Nacionalna glasbena zgodovina preobrazbe v drugi polovici 20. stoletja ; [ob stoletnici rojstva akademika Dragotina Cvetka (1911 - 1993)] = National music histories

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Veröffentlicht: Ljubljana Slov. Akad. Znanosti in Umetnosti [u.a.] 2012
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Datensatz im Suchindex

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adam_text Vsebina / Contents Predgovor / Foreword. Kajetan Gantar: Govor ob odkricju doprsnega kipa akademika univ. prof. dr. Dragocina Cvecka ob stoletnici rojsrva v Vučji vasi / Opening Address at the Unveiling of the Bust of Academician, Professor Dragotin Cvetko on the Hundredth Anniversary of his Birth at Vučja vas................................. Nacionalna glasbena zgodovina. Preobrazbe v drugi polovici го. stoletja National Music Histories. Metamorphoses in the Second Half of the Twentieth Century Andrej Rijavec: Življenje za stroko: sto letpozneje ...................................................... n Jože Sivec: Muzikolog Dragotin Cvetko - značilnosti in pomen njegovega dela ....................55 Pierluigi Petrobelli: Dragotin Cvetko and the InternationalMusicological Society: A Leading Example .......................................................................... 45 Ivan Klemenčič: Dragotin Cvetko - utemeljitelj slovenske muzikologije ...........................4- Gregor Pompe: Miselna izhodišča Dragotina Cvetka .................................................. ţ- Nadežda Mosusova: What is Necessary for a Aiodern National, Regional or European History of Music ............................................................................ 6~ Melita Milin: Serbian Musicologi after 1945: Main Directions ...................................... -3 Roksanda Pejović: Pavle Stejanović, an Apologist for Modern Music in Belgrade in the Second Half of the Twentieth Century ....................................................... 85 Matjaž Barbo: Slovenska muzikološka misei in Dragotin Cvetko .................................... 95 Marija Bergamo: О zgodovinskosti (tudi) glasbene zgodovine: pogled z južnoslovanskega prostora ............................................................................107 Danica Petrović: Musicology through Institutions. The Sixty Years of the Institute of Musicology in Belgrade ..................................................................115 Barbara Boisits: Austrian Musicology afìer World War II ........................................... 1x3 Jiří Sehnal: Das Tschechische in der Musik des ij. und 18. Jahrhunderts: früher und heute................................................................................................ 157 Zijo Kučukalić: Značajfenomenološke interpretacije muzičkog djela u suvremenoj muzikologiji ...............................................................................151 Niall O Loughlin: Slovene Music in a European Context: The International Activities ofDragotin Cvetko ......................................................................... 159 Borut Loparnik: Južnoslovanská ideja v delu Dragotina Cvetka ...................................165? Manica Špendal: Nekaj pogledov Dragotina Cvetka na slovensko glasbo in muzikologijo ......................................................................................... 175 Tomaž Faganel: Dragotin Cvetko - univerzitetni učitelj ............................................. 183 Jernej Weiss: »Slovenska glasbena zgodovina« ali »Glasbena zgodovina na Slovenskem«? Razmislek o príspevku čeških glasbenikov v glasbeni kulturi na Slovenskem ...........................................................................................191 Aleš Nagode: Prolegomena za zgodovinoglasbene umetnosti na Slovenskem .................... 199 Jurij Snoj: Casovna os in prostorske mreže v zgodovini glasbe na Slovenskem ................... 109 IN MEMORIAM Marija Bergamo: Ob odkritju doprsnega kipa prof. Cvetka na Filozof ski fakulteti ............... 2.2.1 Koraljka Kos: Dragotin Cvetko - dragocjene krhotine sjećanja ......................................2.2.3 Dimitrije Stefanović: Doprinos akademika Dragotina Cvetka srpskoj muzikologiji ............................................................................................. 2.2.5 Stane Granda: Hvala, gospod akademik!. ...............................................................2,19 Kronološki seznam doktorskih in magistrskih del, nastalih pod mentorstvom Dragotina Cvetka / The List of Master and Doctoral Theses Completed under the Tutorship ofDragotin Cvetko ........................................................... ¿33 Kronologija prireditev v septembru leta 2011 ob stoti obletnici rojstva Dragotina Cvetka / Chronological List of Events Organised on the Hundredth Anniversary ofDragotin Cvetko s Birth in September 2011 ...................... 