The speech-gesture complex modernism, theatre, cinema
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| Format: | Buch |
| Sprache: | English |
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Edinburgh
Edinburgh Univ. Press
2013
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| Schriftenreihe: | Edinburgh critical studies in modernism, drama and performance
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Datensatz im Suchindex
| _version_ | 1804151436341149696 |
|---|---|
| adam_text | THE SPEECH-GESTURE COMPLEX
Modernism, Theatre, Cinema
Anthony Paraskeva
EDINBURGH
University Press
CONTENTS
Acknowledgements vi
Introduction 1
Kafka s Amerika: The Aesthetics and Politics of Incompletion 1
Unstable Categories: Naturalist and Modernist Performance Style 14
Performative Absence and Mechanical Reproduction 18
Theatre, Cinema and the Universal Language of Gesture 26
1 James Joyce 38
our sad want of signs : Imperceptible Gestures in Ibsen and Joyce 38
Paralysis and Spectatorship: Henry James, Eleanora Duse, Yeats
and Dubliners 43
Slips of the Hand in Exiles 55
In the beginning was the gest : Circe , Early Cinema and the Art
of Gestures 64
2 Wyndham Lewis 88
The Clown and the Uber-Marionette in Enemy of the Stars 88
The Cbildermass: Lewis vs Chaplin in the Afterlife 100
The Politics of Gesture: The Bailiff, Hitler and the Society of the
Spectacle 110
3 The Transition to Sound 132
Nabokov, Lewis and Garbo 132
Late Modernism and the Resistance to Sound 148
4 Samuel Beckett 162
Hand-writing in Nacht und Traume 162
The Politics of Depersonalisation in Catastrophe 167
Bibliography
Index
Places
the performative gesture at the point of intersection between
literature> theatre and cinema
This new study examines the representation of gesture in modernist writing, performance and
cinema. Deploying a new theoretical term, the speech-gesture complex , Anthony
Paraskeva
identifies a relationship between speech and gesture which is neither exclusively literary nor
performative and which, he argues, is fundamental to the aesthetics and politics of modernist
authors. In discussions of works by Franz Kafka, James Joyce, Henry James, Wyndham Lewis,
Vladimir Nabokov and Samuel Beckett,
Paraskeva
shows how this relationship is closely
informed by their attention to the performed gestures of actors in theatre and cinema.
Key Features
•
Provides new close readings of major and neglected work by Kafka, Joyce, James, Lewis,
Nabokov and Beckett, revealing their complex relations with both theatre and cinema
•
Establishes a new critical-theoretical category, and highlights an unexplored dialogue between
Ibsen, Benjamin,
Adorno,
Griffith,
Eisenstein,
Chaplin,
Brecht,
Artaud,
Lang, Meyerhold,
Duse
and
Garbo
•
Analyses central and neglected modernist texts alongside stage productions, styles of acting,
film history and performance theory
.
|
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| discipline | Sprachwissenschaft Literaturwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| spellingShingle | Paraskeva, Anthony The speech-gesture complex modernism, theatre, cinema Geschichte Gesture in literature Modernism (Literature) Gesture in motion pictures Speech and gesture Theater / History Film (DE-588)4017102-4 gnd Geste Motiv (DE-588)4516644-4 gnd Aufführung (DE-588)4143388-9 gnd Literatur (DE-588)4035964-5 gnd |
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| title | The speech-gesture complex modernism, theatre, cinema |
| title_auth | The speech-gesture complex modernism, theatre, cinema |
| title_exact_search | The speech-gesture complex modernism, theatre, cinema |
| title_full | The speech-gesture complex modernism, theatre, cinema Anthony Paraskeva |
| title_fullStr | The speech-gesture complex modernism, theatre, cinema Anthony Paraskeva |
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| title_short | The speech-gesture complex |
| title_sort | the speech gesture complex modernism theatre cinema |
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