Popular music and the new auteur visionary filmmakers after MTV
Music videos widened the creative vocabulary of filmmaking, starting with the launch of MTV in 1981, and continuing through the expansion of cable TV and the proliferation of the PC and of digital video. This study looks at seven visionary directors, most of them American, who have allowed music-vid...
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| Format: | Buch |
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| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2013]
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| Online-Zugang: | Inhaltsverzeichnis |
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Inhaltsangabe:
- "Without music, I would be lost": Scorsese, Goodfellas, and a new soundtrack practice / Julie Hubbert
- Lost in transition: popular music, adolescence, and the melodramatic mode of Sofia Coppola / Tim Anderson
- A musical tour of the bizarre: popular music as fantasy in David Lynch / Gene Willet
- Songs of delusion: popular music and the aesthetics of the self in Wong Kar-wai's cinema / Giorgio Biancorosso
- O, brother, where chart thou?: popular music and the Coen brothers / Jeff Smith
- You've heard this one before: Quentin Tarantino's scoring practice from Kill Bill to Inglorious basterds / Ken Garner
- Wes Anderson: ironist and auteur / Arved Ashby