The global film book
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| Format: | Buch |
| Sprache: | English |
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Routledge
2014
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| Ausgabe: | 1. publ. |
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| 245 | 1 | 0 | |a The global film book |c Roy Stafford |
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| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Motion pictures |x Study and teaching | |
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Datensatz im Suchindex
| _version_ | 1804151864539742208 |
|---|---|
| adam_text | Contents
List
oí
illustrations
xi
Acknowledgements
xviii
Guidance notes for readers
xix
Introduction
1
First thoughts
1
World or global?
6
Industry and culture
VC h.u docs this mean to you?
H
Dealing with Hollywood
Ч
How Jo we
sci
the world?
1 1
lift·»/ Pi.
λ
global him?
П
Studvmg Him
14
How the book is organised
14
Information and resources
14
References and further reading
15
1
The development of global film
1
The story begins
1 ?
The first studios
19
Before language cinema
20
European war and the rise of Hollywood
21
Changes with sound
23
Dubbing and subtitling in global film
23
Case study
1.1:
Subtitling and La home
26
The context for Hollywood s hegemony
29
The international film market today
37
International art cinema
39
It s
noc
alt feature films
... 40
Summan-
40
References and further reading
41
2
The Hollywood studio model
4)
Global Hollywood
44
Genre production and the studio model
45
(Wnrr in
л
itlohai context 4~
The western
50
Melodrama*
54
Star systems S~
Modern, modermrv and modernism
59
Hollvwood strategies: adaptations, remakes, re-workings
61
Hollywood and transnational genre production
64
Case study
2.1:
Remaking romantic comedy: My
Ѕјѕѕу
Girl
65
Summary
69
References and further reading
69
ł
Approaching films from different cultures *4
Enjoyment in watching Rims
71
CONTENTS
Case
stády
3.1:
Die
Welíe
72
Case staaf
3
Л:
Y tu mamá también
75
Case: study
3.3:
At
S
in the Afternoon
80
Case study
3.4:
Ten Canoes
89
Summary °4
References and further reading
94
Further viewing
95
4
National cinemas in Europe: contrasting experiences
96
Defining national cinema
96
Defining the domestic film industry: national cinema as economic entity
97
France and the
ΌΚ:
the same but different?
100
Diaspora cinema in Europe
104
Diaspora filmmaking in tbe UK
105
Case study
4.1:
Gurinder Chadha as a British
diaspora
filmmaker
107
Diaspora filmmaking in France
110
European regional filmmaking: Nordic cinema
113
Case study
4.2:
Two Nordic films: Everlasting Moments, Headhunters
116
Nordic cinema: the American and British connection
118
Spanish national cinema: shaped by history
119
Summary
123
References and further reading
12-3
Further viewing
124
5
Decentring the Hollywood domination debate: Japan and South Korea
125
ProbJematising the study or Japanese cinema
12.6
Orientalism
127
Japanese films in the contemporary UK market
130
The contemporary filmed entertainment market in Japan
136
Japan and
Lts
classical cinema
137
Manga and
anime 14Ü
Case study
5.1:
The Girl Who Leapt Through Time
141
Cinema of South Korea
143
The South Korean blockbuster
144
The Korean Wave: Hallyu
145
A mature industry of variety?
149
Summary: cinemas
m
opposition to Hollywood or going their own way?
149
References and further reading
150
Further viewing
151
6
Middle East without borders
152
Where is the Middle East ?
153
Without borders
153
The film industries and film cultures of the Middle East
154
Local film industries
155
Turkish film culture and industry
156
Case study
6.1:
Uzak
158
Iranian cinema
159
Case study
6.2:
Nader and Simin; A Separation
161
Egyptian cinema
166
Case study
6.3:
Microphone
167
Lebanese cinema
168
Case study
6.4:
Caramel
169
European funding and support
170
Dreams of a nation: Palestine
171
Case study
6.5:
Two firms from
Hany
Abu Assad
171
Israeli cinema and the periphery
174
Case study
6.6:
Young Israelis at war
175
Summary
178
References and further reading
178
Further viewing
179
CONTENTS
7
International art cinema and the festival circuit
The origins of art cinema
Auteur
filmmaking
The
role
of film festivals
Case study
7.1:
Films from the South, Oslo
The festival film
Claire Denis, auteur
filmmaker
Case study
7.2: 35
rhums
Case study
7.3:
A festival film ?
Contemporary art cinema prospects
Artists films
Summary
References and further reading
Web material
Further viewing
8
Cinema that needs to be different?
