Vaastu marabu
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| Format: | Elektronisch Video |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Mylapore, Madras, India
Min Bimbangal, Vishwapriya Creations
2007, 1991
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-703 Volltext |
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MARC
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| 245 | 1 | 0 | |a Vaastu marabu |c by Bala Kailasam |
| 264 | 1 | |a Mylapore, Madras, India |b Min Bimbangal, Vishwapriya Creations |c 2007, 1991 | |
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| 500 | |a Produced for RASAM, Research Academy for Sciences & Art, Mamallapuram. - Originally produced in 1991and released in 2004 | ||
| 500 | |a The Vishwakarmas, the holders of the architectural and artistic heritage in India, have maintained the skill and the theoretical basis essential for designing and executing almost all aspects of the man-made environment. Vaastu Marabu documents the theory and practice of the Vaastu tradition of Indian art, architecture, craft and design. One of the foremost shilpis (designer-builder- sculpter) of India, Shri. V. Ganapati Sthapati of Mammallapuram, meditates on his art and his occupation. The film shows the process of making stone idols at Mammallapuram, near Madras, of casting bronzes in Kumbakonam, and of building stone temples at Kamudhi, near Madurai and at Ratnagiri, near Vellore. It illustrates the continuity of the tradition and reveals a technology that is ancient, yet still relevant today. The film explores the process of translating inner experience into art, and invites us to experience the naked beauty of the form while understanding the metaphysical message. The art of the Vishwakarma has given form and expression to all denominations of metaphysical thought in India. While it documents the practical aspects of building a temple or making an idol, the film also probes the underlying scientific and mathematical principles. Temple design is explored, and the meaning of symbols and icons are examined from the point of view of a shilpi | ||
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| 650 | 4 | |a Sculpture / India | |
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Datensatz im Suchindex
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| building | Verbundindex |
| bvnumber | BV042079040 |
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| ctrlnum | (OCoLC)649690916 (DE-599)BVBBV042079040 |
| format | Electronic Video |
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| geographic | Indien |
| geographic_facet | Indien |
| id | DE-604.BV042079040 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-24T04:13:15Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027520154 |
| oclc_num | 649690916 |
| open_access_boolean | |
| owner | DE-12 DE-703 |
| owner_facet | DE-12 DE-703 |
| physical | 1 Online-Ressource (1 streaming video (52 min.)) |
| psigel | ZDB-1-EVO |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Min Bimbangal, Vishwapriya Creations |
| record_format | marc |
| spelling | Vaastu marabu by Bala Kailasam Mylapore, Madras, India Min Bimbangal, Vishwapriya Creations 2007, 1991 1 Online-Ressource (1 streaming video (52 min.)) tdi rdacontent c rdamedia cr rdacarrier Produced for RASAM, Research Academy for Sciences & Art, Mamallapuram. - Originally produced in 1991and released in 2004 The Vishwakarmas, the holders of the architectural and artistic heritage in India, have maintained the skill and the theoretical basis essential for designing and executing almost all aspects of the man-made environment. Vaastu Marabu documents the theory and practice of the Vaastu tradition of Indian art, architecture, craft and design. One of the foremost shilpis (designer-builder- sculpter) of India, Shri. V. Ganapati Sthapati of Mammallapuram, meditates on his art and his occupation. The film shows the process of making stone idols at Mammallapuram, near Madras, of casting bronzes in Kumbakonam, and of building stone temples at Kamudhi, near Madurai and at Ratnagiri, near Vellore. It illustrates the continuity of the tradition and reveals a technology that is ancient, yet still relevant today. The film explores the process of translating inner experience into art, and invites us to experience the naked beauty of the form while understanding the metaphysical message. The art of the Vishwakarma has given form and expression to all denominations of metaphysical thought in India. While it documents the practical aspects of building a temple or making an idol, the film also probes the underlying scientific and mathematical principles. Temple design is explored, and the meaning of symbols and icons are examined from the point of view of a shilpi Architektur Architecture / India Ethnographic films Sculpture / India Indien Ananth, Sashikala Sonstige oth Bimbangal, Min Sonstige oth Kailasam, Balachander Sonstige oth Documentary Educational Resources (Firm) Sonstige oth Vishwapriya Creations Sonstige oth http://www.aspresolver.com/aspresolver.asp?ANTH;763991 Verlag Volltext |
| spellingShingle | Vaastu marabu Architektur Architecture / India Ethnographic films Sculpture / India |
| title | Vaastu marabu |
| title_auth | Vaastu marabu |
| title_exact_search | Vaastu marabu |
| title_full | Vaastu marabu by Bala Kailasam |
| title_fullStr | Vaastu marabu by Bala Kailasam |
| title_full_unstemmed | Vaastu marabu by Bala Kailasam |
| title_short | Vaastu marabu |
| title_sort | vaastu marabu |
| topic | Architektur Architecture / India Ethnographic films Sculpture / India |
| topic_facet | Architektur Architecture / India Ethnographic films Sculpture / India Indien |
| url | http://www.aspresolver.com/aspresolver.asp?ANTH;763991 |
| work_keys_str_mv | AT ananthsashikala vaastumarabu AT bimbangalmin vaastumarabu AT kailasambalachander vaastumarabu AT documentaryeducationalresourcesfirm vaastumarabu AT vishwapriyacreations vaastumarabu |