2.35 Predgovor Septembra гои je minilo sto let od rojstva akademika Dragotina Cvetka, utemeljite¬ lja slovenske muzikologije, in malo nad pol stoletja, odkar je izšel še zadnji, tretji zve- zek njegovega temeljnega dela in prvega znanstvenega vseobsegajočega pregleda zgodo- vine glasbene umetnosti na Slovenskem. S tem so bili postavljeni temelji nacionalnega glasbenega zgodovinopisja, ki se je nato postopno razvilo v sodobno in evropsko pri- merljivo slovensko muzikologijo , kot jo poznamo danes. Akademik in profesor, dr. Dragotin Cvetko je v stroko uvedel vrsto pozneje vodilnih slovenskih muzikológov in tuđi njihovih kolegov po vsej bivši Jugoslaviji. Pečat njegovega neutrudnega dela in pri- zadevanj je ostal neizbrisen, о čemur priča tuđi ta spominski zbornik, katerega osrednji avtorji so njegovi doktorandi. Medtem ко se starejša generacija klanja spominu in delu svojega voditelja in vzornika, pa mlajša generacija razmišlja tako o preteklih dosežkih kot tuđi izzivih za naprej. Vse skupaj pa nas - kot je seveda tuđi edino prav - vodi naprej v příhodnost. Pričujoči zbornik je torej neposredni sad znanstvenega srečanja z naslovom Nacionalna glasbena zgodovina. Preobrazbe υ drugi polovicí 20. stoletja, kí ga je kot svoj příspěvek к vrsti dogodkov, ki so obeležili obietnico rojstva Dragotina Cvetka, prire- dil Muzikološki institut Znanstvenoraziskovalnega centra SAZU skupaj s Slovensko akademijo znanosti ín umetnosti ter v sodelovanju z Oddelkom za muzikologijo Filozofske fakultete Univerze v Ljubljani in Slovensko matico, ustanovama, s katerima je bil Dragotin Cvetko kar najtesneje povezan. Navezujoč se na življenje in delo aka¬ demika Dragotina Cvetka, je bilo srečanje posvećeno predvsem razmišljanju o tistih muzikoloških smereh in šolah druge polovice 2.0. stoletja, ki so se posvečale znanstve- nemu raziskovanju lastnih glasbenih kultur. 8 SreČanje v septembru гои je vključevalo stiri medsebojno povezane vsebinske sklope, in sicer: Življenje in delo Dragotina Cvetka, Preobrazbe nacionalnih glasbe- nih historiografij, Vprašanja evropske glasbene historiografije in Muzikologija: od naci- onalnega proti globalnemu. Srečanje je zaokrožila diskusijska okrogla miza v prostorih Slovenske matice z naslovom Kaj nam je zapustil Dragotin Cvetko? Sosledje príspev¬ kov v pričujoči publikaciji v največji meri sledi zasnovi srečanja, dodana pa so nekatera besedila, ki so bila prebraná na otvoritvenih slavjih ali pa se obračajo neposredno na slavljenca in so bila posredovana uredništvu naknadno. Tako se namesto z vsebinskim uvodom knjiga začne z tehtnimi in prisrčnimi besedami akademika prof. dr. Kajetana Gantarja, Cvetkovega prijatelja in univerzitetnega kolega, ki so pospremile prvo prire- ditev lanskega septembra, odkritje doprsnega kipa Dragotina Cvetka pred njegovo roj- stno hišo v Vučji vasi. Druga besedila častnih govornikov, osebnih prijateljev in tesnih sodelavcev so združena na koncu razprav pod skupnim podnaslovom In memoriam. Cvetkovo širino in obseg njegovega mednarodnega delovanja dokazuje tuđi nacionalna raznolikost avtorjev, poleg slovenskih še hrvaški, srbski, bosanski, italijanski, avstrijski, češki in angleški. Naj na tem mestu omenim, da se je kljub težki bolezni Cvetku z bese- dilom poklonil italijanski kolega prof. dr. Pierluigi Petrobelli, ki paje še pred končano redakcijo umri in žal ni dočakal izida te knjige. Ker je knjiga namenjena tudi spominu na vse prireditve, sta prav na koncu dodana Še seznam vseh, v septembru 201 1 Cvetku posvećenih prireditev, in seznam vseh njego¬ vih uspešnih magistrskih in doktorskih varovancev. Uspešno je bilo mogoče izvesti znanstveno srečanje seveda le s skupnimi močmi in v sodelovanju, zato se na tem mestu še posebno zahvaljujem všem sodelavcem Muzikološkega instituta, še posebej dr. Jurij Snoju in prof. dr. Andrejů Rijavcu, s kate- rim smo kar nekaj časa preživeli v razpravah o vsebini našega srečanja. Brez podpore kolegov in kolegic z Oddelka za muzikologijo Filozofske fakultete ljubljanske univerze prav tako ne bi šio. In ne nazadnje so tu še vsi referenti in avtorji, ki so s svojimi pri- spevki tako srečanje kot tudi to knjigo napolnili z vsebino. V zvezi s publikacijo se še posebej zahvaljujem sourednici dr. Maruši Zupančič, ki je opravila prvo fazo tehnične redakcije vseh osrednjih besedil tega zbornika in prof. O Loughlinu za pregled angleš- kih besedil. Za potrebno finančno podporo za izvedbo srečanja smo hvaležni Javni agenciji za raziskovalno dejavnost Republike Slovenije, Slovenski akademiji znanosti ín umetnosti in Znanstvenoraziskovalnemu centru SAZU, za izid knjige pa Slovenski akademiji znanosti in umetnosti. Metoda Kokole V Ljubljani, maja гоїг Foreword In September гои a hundred years have elapsed since the birth of the founder of mod¬ ern Slovenian musicology, Dragotin Cvetko, Professor of musicology and member of the Slovenian Academy of Sciences and Arts. His