Defining Third Cinema
Imperfect cinema in Cuba
From Third Cinema to postcoloniahsm
Basic concepts associated with postcolonialism
African cinemas
The legacy of British colonialist policies for .film culture
Film in Francophone. Africa
Sembène Ousmane
and sub-Saharan African filmmaking
Case study
8.1:
Third Cinema and
Sembè.ne s Xala
FESPACO, the diaspora and the academy
Nollywood
Case study
8.2:
Ататотгте
Summary
References and further reading
Further viewing
9
Global television
Television and non-standard technologies
The filmed TV series
The British telefilm
The development of US television production
Case study
9.1:
Fremantle Media
Television films
How is a TV film different?
How do you watch?
Classical Hollywood, TV movies and reality TV
Video cinema
International TV trade
Contra-fio
ws in the
international
television market
Telenovelas:
soap, romance and melodraffia
The origins of the
telenovela
Ramadan dramas
Nordic crime fiction
Crime fiction and its readers
Danish serials
Case study
9.2:
Yellow Bird
Summary
References and further reading
Further viewing
10
Diverse Indian cinemas
Outline history of film in India
Language diversity
Hindi cinema
181
181
185
187
189
191
192
193
200
202
203
204
204
205
205
206
207
208
212
213
214
215
218
219
771
224
227
27.9
231
233
234
235
236
237
238
238
241
243
245
246
248
249
251
251
252
252
254
257
257
258
260
261
262
263
264
266
267
268
CONTENTS
Bollywood examined
269
Bollywood and Indian popular cinema
270
Changing
audiences foi
Bollywood
272
Statistics and the Indian film industries
274
The corporatisation of Indian media
274
Nationalism, sectarianism and India Shining
276
Case study
10.1: 3
Idiots
277
Case study
10.2:
Endbiran
279
Bengali cinema, art and politics
281
New Indian cinema and parallel cinema
284
Indian diaspora filmmakers
286
New Bengali cinema and the parallel legacy
288
Case study
10.3: 25
Fark
Avenue
288
New Bollywood ?
289
Case study
10.4:
Anurag Kashyap and independent Indian films
290
Summary
292
References and further reading
293
Further viewing
294
11
Chinese cinemas
295
Chinese cinemas viewed from outside China
296
Early history of cinema in China
298
Cinema in the People s Republic of China (PRC)
299
Building on tradition
301
The emergence of
che
Fifth Generation filmmakers
303
Case study
11.1:
Xie Jin
304
Case study
11.2:
Zhang Yimou
306
The Sixth Generation
308
Hong Kong cinema: Chinese cinema as commercial cinema
309
Case study
11.3:
Ann
Hui
311
Cinema in Taiwan
313
Case study
11.4;
Hou Hsiao-hsien
314
Chinese diaspora cinema in Southeast Asia
318
Mainland Chinese cinema since the
1990s 318
Case study
11.5:
Feng Xiaogang
319
Case study
11.6:
Jia Zhangke
321
Action men and suffering women?
323
Summary
325
References and further reading
325
Further viewing
326
12
Looking to the future
328
New markets: Southeast Asia
329
Case study
12.1:
Eric Khoo and Zhao Wei Films
331
Will Hollywood s hegemony last3
332
The potential of the BRICs and
MIKT
333
The gaming industry
335
Digital cinema and cultural policy
336
Winners and losers in digital cinema?
