Class, crime and international film noir globalizing America's dark art

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1. Verfasser: Broe, Dennis (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Basingstoke [u.a.] Palgrave Macmillan 2014
Ausgabe:1. publ.
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500 |a Introduction: Global fugitives: outside the law and the cold war "consensus" -- Une grève, sanglante et poétique (a strike, bloody and poetic): French film noir and the defeat of the Popular Front -- The revolution that wasn't: black markets, Ressentiment, and survival in postwar British film noir -- The wintering of the Italian spring: from neorealism to film noir via Verdi -- Occupy the Zaibatsu: postwar Japanese film noir from democracy to the (re)appearance of the (old) new order -- Conclusion: Mediterranean noir: sunlight gleaming off a battered .45 -- Appendix -- International film noir classic period (selected titles) 
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Datensatz im Suchindex

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adam_text Contents List of Figures x Foreword by Kees van der Pijl xi Preface: On Symbolic Misery and Its Attenuation (and the Crime Film) xiv Acknowledgments xvi Introduction: Global Fugitives - Outside the Law and the Cold War Consensus 1 Global war followed by global war: all they were saying was don t give peace a chance 4 Post-war film industry: resisting the behemoth or Jason and the Argonauts meet Cyclops 10 It Fugitivo: film noir and the International Popular* 14 Class and the crime film 19 Film noir: going global or (always, already) gone global 21 How to read a film (noir) 25 1 Une grève, sanglante et poétique (A Strike, Bloody and Poetic): French Film Noir and the Defeat of the Popular Front 31 1 It Is not necessary to know when to end a strike 32 2 The (peculiarly French) genius of the system 37 What is the crime of shooting a film compared to the crime of financing one? 43 3 Mode of production begets (aesthetic) relations of production, от les temps noir fait les films noir (dark times call for dark films) 47 4 Le plus noir de la noir (the darkest of the dark) S5 Le Quai des brumes and working-cìàss tragedy 57 La Bête humaine and the weight of the Industrial Revolution 64 Le Jour se lève and the introjection of defeat 73 vii viii Contents 2 Тће Revolution that Wasn t: Black Markets, Ressentiment, and Survival in Post-War British Film Noir 83 1 Socialism deferred: actual labor versus Attlee s Labour Government 84 2 Post-war British mode of production: the long night of concentration, colonization, and censorship 90 3 Something dark this way comes: the sordid underbelly of aristocratic socialism 93 4 Fractured class fairy tales: film noir and the dawning of (British cinematic) class consciousness 98 It Always Rains on Sunday/Good-Time Girl: working-class rebellion tamed 98 The Third Man: Labour foreign policy laid bare 102 Hell Drivers and the moment of working-class noir 108 3 The Wintering of the Italian Spring: From Neorealism to Film Noir via Verdi 115 1 From revolution to rollback: democracy contained and subordinated to (US) capital 116 2 Runaway realism: how Italian films learned to stop worrying and love the box office 119 3 Classic Italian film noir: the dark side of neorealism 124 4 Strands of Italian noir 129 Noir and fascism: Ossessione 129 Noir and the Italian Spring: Tragic Pursuit/Bitter Rice 133 Noir and the economic miracle : Story of a Love Affair/ The Challenge 139 4 Occupy the Zaibatsuz Post« War Japanese Film Noir from Democracy to the (Re)Appearance of the (Old) New Order 146 1 Not going gently into that good night: Japanese workers of the (post-war) world unite 147 2 We re not in Kansas anymore, Toho: Japanese studio production in the classic noir era 152 3 Japanese film noir and post-war critique: the Owl of Minerva flies a little after dusk 157 4 Establishing the noir tradition 162 Kurosawa s one-man band: Drunken Angel and Stray Dog 162 Contents ix Mizoguchi s criminalizing of the patriarchy: Women of the Night and Street of Shame 167 Something s rotten in Nippon: The Bad Sleep Well and the victory of corporate power 171 Conclusion: Mediterranean Noir - Sunlight Gleaming Off a Battered .45 176 A sea like all the others 181 Eastern Mediterranean noir: sunlight gleaming off a battered Beretta 186 Appendix: International Film Noir Classic Period (Selected Titles) 190 Notes 197 Bibliography 214 Index 224
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spellingShingle Broe, Dennis
Class, crime and international film noir globalizing America's dark art
Film noir / History and criticism
Film noir (DE-588)4116435-0 gnd
subject_GND (DE-588)4116435-0
title Class, crime and international film noir globalizing America's dark art
title_auth Class, crime and international film noir globalizing America's dark art
title_exact_search Class, crime and international film noir globalizing America's dark art
title_full Class, crime and international film noir globalizing America's dark art Dennis Broe
title_fullStr Class, crime and international film noir globalizing America's dark art Dennis Broe
title_full_unstemmed Class, crime and international film noir globalizing America's dark art Dennis Broe
title_short Class, crime and international film noir
title_sort class crime and international film noir globalizing america s dark art
title_sub globalizing America's dark art
topic Film noir / History and criticism
Film noir (DE-588)4116435-0 gnd
topic_facet Film noir / History and criticism
Film noir
url http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027286418&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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