anniversary nearly coincided with another important date for Slovenian musicology, fifty years since the publication of the third and last volume of Cvetko s fundamental study, the first comprehensive scientific overview of the history of music on the territory of today s Slovenia. With this book Dragotin Cvetko paved the way for further research into national music historiography that in the follow¬ ing decades evolved into modern and internationally recognised Slovenian musicology . Dr Dragotin Cvetko was the tutor of a number of leading Slovenian musicologists as well as their colleagues throughout former Yugoslavia. The imprint of his devoted work and endeavours in Slovenian musicology is indelible, one of the proofs being also the pre¬ sent memorial volume the authors of which are mostly his former doctoral students. The older generation is mostly paying their respects to their leader s achievements while their younger colleagues reflect upon past achievements in the light of future challenges. This book is thus a direct result of the international musicological conference titled National Music Histories. Metamorphoses in the Second Half of the Twentieth Century that took place in Ljubljana between 18 and 21 September. It was organised by the Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts, together with the Department of Musicology at the Faculty of Arts, University of Ljubljana, and Slovenska matica, two institutions most closely linked to the scientific and pedagogical activities of Dragotin Cvetko. The conference was the cen¬ tral event of a number of memorial occasions in September гои. The meeting was dedi¬ cated to the life and work of Dragotin Cvetko, giving way to reflection on those musi- IO cological trends and schools of the later half of the twentieth century that focused on scientific research of national music cultures. The September meeting was conceived in four linked and intertwining subject sections: Dragotin Cvetko - life and work; Metamorphoses of national music histori¬ ographies·, European music historiographies - selected chapters; and Musicology -from national towards global. The discussions concluded with a round-table in the hall of Slovenska matica on the question What is the legacy of Dragotin Cvetko? The concep¬ tion of this book and the order of contributions follow closely the programme of the meeting. A number of shorter contributions were, however, added later, among them some inaugural speeches and other laudatory offerings. That is why instead of an edi¬ torial introduction the book begins with the words of the Academician, Professor Kajetan Gantar, Dragotin Cvetko s close friend and university colleague, who spoke at the unveiling of the bust in front of Cvetko s birth house in Vučja vas. Other lauda¬ tory texts were added at the close of the book under the title In memoriam. Cvetko s open character and the range of his influence is attested also by the variety of nation¬ alities of contributors who - apart from Slovenia - came from Croatia, Serbia, Bosnia, Italy, Austria and England. We are especially grateful to the late Professor Pierluigi Petrobelli, who even though already seriously ill had sent us his contribution on Cvetko s international activities. Professor Petrobelli died this March and will unfor¬ tunately never see this book. As this publication is partly intended to document all activities dedicated to Dragotin Cvetko in September zoii the editors have added a list of all events and in addition to this also a list of all Cvetko s MA and PhD students. The success of the above mentioned scientific conference was of course due to collec¬ tive work and fruitful collaboration of many Slovenian musicologists. In the function of the main organiser and editor of this book, I wish, however, to express my special grati¬ tude to some of them, first to my colleagues at the Institute of Musicology, especially Dr Jurij Snoj. I am also especially indebted to Professor Andrej Rijavec with whom we spent many hours carefully conceiving the programme of the meeting. Invaluable was also the collaboration and support of the colleagues from the Department of Musicology, Faculty of Arts. And last but not least we owe the heart of this book, the texts, to various authors, to all of whom I am extremely grateful for their collaboration. In connection with this volume I would like to thank also Dr Maruša Zupančič who diligently worked on the first stage of the editorial procedure, and to Prof O Loughlin for kindly correct¬ ing texsts in English. For financial support we are indebted to the Slovenian Research Agency, Slovenian Academy of Sciences and Arts, and the Scientific Research Centre of the Slovenian Academy of Sciences and Arts. Metoda Kokole Ljubljana, May zon
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publisher Slov. Akad. Znanosti in Umetnosti [u.a.]