337
E-cinema and digital diversity
338
Online film
340
Summary: the bigger picture
341
References and further reading
344
Glossary of key terms
346
Indices
355
Film titles
355
Names
363
Selected key terms
365
Contents List of illustrations Acknowledgements Guidance notes for readers Introduction First thoughts World or global? Industry and culture What does this mean to you? Dealing with Hollywood How do we see the world? Life of Pi: a global film? Studying film How the book is organised Information and resources References and further reading xi xviii xix 1 1 6 7 8 9 11 13 14 14 14 15 1 The development of global film The story begins The first studios Before ‘language cinema’ European war and the rise of Hollywood Changes with sound Dųbbing and subtitling in global film Case study 1.1: Subtitling and La haine The context for Hollywood’s hegemony The international film market today International art cinema It’s not all feature films ... Summary References and further reading 17 17 19 2 The Hollywood studio model Global Hollywood Geme production and the studio model Genre in a global context The western Melodramas Star systems Modern, modernity and modernism Hollywood strategies: adaptations, remakes, re-workings Hollywood and transnational genre production Case study 2.1: Remaking romantic comedy: My Sassy Girl Summary References and further reading 43 44 45 47 50 54 57 -59 61 64 65 69 69 3 Approaching films from different cultures Enjoyment in watching films 71 71 20 21 23 23 26 29 37 39 40 40 41
^ 4TENT Case study 3.1: Die Welle Case study 3.2: Y tu mamá también Case study 3.3: At 5 in the Afternoon Case study 3.4: Ten Canoes Summary References and further reading Further viewing ,֊ r gl gc ; ; ; 4 National cinemas in Europe: contrasting experiences Defining national cinema Defining the domestic film industry: national cinema as economic entity France and the UK: the same but different? Diaspora cinema in Europe Diaspora filmmaking in the UK Case study 4.1: Gurinder Chadha as a British diaspora filmmaker Diaspora filmmaking in France European regional filmmaking: Nordic cinema Case study 4.2: Two Nordic films: Everlasting Moments, Headhunters Nordic cinema: the American and British connection Spanish national cinema: shaped by history Summary References and further reading Further viewing ՜ 9՜ 10( 10¿ 10, 101 1; Ц 111 1 11 1շ: 12՞ 12i 5 Decentring the Hollywood domination debate: Japan and South Korea Problematising the study of Japanese cinema Orientalism Japanese films in the contemporary UK market The contemporary filmed entertainment market in Japan Japan and its ‘classical’ cinema Manga and anime Case study S.l: The Girl Who Leapt Through Time Cinema of South Korea The South Korean b!ockbuster The Korean Wave: Hallyu A mature industry of variety? Summary: cinemas in opposition to HoUywood or going their own way? References and further reading Further viewing 121 12 12՞ 12. 13i 13՜ 14t 141 14? 14і 14.’ 145 145 1505 151՜ 6 Middle East without borders Where is the ‘Middle East’? ‘Without borders’ The film industries and film cultures of the Middle East Local
film industries Turkish film culture and industry Case study 6.1: Uzak Iranian cinema Case study 6.2: Nader and Simin: A Separation Egyptian cinema Case study 6.3: Microphone Lebanese cinema Case study 6.4: Caramel European funding and support Dreams of a nation: Palestine Case study 6.5: Two films from Hany Abu-Assad Israeli cinema and the ‘periphery’ Case study 6.6: Young Israelis at war Summary References and further reading Further viewing 152 152 153 15» 155 156 158 159 161 166 167 168 169 170 171 171 174 175 178 178 179
CON í • „ ,ì -n-t and the festival circuit 7 International « ՝ ^ The origins of ‘art cinema Auteur filmmaking The role of film festivals Case study 7.1: Films from the South, Oslo The ‘festival film’ Claire Denis, auteur filmmaker Case study 7.2: 35 rhums Case study 7.3: A ‘festival film’? Contemporary art cinema prospects Artists’ films Summary References and further reading Web material Further viewing 8 Cinema that needs to be different? Defining ‘Third Cinema’ ‘Imperfect cinema’ in Cuba From Third Cinema to postcolonialism Basic concepts associated with postcolonialism ‘African cinemas’ The legacy of British colonialist policies for film culture Film in Francophone Africa Sembène Ousmane and sub-Saharan African filmmaking Case study 8.1: Third Cinema and Sembène’s Xala FESPACO, the diaspora and the academy Nollywood Case study 8.2: Araromire Summary References and further reading Further viewing 9 Global television Television and non-standard technologies The ‘filmed’ TV series The British telefilm The development of US television production Case study 9.1: Fremantle Media Television films How is a TV film different? How do you watch? Classical Hollywood, TV movies and reality TV Video cinema International TV trade Contra-flows in the international television market Telenovelas: soap, romance and melodrama The origins of the telenovela Ramadan dramas Nordic crime fiction Crime fiction and its readers Danish serials Case study 9.2: Yellow Bird Summary References and further reading Further viewing 10 Diverse Indian cinemas Outline history of film in India Language
diversity Hindi cinema 181 181 185 187 189 191 192 193 200 202 203 204 204 205 205 206 207 208 212 213 214 215 218 219 221 224 227 229 231 233 234 235 236 237 238 238 241 243 245 246 248 249 251 251 252 252 254 257 257 258 260 261 262 263 264 266 267 268
