Now Know About Lead Poisoning
......................258
Lead Poisoning in the 18th Century
.......................................260
Impracticalities of the
Armonica
...................................................263
Contents
iv
Epilog
......................................................................................267
Appendix
..................................................................................271
Franklin s
Armonica
Correspondence
..........................................271
To
Beccarla,
July
13, 1762........................................................271
From
Beccarla,
November
25, 1771.......................................275
To Jacques Barbeu-Dubourg, December
8, 1772.................275
To Unknown,
1779
(How to play the
armonica)
.................276
Watson s Diary, November
19, 1781......................................278
From the Count
de
Saluces, July
1, 1784...............................281
To the Count
de Saluces,
July
5, 1784....................................282
Bibliography
...........................................................................285
Primary
...............................................................................................285
Secondary
..........................................................................................291
Tertiary
...............................................................................................306
Science
...............................................................................................309
Fiction
................................................................................................310
Endnotes..................................................................................313
Index
........................................................................................313
The Glass
Armonica:
the Music and the Madness
Figures
WZ
indicates a photograph taken or graphic created by the author.
Other images are in the public domain except where otherwise credited.
Figure
1:
Obsidián
(Natural Volcanic Glass) Photo by Kevin
Walsh
.....................................................................................................9
Figure
2:
Hardwick Hall, More Glass Than Wall . Photo by Amy
Bradley
................................................................................................22
Figure
3:
A simple lead came glass window design (WZ)
..................23
Figure
4:
Woodcut from Gaffurius
Theorica Musicae (1492)...............36
Figure
5:
Buy my Fine Singing Glasses from The Cries of London
(after
1687).........................................................................................38
Figure
6:
Anatomy of a wine glass (WZ)
.............................................39
Figure
7:
Tuning a wine glass works with the -water either inside or
outside (WZ)
......................................................................................40
Figure
8:
A mega megaphone from Kircher s Musurgia
Universalis
(1673)..................................................................................................47
Figure
9:
A Wine Glass Experiment from Kircher s Phonurgia Nova
(1673) .................................................................................................48
Figure
10:
An experiment from Harsdorffer s Oeliciae Physico-Mathe-
maticae
(1636)......................................................................................54
Figure
11:
The range of a Verrillon , from
Eis
el s J^utodidaktos
(1738)......................................................................................55
Figure
12:
A man playing a Verrillon :
18
cups tuned with water,
played with beaters. From Eisel s Autodidaktos
(1738).................56
Figure
13:
Anne Thicknesse
neé Ford,
by Thomas Gainsborough
(01760)................................................................................................79
Figure
14:
Image from A Letter from Miss F..d
(1762)..................82
Figure
15:
Gilray s Ueutenant Governor Gail-Stone
(1790).....................88
Figure
16:
Detail of Gilray s Ueutenant Governor Gall-Stone
(1790)
showing Anne Ford
..........................................................................90
vi
Figure
17:
The title page from
Anne
Ford s Instructions for Playing on the
Musical Glasses {YldV)
.........................................................................93
Figure
18:
The illustration from Anne Ford s Instructions for Playing on
the Musical Glasses (V/
61)...................................................................94
Figure
19:
From the title page of F.H. Smith s instruction manual
( The Preceptor ,
1831)
for his Grand Harmonicon
.................98
Figure
20:
Arrangement of glasses for F.H.Smith s Grand
Harmonicon-
1
(WZ)
.....................................................................99
Figure
21:
Arrangement of glasses for F.H.Smith s Grand
Harmonicon
- 2
(WZ)
.....................................................................99
Figure
22:
Giovanni B. Belzoni, from his Narrative of the Operations
and Recent Discoveries Within the Pyramids, Temples, Tombs and
Excavations in Egypt and Nubia
(1820)...........................................100
Figure
23:
The bust of Ramses II excavated by The Great Belzoni
Photo by Jean-Pierre
Dalbéra
........................................................101
Figure
24:
Illustration from the
2nd
Italian publication of Franklin s
letter to
Beccarla
(1776).................................................................113
Figure
25:
Drawn by Franklin in his undated letter to Messrs. Huges
&
Co (PBF 10:180ff)
......................................................................114
Figure
26:
Drawn by Franklin in his undated letter to Messrs. Huges
&
Co (PBF 10:180ff)
......................................................................114
Figure
27:
Franklin s London
armonica
which Franklin had built
therein
1761.
