Clowning and authorship in early modern theatre
"To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomised a the...
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| Format: | Buch |
| Sprache: | English |
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Cambridge [u.a.]
Cambridge Univ. Press
2014
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| Ausgabe: | 1. publ. |
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| 245 | 1 | 0 | |a Clowning and authorship in early modern theatre |c Richard Preiss |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Cambridge [u.a.] |b Cambridge Univ. Press |c 2014 | |
| 300 | |a X, 287 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a "To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomised a theatre that was heterogeneous, improvised and participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organise: the author, and the actor".. | ||
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| 650 | 4 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism | |
| 650 | 4 | |a Fools and jesters in literature | |
| 650 | 4 | |a Clowns in literature | |
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Datensatz im Suchindex
| _version_ | 1819730805720612864 |
|---|---|
| adam_text | Contents
List of figures
Acknowledgments
page
viii
ix
Introduction: The play is not the thing
I
ι
What audiences did
18
2
Send in the clown
во
3
Wiring Richard Tarlton
no
4
Nobody s business
ЦІ
5
Private practice
i78
Epilogue: The principal verb
220
Notes
Index
239
275
г
Тс
То
early modern audiences, the clown was much
more than a minor play character. A celebrity
performer, he was a one-man sideshow whose
interactive entertainments
-
face-pulling, farce
interludes, jigs, rhyming contests with the crowd
-
were the main event. Clowning epitomized a theatre
that was heterogeneous, improvised, participatory,
and irreducible to dramatic texts. How, then,
did those texts emerge? Why did playgoers buy
books that deleted not only the clown, but them as
well? Challenging the narrative that clowns were
banished by play wrights like Shakespeare and
lonson, Richard Preiss argues that clowns such
as Richard Tarlton, Will Kemp, and Robert
Armin
actually made playwrights possible
-
bridging,
through the publication of their routines, the
experience of live and scripted performance.
Clowning and Authorship tells the story of how, as the
clown s presence decayed into print, he bequeathed
the new categories around which theatre would
organize: the author, and the actor.
|
| any_adam_object | 1 |
| author | Preiss, Richard 1975- |
| author_GND | (DE-588)1049619242 |
| author_facet | Preiss, Richard 1975- |
| author_role | aut |
| author_sort | Preiss, Richard 1975- |
| author_variant | r p rp |
| building | Verbundindex |
| bvnumber | BV041485728 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR658 |
| callnumber-raw | PR658.F7 |
| callnumber-search | PR658.F7 |
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| callnumber-subject | PR - English Literature |
| classification_rvk | HI 1161 |
| ctrlnum | (OCoLC)882086680 (DE-599)BVBBV041485728 |
| dewey-full | 822/.309353 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.309353 |
| dewey-search | 822/.309353 |
| dewey-sort | 3822 6309353 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| edition | 1. publ. |
| era | Geschichte 1500-1600 gnd |
| era_facet | Geschichte 1500-1600 |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-12-24T03:57:43Z |
| institution | BVB |
| isbn | 9781107036574 |
| language | English |
| lccn | 013033961 |
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| physical | X, 287 S. Ill. |
| publishDate | 2014 |
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| publisher | Cambridge Univ. Press |
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| spellingShingle | Preiss, Richard 1975- Clowning and authorship in early modern theatre English drama Early modern and Elizabethan, 1500-1600 History and criticism Fools and jesters in literature Clowns in literature Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd Narr Motiv (DE-588)4171169-5 gnd Clown Motiv (DE-588)4207375-3 gnd |
| subject_GND | (DE-588)4014777-0 (DE-588)4012899-4 (DE-588)4171169-5 (DE-588)4207375-3 |
| title | Clowning and authorship in early modern theatre |
| title_auth | Clowning and authorship in early modern theatre |
| title_exact_search | Clowning and authorship in early modern theatre |
| title_full | Clowning and authorship in early modern theatre Richard Preiss |
| title_fullStr | Clowning and authorship in early modern theatre Richard Preiss |
| title_full_unstemmed | Clowning and authorship in early modern theatre Richard Preiss |
| title_short | Clowning and authorship in early modern theatre |
| title_sort | clowning and authorship in early modern theatre |
| topic | English drama Early modern and Elizabethan, 1500-1600 History and criticism Fools and jesters in literature Clowns in literature Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd Narr Motiv (DE-588)4171169-5 gnd Clown Motiv (DE-588)4207375-3 gnd |
| topic_facet | English drama Early modern and Elizabethan, 1500-1600 History and criticism Fools and jesters in literature Clowns in literature Englisch Drama Narr Motiv Clown Motiv |
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