-NTS Bollywood examined Bollywood and ‘Indian popular cinema’ Changing audiences for Bollywood Statistics and the Indian film industries The corporatisation of Indian media Nationalism, sectarianism and ‘India Shining’ Case study 10.1: 3 Idiots Case study 10.2: Endhiran Bengali cinema, art and politics New Indian cinema and parallel cinema Indian diaspora filmmakers New Bengali cinema and the parallel legacy Case study 10.3: 15 Park Avenue ‘New Bollywood’? Case study 10.4: Anurag Kashyap and ‘independent’ Indian films Summary References and further reading Further viewing 269 270 272 274 274 276 277 279 281 284 286 288 288 289 290 292 293 294 11 Chinese cinemas Chinese cinemas viewed from outside China Early history of cinema in China Cinema in the People’s Republic of China (PRC) Building on tradition The emergence of the Fifth Generation filmmakers Case study 11.1: Xie Jin Case study 11.2: Zhang Yimou The Sixth Generation Hong Kong cinema: Chinese cinema as commercial cinema Case study 11.3: Ann Hui Cinema in Taiwan Case study 11.4: Hou Hsiao-hsien Chinese diaspora cinema in Southeast Asia Mainland Chinese cinema since the 1990s Case study 11.5: Feng Xiaogang Case study 11.6: Jia Zhangke Action men and suffering women? Summary References and further reading Further viewing 295 296 298 299 301 303 304 306 308 309 311 313 314 318 318 319 321 323 325 325 326 12 Looking to the future New markets: Southeast Asia Case study 12.1: Eric Khoo and Zhao Wei Films Will Hollywood’s hegemony last? The potential of the BRICs and MIKT The gaming industry Digital cinema and cultural
policy Winners and losers in digital cinema? E-cinema and digital diversity Online film Summary: the bigger picture References and further reading 328 329 331 332 333 335 336 337 338 340 341 344 Glossary of key terms Indices Film tides Names Selected key terms 346 355 355 363 365
The Global Film Book is an accessible and entertaining exploration of the development of film as global industry and art form, written especially for students and introducing readers to the rich and varied cinematic landscape beyond Hollywood. Highlighting areas of difference and similarity in film economies and audiences, as well as form, genre and narrative, this textbook considers a broad range of examples and up-to-date industry data from Europe, Africa, Asia, Australasia and Latin America. Author Roy Stafford combines detailed studies of indigenous film and television cultures with crossborder, global and online entertainment operations, including examples from Nollywood to Korean Cinema, via telenovelas and Nordic crime drama. The Global Film Book demonstrates a number of contrasting models of contemporary production, distribution and consumption of film worldwide, charting and analysing the past, present and potential futures for film throughout the world. The book also provides students with: • a series of exploratory pathways into film culture worldwide • illuminating analyses and suggestions for further readings and viewing, alongside explanatory margin notes and case studies • a user-friendly text design, featuring over 120 colour images • a dynamic and comprehensive blog, online at www.globalfilmstudies.com, providing updates and extensions of case studies in the book and analysis of the latest developments in global film issues.
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| id | DE-604.BV041641428 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:01:36Z |
| institution | BVB |
| isbn | 9780415688963 9780415688970 |
| language | English |
| lccn | 2013024489 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027082220 |
| oclc_num | 881666161 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR DE-M472 DE-739 DE-29 DE-384 DE-Po75 |
| owner_facet | DE-355 DE-BY-UBR DE-M472 DE-739 DE-29 DE-384 DE-Po75 |
| physical | XXIII, 365 S. zahlr. Ill., graph. Darst., Kt. 24 cm |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Routledge |
| record_format | marc |
| spelling | Stafford, Roy Verfasser (DE-588)1049764846 aut The global film book Roy Stafford 1. publ. London [u.a.] Routledge 2014 XXIII, 365 S. zahlr. Ill., graph. Darst., Kt. 24 cm txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Film Motion pictures Study and teaching PERFORMING ARTS / Film & Video / General bisacsh Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-0-203-13042-1 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027082220&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027082220&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027082220&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Stafford, Roy The global film book Film Motion pictures Study and teaching PERFORMING ARTS / Film & Video / General bisacsh Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 |
| title | The global film book |
| title_auth | The global film book |
| title_exact_search | The global film book |
| title_full | The global film book Roy Stafford |
| title_fullStr | The global film book Roy Stafford |
| title_full_unstemmed | The global film book Roy Stafford |
| title_short | The global film book |
| title_sort | the global film book |
| topic | Film Motion pictures Study and teaching PERFORMING ARTS / Film & Video / General bisacsh Film (DE-588)4017102-4 gnd |
| topic_facet | Film Motion pictures Study and teaching PERFORMING ARTS / Film & Video / General |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027082220&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027082220&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027082220&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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