(WZ)
.......................................................................117
Figure
28:
Madame Brillon s
armonica
in Paris (WZ)
......................120
Figure
29:
The author trying the water trough idea (WZ)
.............123
Figure
30:
A sideways wine glass in water (WZ)
...............................124
Figure
31:
A keyboard glass
armonica AMZ
July
1799....................127
Figure
32:
Keyboard glass
armonica
by Franz
Konrad
Bartl
(1798)................................................................................................128
Figure
33:
L Harmonica
(1819)
Claude
Desrais............................
137
Figure
34:
Franklin s electro-static generator
....................................140
The Glass
Armonica:
the Music and the Madness
vii
Figure
35:
Frontispiece to
Rollig s
Little Tone-Pieces for Harmonica
or Piano
(1789)..............................................................................151
Figure
36:
Rollig s Keyboard-armonica. From
Musikalische
Real-Zeitung
1789
s.31
......................................................................157
Figure
37:
A copperplate of Angelica Kauffman
(1819)
by Karl
Rahl
....................................................................................................160
Figure
38:
An engraved admission ticket to a Kirchgessner
concert
..............................................................................................169
Figure
39:
A cariciature of
Mesmer
magnetising a patient, from J.J.
Vzulet b slnrmagnetisme ( 1
94)
......................................................
202
Figure
40:
Magic Lantern from lurcher s
Ars
Magna
Juucis
et
Umbrae
(1671)................................................................................................205
Figure
41:
Robertson s Phantasmagoria. From his
Memoires
(1831)... 209
Figure
42:
Detail of a poster for a concert by Mr.
&
Mrs.
Mašek
presented by the
Academie
de Musique,
March
23, 1791.......219
Figure
43:
Schematic diagram of a glass
armonica,
from the
Journal
von und für Deutschland 1784, Heft Nr. 7...........................221
Figure
44:
From Kepler s Harmony of the World
(1619).....................248
Figure
45:
An
armonica
from Bohemia, built by
CF.
Pohl
с.
1818—
1830
of non-lead glass. (Courtesy Corning Glass Museum)....
258
Figures
|
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| id | DE-604.BV042096352 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T04:13:42Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027537111 |
| oclc_num | 876892843 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | VII, 342 S. Ill. 23 cm |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Musica Arcana |
| record_format | marc |
| spellingShingle | Zeitler, William The glass armonica the music and the madness Glass harmonica Glass as a musical instrument Musical instruments Glass as a musical instrument fast Glass harmonica fast Musical instruments fast Glasharmonika (DE-588)4603491-2 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4603491-2 (DE-588)4040802-4 |
| title | The glass armonica the music and the madness |
| title_auth | The glass armonica the music and the madness |
| title_exact_search | The glass armonica the music and the madness |
| title_full | The glass armonica the music and the madness William Zeitler |
| title_fullStr | The glass armonica the music and the madness William Zeitler |
| title_full_unstemmed | The glass armonica the music and the madness William Zeitler |
| title_short | The glass armonica |
| title_sort | the glass armonica the music and the madness |
| title_sub | the music and the madness |
| topic | Glass harmonica Glass as a musical instrument Musical instruments Glass as a musical instrument fast Glass harmonica fast Musical instruments fast Glasharmonika (DE-588)4603491-2 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Glass harmonica Glass as a musical instrument Musical instruments Glasharmonika Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027537111&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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