The Oxford handbook of film music studies

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Bibliographische Detailangaben
Weitere Verfasser: Neumeyer, David 1950- (HerausgeberIn)
Format: Buch
Sprache:English
Veröffentlicht: Oxford [u.a.] Oxford Univ. Press 2014
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Online-Zugang:Inhaltsverzeichnis
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Inhaltsangabe:
  • Overview
  • Opera and film
  • Visual representation of film sound as analytical tool
  • Film music from the perspective of cognitive science
  • Composing for film
  • Ontological, formal, and critical theories of film music and sound
  • Drawing a new narrative for cartoon music
  • Genre theory and the film musical
  • The tunes they are a-changing
  • The compilation soundtrack from the 1960s to the present
  • The origins of musical style in video games, 1977-1983
  • Classical music, virtual bodies, narrative film
  • Gender, sexuality, and the soundtrack
  • Psychoanalysis, apparatus theory, and subjectivity
  • Case studies--introduction
  • Case study 1, The order of sanctity
  • Case study 2, Strange recognitions and endless loops
  • Transformational theory and the analysis of film music
  • Listening in film
  • Auteurship and agency in television music
  • When the music surges
  • Audio-visual palimpsests
  • Performance practices and music in early cinema outside hollywood
  • Performing prestige Overview
  • Music and the ontology of the sound film
  • Opera and film
  • Visual representation of film sound as analytical tool
  • Film music from the perspective of cognitive science
  • Composing for film
  • Ontological, formal, and critical theories of film music and sound
  • Drawing a new narrative for cartoon music
  • Genre theory and the film musical
  • The tunes they are a-changing
  • The compilation soundtrack from the 1960s to the present
  • The origins of musical style in video games, 1977-1983
  • Classical music, virtual bodies, narrative film
  • Gender, sexuality, and the soundtrack
  • Psychoanalysis, apparatus theory, and subjectivity
  • Case studies--introduction
  • Case study 1, The order of sanctity
  • Case study 2, Strange recognitions and endless loops
  • Transformational theory and the analysis of film music
  • Listening in film
  • Auteurship and agency in television music
  • When the music surges
  • Audio-visu