record_format marc
spelling Nacionalna glasbena zgodovina preobrazbe v drugi polovici 20. stoletja ; [ob stoletnici rojstva akademika Dragotina Cvetka (1911 - 1993)] = National music histories uredili Metoda Kokole ...
National music histories
Ljubljana Slov. Akad. Znanosti in Umetnosti [u.a.] 2012
236 S.
txt rdacontent
n rdamedia
nc rdacarrier
Cvetko, Dragotin 1911-1993 (DE-588)1031532862 gnd rswk-swf
Geschichte 1950-1993 gnd rswk-swf
Geschichte 1950-2000 gnd rswk-swf
Musikgeschichtsschreibung (DE-588)4139339-9 gnd rswk-swf
Slowenien (DE-588)4055302-4 gnd rswk-swf
(DE-588)4143413-4 Aufsatzsammlung gnd-content
Slowenien (DE-588)4055302-4 g
Musikgeschichtsschreibung (DE-588)4139339-9 s
Geschichte 1950-2000 z
DE-604
Cvetko, Dragotin 1911-1993 (DE-588)1031532862 p
Geschichte 1950-1993 z
Kokole, Metoda Sonstige (DE-588)120784440 oth
Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026991667&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026991667&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract
spellingShingle Nacionalna glasbena zgodovina preobrazbe v drugi polovici 20. stoletja ; [ob stoletnici rojstva akademika Dragotina Cvetka (1911 - 1993)] = National music histories
Cvetko, Dragotin 1911-1993 (DE-588)1031532862 gnd
Musikgeschichtsschreibung (DE-588)4139339-9 gnd
subject_GND (DE-588)1031532862
(DE-588)4139339-9
(DE-588)4055302-4
(DE-588)4143413-4
title Nacionalna glasbena zgodovina preobrazbe v drugi polovici 20. stoletja ; [ob stoletnici rojstva akademika Dragotina Cvetka (1911 - 1993)] = National music histories
title_alt National music histories
title_auth Nacionalna glasbena zgodovina preobrazbe v drugi polovici 20. stoletja ; [ob stoletnici rojstva akademika Dragotina Cvetka (1911 - 1993)] = National music histories
title_exact_search Nacionalna glasbena zgodovina preobrazbe v drugi polovici 20. stoletja ; [ob stoletnici rojstva akademika Dragotina Cvetka (1911 - 1993)] = National music histories
title_full Nacionalna glasbena zgodovina preobrazbe v drugi polovici 20. stoletja ; [ob stoletnici rojstva akademika Dragotina Cvetka (1911 - 1993)] = National music histories uredili Metoda Kokole ...
title_fullStr Nacionalna glasbena zgodovina preobrazbe v drugi polovici 20. stoletja ; [ob stoletnici rojstva akademika Dragotina Cvetka (1911 - 1993)] = National music histories uredili Metoda Kokole ...
title_full_unstemmed Nacionalna glasbena zgodovina preobrazbe v drugi polovici 20. stoletja ; [ob stoletnici rojstva akademika Dragotina Cvetka (1911 - 1993)] = National music histories uredili Metoda Kokole ...
title_short Nacionalna glasbena zgodovina
title_sort nacionalna glasbena zgodovina preobrazbe v drugi polovici 20 stoletja ob stoletnici rojstva akademika dragotina cvetka 1911 1993 national music histories
title_sub preobrazbe v drugi polovici 20. stoletja ; [ob stoletnici rojstva akademika Dragotina Cvetka (1911 - 1993)] = National music histories
topic Cvetko, Dragotin 1911-1993 (DE-588)1031532862 gnd
Musikgeschichtsschreibung (DE-588)4139339-9 gnd
topic_facet Cvetko, Dragotin 1911-1993
Musikgeschichtsschreibung
Slowenien
Aufsatzsammlung
url http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026991667&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026991667&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
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AT kokolemetoda nationalmusichistories